Skip to main content Accessibility help
×
Hostname: page-component-586b7cd67f-tf8b9 Total loading time: 0 Render date: 2024-11-20T11:46:58.055Z Has data issue: false hasContentIssue false

13 - Stauffenberg: The Search for a Motive

Published online by Cambridge University Press:  10 February 2023

Get access

Summary

When Stefan George Is Discussed Today outside the seminar rooms of German departments, it is usually in the context of Claus Schenk Graf von Stauffenberg. At the end of his expansive study Secret Germany: Stefan George and His Circle, Robert Norton, too, touches on Stauffenberg and his plot to assassinate Hitler. Having devoted more than seven hundred pages to demonstrate, with the zeal of an inquisitor, that a direct line led from George to Hitler, Norton’s decision to conclude his book with a portrait of Stauffenberg seems somewhat puzzling. It is by no means clear why Stauffenberg, who had been passionately committed to George since the age of fifteen and who ranked amongst the most faithful custodians of his Master’s legacy, should decide, ten years after the latter’s death in 1933, to kill, of all people, the man whose policies, according to Norton, represented the realization of George’s prophecy. Norton himself, in fact, seems slightly confounded by this paradox, as is evident in the final sentences of his book: “To the end, then, Stauffenberg remained loyal to the ideals he had learned from Stefan George. We will never know if Stauffenberg ever considered whether those ideals themselves, and the man who had preached them, had helped to create the one he tried to destroy.”

In the summer of 2007, Stauffenberg became the center of public attention in the run-up to the release of a Hollywood blockbuster based on the events of the 1944 bomb plot starring Tom Cruise. When the film finally reached the German screens in January 2009, the Cambridge historian Richard Evans was one of the first to question the motives that informed the actions of Stauffenberg and his fellow conspirators in “Operation Valkyrie,” the code word that lent the picture its title. In an article for the magazine supplement of the Süddeutsche Zeitung, a leading German daily, published on 23 January 2009, Evans observed that Stauffenberg’s assassination attempt was inspired by the neo-Romantic ideals of Stefan George — ideals, he pointed out, that were already long defunct in 1944. According to Evans, Stauffenberg’s belief that Europe could exist only under German leadership was as anachronistic as his desire for the restoration of a corporate state.

Type
Chapter
Information
A Poet's Reich
Politics and Culture in the George Circle
, pp. 317 - 332
Publisher: Boydell & Brewer
Print publication year: 2011

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×