Book contents
- Frontmatter
- Contents
- List of Illustrations
- Acknowledgments
- List of Abbreviations
- General Editors’ Preface
- General Chronology of James’s Life and Writings
- Introduction
- Textual Introduction
- Chronology of Composition and Production
- Bibliography
- The Portrait of a Lady
- Glossary of Foreign Words and Phrases
- Notes
- Textual Variants
- Emendations
- Appendices
Chapter 52
Published online by Cambridge University Press: 11 April 2021
- Frontmatter
- Contents
- List of Illustrations
- Acknowledgments
- List of Abbreviations
- General Editors’ Preface
- General Chronology of James’s Life and Writings
- Introduction
- Textual Introduction
- Chronology of Composition and Production
- Bibliography
- The Portrait of a Lady
- Glossary of Foreign Words and Phrases
- Notes
- Textual Variants
- Emendations
- Appendices
Summary
THERE was a train for Turin and Paris that evening; and after the Countess had left her, Isabel had a rapid and decisive conference with her maid, who was discreet, devoted, and active. After this, she thought (except of her journey) of only one thing. She must go and see Pansy; from her she could not turn away. She had not seen her yet, as Osmond had given her to understand that it was too soon to begin. She drove at five o’clock to a high door in a narrow street in the quarter of the Piazza Navona, and was admitted by the portress of the convent, a genial and obsequious person. Isabel had been at this institution before; she had come with Pansy to see the sisters. She knew they were good women, and she saw that the large rooms were clean and cheerful, and that the wellused garden had sun for winter and shade for spring. But she disliked the place, and it made her horribly sad; not for the world would she have spent a night there. It produced to-day more than before the impression of a well-appointed prison; for it was not possible to pretend that Pansy was free to leave it. This innocent creature had been presented to her in a new and violent light, but the secondary effect of the revelation was to make Isabel reach out her hand to her.
The portress left her to wait in the parlour of the convent, while she went to make it known that there was a visitor for the dear young lady. The parlour was a vast, cold apartment, with new-looking furniture; a large clean stove of white porcelain, unlighted; a collection of wax-flowers under glass; and a series of engravings from religious pictures on the walls. On the other occasion Isabel had thought it less like Rome than like Philadelphia; but to-day she made no reflections; the apartment only seemed to her very empty and very soundless. The portress returned at the end of some five minutes, ushering in another person. Isabel got up, expecting to see one of the ladies of the sisterhood; but to her extreme surprise she found herself confronted with Madame Merle.
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- The Portrait of a Lady , pp. 528 - 538Publisher: Cambridge University PressPrint publication year: 2016