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Nietzsche, Homer, and the Classical Tradition

from Section 1 - The Classical Greeks

Published online by Cambridge University Press:  05 February 2013

James I. Porter
Affiliation:
University of Michigan
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Summary

The fixed point around which the Greek nation crystallized was its language. The fixed point around which its culture crystallized was Homer. In both cases, then, we are having to do with works of art.

(Nietzsche, 1872/1873) (KSA 7, 19[278], 506)

Why Homer?

It is surely something of a paradox that the Iliad and the Odyssey have been required reading in Western culture from its first beginnings, despite the complete mystery surrounding the circumstances of their date and authorship, and despite their obvious flaws and blemishes—the repetitions, inconsistencies, and irregularities which have led to their impeachment as products of a single mind. All the uncertainties about Homer and his poems notwithstanding, their place in the cultural imagination in the West has been unrivaled. Indeed, as secular texts with no pretensions to revealed truth, and yet conferred with nearly Biblical stature, their status in world literature is almost unique. How can we account for their enduring attraction? Whatever the answer, approaching the question will involve confronting the monumentality of the two poems—less their quality as great works of literature than their role as cultural icons, as signifiers of value, and as landmarks in the evolving relationship between literature and culture. A perspective such as this is an invitation to study the intellectual and cultural history of value.

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Nietzsche and Antiquity
His Reaction and Response to the Classical Tradition
, pp. 7 - 26
Publisher: Boydell & Brewer
Print publication year: 2004

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