Book contents
- Musical Creativity in Restoration England
- Musical Creativity in Restoration England
- Copyright page
- Contents
- Figures
- Music examples
- Tables
- Preface
- Editorial method
- Abbreviations
- Part I Creative contexts and principles
- Part II Creative strategies
- 3 ‘Ye fowle Originall in score’: initial invention and the functions of notation
- 4 ‘I have here sent ye full Anthems’:
- 5 ‘For Seaverall Freinds’:
- 6 ‘His mind be filled with the materiall’:
- Bibliography
- Index of manuscripts
- Index of musical works
- General index
5 - ‘For Seaverall Freinds’:
consort music and the study of musical texts
from Part II - Creative strategies
Published online by Cambridge University Press: 05 September 2013
- Musical Creativity in Restoration England
- Musical Creativity in Restoration England
- Copyright page
- Contents
- Figures
- Music examples
- Tables
- Preface
- Editorial method
- Abbreviations
- Part I Creative contexts and principles
- Part II Creative strategies
- 3 ‘Ye fowle Originall in score’: initial invention and the functions of notation
- 4 ‘I have here sent ye full Anthems’:
- 5 ‘For Seaverall Freinds’:
- 6 ‘His mind be filled with the materiall’:
- Bibliography
- Index of manuscripts
- Index of musical works
- General index
- Type
- Chapter
- Information
- Musical Creativity in Restoration England , pp. 260 - 314Publisher: Cambridge University PressPrint publication year: 2013