Book contents
- The Polyphonic Mass in France, 1600–1780
- The Polyphonic Mass in France, 1600–1780
- Copyright page
- Dedication
- Contents
- Figures
- Tables
- Musical Examples
- Foreword
- Preface
- Acknowledgments
- Abbreviations
- Introduction
- 1 Printed Choirbooks
- 2 Choirbooks and Musical Practice
- 3 People and Networks
- 4 Music and Liturgy
- 5 Lassus as Model
- 6 Stylistic Considerations
- 7 Two Best Sellers
- 8 Missa pro defunctis
- Conclusion
- Book part
- Note on Appendixes
- Appendix 1: The Corpus
- Appendix 2: Printed Partbooks
- Appendix 3: Manuscript Scores and Parts
- Appendix 4: Seventeenth- and Eighteenth-Century Handwritten Arrangements of Masses Printed in Choirbook Layout
- Appendix 5: Chronology of the Ballard Choirbooks
- Select Bibliography
- Index
Note on Appendixes
Published online by Cambridge University Press: 31 March 2017
- The Polyphonic Mass in France, 1600–1780
- The Polyphonic Mass in France, 1600–1780
- Copyright page
- Dedication
- Contents
- Figures
- Tables
- Musical Examples
- Foreword
- Preface
- Acknowledgments
- Abbreviations
- Introduction
- 1 Printed Choirbooks
- 2 Choirbooks and Musical Practice
- 3 People and Networks
- 4 Music and Liturgy
- 5 Lassus as Model
- 6 Stylistic Considerations
- 7 Two Best Sellers
- 8 Missa pro defunctis
- Conclusion
- Book part
- Note on Appendixes
- Appendix 1: The Corpus
- Appendix 2: Printed Partbooks
- Appendix 3: Manuscript Scores and Parts
- Appendix 4: Seventeenth- and Eighteenth-Century Handwritten Arrangements of Masses Printed in Choirbook Layout
- Appendix 5: Chronology of the Ballard Choirbooks
- Select Bibliography
- Index
Summary
- Type
- Chapter
- Information
- The Polyphonic Mass in France, 1600–1780The Evidence of the Printed Choirbooks, pp. 275 - 276Publisher: Cambridge University PressPrint publication year: 2017