Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-mlc7c Total loading time: 0 Render date: 2024-11-09T20:12:59.697Z Has data issue: false hasContentIssue false

Interview by Behrang Samsami (Journalist) with Bert Schmidt (Shahid Saless’s Cinematographer)

Published online by Cambridge University Press:  10 October 2020

Azadeh Fatehrad
Affiliation:
Kingston University
Get access

Summary

‘IT WAS AS IF IT WAS AN OPEN AIR STUDIO’

Sohrab Shahid Saless: he is one of the most important figures in modern Iranian film, and nowadays a real unknown quantity in New German Cinema. Saless was born in Tehran in 1944 and died in 1998 in Chicago; he spent his whole life working as a transnational screenplay author and director. During the 1960s, he studied film production and drama in Austria and France, and shot numerous films for cinema and television, as well as documentaries in Iran, the Federal Republic of Germany and the former Czechoslovakia. He then moved to the USA in the 1990s but was not able to produce films there. Since 2016, retrospectives in cities including Berlin (2016) and Munich (2017) have meant that the work of this award-winning Iranian filmmaker, who had been unjustly forgotten in Germany, is now being rediscovered, as well as discovered for the first time.

Two films, which Saless produced and which the following interview is about, were either predominantly or completely filmed in the former Czechoslovakia: Hans – A Young Man in Germany (Hans – Ein Ɉunge in Deutschland, 1985) was produced in the spring and autumn of 1983. Saless based this black-and-white film on the 1977 novel, The Blue Hour (Die blaue Stunde), an autobiographical work by the author Hans Frick (1930–2003). Hans, the protagonist, lives in Nazi Germany with his mother, a factory worker, and his seriously ill grandmother in Frankfurt am Main. The family experiences the war years here: bombs fall, forced labourers are dragged through the streets and neighbours harass the boy. And the reason for this? Hans's father, who he does not know, is a Jew – so both mother and son live in fear of denunciation. When Hans sees Gestapo in front of the apartment, he flees the city and manages to survive until he is intercepted by incoming American soldiers.

The Willow Tree (Der Weidenbaum) was shot in the spring and summer of 1984 and is a film version of the short story of the same name written by the Russian writer Anton Chekhov, which was first published in 1883.

Type
Chapter
Information
ReFocus: The Films of Sohrab Shahid-Saless
Exile, Displacement and the Stateless Moving Image
, pp. 159 - 165
Publisher: Edinburgh University Press
Print publication year: 2020

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×