Book contents
- Frontmatter
- Contents
- Acknowledgments
- Introduction
- 1 Haunting (Literary) History: An Introduction to German Gothic
- 2 “The echo of the question, as if it had merely resounded in a tomb”: The Dark Anthropology of the Schauerroman in Schiller's Der Geisterseher
- 3 Blaming the Other: English Translations of Benedikte Naubert's Hermann von Unna (1788/1794)
- 4 Scott, Hoffmann, and the Persistence of the Gothic
- 5 Cultural Transfer in the Dublin University Magazine: James Clarence Mangan and the German Gothic
- 6 In the Maelstrom of Interpretation: Reshaping Terror and Horror between 1798 and 1838 — Gleich, Hoffmann, Poe
- 7 Popular Ghosts: Heinrich Heine on German Geistesgeschichte as Gothic Novel
- 8 The Spirit World of Art and Robert Schumann's Gothic Novel Project: The Impact of Gothic Literature on Schumann's Writings
- 9 About Face: E. T. A. Hoffmann, Weimar Film, and the Technological Afterlife of Gothic Physiognomy
- 10 Of Rats, Wolves, and Men: The Pied Piper as Gothic Revenant and Provenant in Wilhelm Raabe's Die Hämelschen Kinder
- 11 The Lady in White or the Laws of the Ghost in Theodor Fontane's Vor dem Sturm
- 12 On Golems and Ghosts: Prague as a Site of Gothic Modernism
- 13 “Ein Gespenst geht um”: Christa Wolf, Irina Liebmann, and the Post-Wall Gothic
- Works Cited
- Notes on the Contributors
- Index
Works Cited
Published online by Cambridge University Press: 05 February 2013
Book contents
- Frontmatter
- Contents
- Acknowledgments
- Introduction
- 1 Haunting (Literary) History: An Introduction to German Gothic
- 2 “The echo of the question, as if it had merely resounded in a tomb”: The Dark Anthropology of the Schauerroman in Schiller's Der Geisterseher
- 3 Blaming the Other: English Translations of Benedikte Naubert's Hermann von Unna (1788/1794)
- 4 Scott, Hoffmann, and the Persistence of the Gothic
- 5 Cultural Transfer in the Dublin University Magazine: James Clarence Mangan and the German Gothic
- 6 In the Maelstrom of Interpretation: Reshaping Terror and Horror between 1798 and 1838 — Gleich, Hoffmann, Poe
- 7 Popular Ghosts: Heinrich Heine on German Geistesgeschichte as Gothic Novel
- 8 The Spirit World of Art and Robert Schumann's Gothic Novel Project: The Impact of Gothic Literature on Schumann's Writings
- 9 About Face: E. T. A. Hoffmann, Weimar Film, and the Technological Afterlife of Gothic Physiognomy
- 10 Of Rats, Wolves, and Men: The Pied Piper as Gothic Revenant and Provenant in Wilhelm Raabe's Die Hämelschen Kinder
- 11 The Lady in White or the Laws of the Ghost in Theodor Fontane's Vor dem Sturm
- 12 On Golems and Ghosts: Prague as a Site of Gothic Modernism
- 13 “Ein Gespenst geht um”: Christa Wolf, Irina Liebmann, and the Post-Wall Gothic
- Works Cited
- Notes on the Contributors
- Index
Summary
A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
- Type
- Chapter
- Information
- Popular RevenantsThe German Gothic and its International Reception, 1800–2000, pp. 259 - 288Publisher: Boydell & BrewerPrint publication year: 2012