Book contents
- Frontmatter
- Contents
- Acknowledgments
- Permissions
- Introduction
- 1 Images of Objectification: Othello as Prop in Kill Shakespeare
- 2 Colorblindness on the Post-Racial Stage: Hip Hop, Comedy, and Cultural Appropriation in Othello: The Remix
- 3 Othello, Race, and Serial: The Ethics of a Shakespearean Cameo
- 4 “No tools with which to hear”: Adaptive Re-Vision, Audience Education, and American Moor
- 5 At the Intersection of Gender, Race, and White Privilege: A Case of Three Desdemona Plays
- 6 Resisting Lobotomized Shakespeare: Whiteness and Universality in Key & Peele and Get Out
- Epilogue
- Bibliography
- Index
Permissions
Published online by Cambridge University Press: 25 October 2023
Book contents
- Frontmatter
- Contents
- Acknowledgments
- Permissions
- Introduction
- 1 Images of Objectification: Othello as Prop in Kill Shakespeare
- 2 Colorblindness on the Post-Racial Stage: Hip Hop, Comedy, and Cultural Appropriation in Othello: The Remix
- 3 Othello, Race, and Serial: The Ethics of a Shakespearean Cameo
- 4 “No tools with which to hear”: Adaptive Re-Vision, Audience Education, and American Moor
- 5 At the Intersection of Gender, Race, and White Privilege: A Case of Three Desdemona Plays
- 6 Resisting Lobotomized Shakespeare: Whiteness and Universality in Key & Peele and Get Out
- Epilogue
- Bibliography
- Index
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- Publisher: Edinburgh University PressPrint publication year: 2022