Book contents
- Frontmatter
- Contents
- Acknowledgements
- Preface
- 1 Modernist narratives and popular music
- 2 Rock and the facts of life
- 3 Changing patterns in society and music: the US since World War II
- 4 “If I Were a Voice”: or, The Hutchinson Family and popular song as political and social protest
- 5 Some thoughts on the measurement of popularity in music
- 6 Elvis, a review
- 7 Home cooking and American soul in black South African popular music
- 8 Rock ‘n’ roll in a very strange society
- 9 African-American music, South Africa, and apartheid
- 10 “The constant companion of man”: Separate Development, Radio Bantu, and music
- 11 Privileging the moment of reception: music and radio in South Africa
- 12 Music and radio in the People's Republic of China
- 13 Towards a new reading of Gershwin
- 14 A blues for the ages
- 15 Graceland revisited
- 16 Dvořák in America: nationalism, racism, and national race
- 17 The last minstrel show?
- 18 The Role of Rock, a review
- 19 Genre, performance, and ideology in the early songs of Irving Berlin
- 20 Epilogue: John Cage revisited
- Index
Contents
Published online by Cambridge University Press: 05 February 2012
- Frontmatter
- Contents
- Acknowledgements
- Preface
- 1 Modernist narratives and popular music
- 2 Rock and the facts of life
- 3 Changing patterns in society and music: the US since World War II
- 4 “If I Were a Voice”: or, The Hutchinson Family and popular song as political and social protest
- 5 Some thoughts on the measurement of popularity in music
- 6 Elvis, a review
- 7 Home cooking and American soul in black South African popular music
- 8 Rock ‘n’ roll in a very strange society
- 9 African-American music, South Africa, and apartheid
- 10 “The constant companion of man”: Separate Development, Radio Bantu, and music
- 11 Privileging the moment of reception: music and radio in South Africa
- 12 Music and radio in the People's Republic of China
- 13 Towards a new reading of Gershwin
- 14 A blues for the ages
- 15 Graceland revisited
- 16 Dvořák in America: nationalism, racism, and national race
- 17 The last minstrel show?
- 18 The Role of Rock, a review
- 19 Genre, performance, and ideology in the early songs of Irving Berlin
- 20 Epilogue: John Cage revisited
- Index
Summary
- Type
- Chapter
- Information
- Putting Popular Music in its Place , pp. vii - viiiPublisher: Cambridge University PressPrint publication year: 1995