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6 - The Tragedy of Recognition: Debt, Guilt and Political Action

Published online by Cambridge University Press:  15 October 2020

Stefan Nygard
Affiliation:
University of Helsinki
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Summary

Two myths have always faced each other. So powerful that man believes in them. The right of peoples, their primitive freedom, against the power of the market, immortal as its laws. The two fearful opponents fight for the unredeemed and destiny appears inextricable. The guilt [Schuld] that drags on, though often bitterly paid: since not only is debt paid tooth by tooth, but also interest– with no way out. Now it is clear, in Attica the two are facing each other. Who has more weight, who has more breath? Who reconciles them? It would be like changing the world order. Divided is the art that sings them, it celebrates the weapons and the ear, the common market and the human community.

Volker Braun, Putzfrauen

THIS QUOTE is taken from Putzfrauen, a text by Volker Braun, who stages the Greek debt crisis within the framework of ancient tragedy. The starting point is the layoff of the cleaning women of the Greek Ministry of Finance in the context of the crisis. In September 2013, in fact, 595 cleaners employed in the Ministry, mostly women, were laid off to outsource the service in order to implement the austerity measures that Greece was requested to take. Two years later, in court, the women finally secured their reinstatement and became a symbol of resistance to austerity.

This suggestive event serves as a starting point for assessing the link between debt crisis and tragedy and trying to understand whether it is only an effective artistic and rhetorical tool, or whether it can offer a different understanding of the crisis itself and of the politics that lies beneath it. To analyse the relationship with the tragic, we start from the premise that in the course of the Greek debt crisis, and in the relationships between Greece and Germany, the tragic dimension has often been evoked, by government representatives, by the media and by common sense.

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Publisher: Edinburgh University Press
Print publication year: 2020

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