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Preface

Published online by Cambridge University Press:  05 June 2014

Arul George Scaria
Affiliation:
Université Catholique de Louvain, Belgium
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Summary

This book is an attempt to explore the question how copyright law works at the grassroots level in India. It specifically looks at the social, cultural, historical, legal and economic dimensions of copyright piracy in the Indian film industry with this objective. What makes this book unique is the primacy given to the perspectives of the people and the proposals for legal and policy changes. The bottom-up approach analysis of the working of copyright law illustrates how local factors influence copyright enforcement. This perspective is visibly absent in most of the current discussions on copyright enforcement. The book offers insightful empirical findings as it captures the complexity of perceptions regarding piracy. It also provides insights about the diversity of perspectives within Indian society, particularly between the urban and the rural sectors and between genders. Based on qualitative and quantitative findings, the book proposes a mix of positive and negative incentives to increase the voluntary compliance of copyright law in India.

Type
Chapter
Information
Piracy in the Indian Film Industry
Copyright and Cultural Consonance
, pp. vii - viii
Publisher: Cambridge University Press
Print publication year: 2014

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  • Preface
  • Arul George Scaria, Université Catholique de Louvain, Belgium
  • Book: Piracy in the Indian Film Industry
  • Online publication: 05 June 2014
  • Chapter DOI: https://doi.org/10.1017/CBO9781107588325.001
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  • Preface
  • Arul George Scaria, Université Catholique de Louvain, Belgium
  • Book: Piracy in the Indian Film Industry
  • Online publication: 05 June 2014
  • Chapter DOI: https://doi.org/10.1017/CBO9781107588325.001
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Preface
  • Arul George Scaria, Université Catholique de Louvain, Belgium
  • Book: Piracy in the Indian Film Industry
  • Online publication: 05 June 2014
  • Chapter DOI: https://doi.org/10.1017/CBO9781107588325.001
Available formats
×