Book contents
- Producing Women’s Poetry, 1600–1730
- Frontispiece
- Producing Women’s Poetry, 1600–1730
- Copyright page
- Table of contents
- Illustrations
- Acknowledgements
- Textual conventions
- Abbreviations
- Introduction
- Chapter 1 The resources of manuscript: Anne Southwell, readership and literary property
- Chapter 2 The material muse: Anne Bradstreet in manuscript and print
- Chapter 3 The extraordinary Katherine Philips
- Chapter 4 The anxieties of agency: compilation, publicity and judgement in Anne Finch’s poetry
- Chapter 5 Publishing Marinda: Robert Molesworth, Mary Monck and Caroline of Ansbach
- Conclusion: producing women’s poetry
- Select bibliography
- Index
Textual conventions
Published online by Cambridge University Press: 05 May 2013
Book contents
- Producing Women’s Poetry, 1600–1730
- Frontispiece
- Producing Women’s Poetry, 1600–1730
- Copyright page
- Table of contents
- Illustrations
- Acknowledgements
- Textual conventions
- Abbreviations
- Introduction
- Chapter 1 The resources of manuscript: Anne Southwell, readership and literary property
- Chapter 2 The material muse: Anne Bradstreet in manuscript and print
- Chapter 3 The extraordinary Katherine Philips
- Chapter 4 The anxieties of agency: compilation, publicity and judgement in Anne Finch’s poetry
- Chapter 5 Publishing Marinda: Robert Molesworth, Mary Monck and Caroline of Ansbach
- Conclusion: producing women’s poetry
- Select bibliography
- Index
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- Producing Women's Poetry, 1600–1730Text and Paratext, Manuscript and Print, pp. ixPublisher: Cambridge University PressPrint publication year: 2013