Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-4rdpn Total loading time: 0 Render date: 2024-11-06T01:06:45.559Z Has data issue: false hasContentIssue false

15 - The Leipzig reception of the Da Ponte operas (1792–1794)

Published online by Cambridge University Press:  05 January 2012

Ian Woodfield
Affiliation:
Queen's University Belfast
Get access

Summary

Considering the brevity of his two short visits, Mozart made quite an impression in Leipzig. His death was reported in the Leipziger Zeitungen: ‘Wien. den 7 Dec. In der Nacht vom 4ten auf den 5ten ist die berühmte k. k. Hofkammer-Componist, Wolfgang Mozart, mit Tode abgegangen’. This was one of the first published notices to appear and can hardly have been copied from the Vienna announcement, which came out on the same day. On 20 December, the Leipziger Zeitungen carried a report from Prague (dated 15 December) describing the memorial service. This is very similar to other accounts published in Prague and Vienna but is not a direct copy. Again, it is notably early in date, preceded only by the notice in the Prager Oberpostamtszeitung. Of particular interest in the Leipzig report is the direct statement that Mozart had not bequeathed much (‘wenig Vermögen’) and that Baron van Swieten, whose official rank is given, had already declared his intention to act in the interests of the children. More touchingly, early in the new year, Marianne Kirchgessner gave an academy in Leipzig at which she announced a ‘concetin’ by ‘my immortal friend Mozart’. The quintet Mozart composed for her (K.613) was performed in Vienna on 18 August 1791, quite possibly with the composer taking the viola part.

The scene was set for the return of the Italiänische Opera-Virtuosen, and in the next three summer seasons Mozart’s Italian operas enjoyed unprecedented acclaim. The seminal role of the Prague opera company in their reception is demonstrated above all by the case of Così fan tutte. The Leipzig audience had not yet had a chance to hear this work and it became the star attraction of the summer of 1792. Details of the season are given in Table 31.

Type
Chapter
Information
Performing Operas for Mozart
Impresarios, Singers and Troupes
, pp. 178 - 188
Publisher: Cambridge University Press
Print publication year: 2011

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×