Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-fbnjt Total loading time: 0 Render date: 2024-11-13T06:24:22.670Z Has data issue: false hasContentIssue false

13 - Music of the War Years and After (I): Dance Rhapsody No. 2, Requiem, Eventyr, A Song Before Sunrise, Poem of Life and Love, Hassan (1914–1923)

Published online by Cambridge University Press:  18 June 2021

Get access

Summary

CREATIVE APOGEE AND DECLINE

In many ways the outbreak of war in August 1914 could not have occurred at a worse time for Delius. Performances of his music in England and Germany were at an all-time high. As Carley has noted, he bathed in London's musical scene, enjoyed concerts and operas, and was wined and dined in the capital’s most elevated social circles, even at 10 Downing Street where he lunched with Prime Minister Asquith. Beecham, Wood and others were keen to take on any new works he produced and many of the younger generation, such as Norman O’Neill, Heseltine and Grainger – devoted disciples of Delius's art – continued to help with the promotion of his music. But in the light of the alarming European political events and the extraordinary speed with which nations were being catapulted towards disaster, Delius must have sensed that it was almost inevitable that major military disruption would come. Writing to Heseltine on 30 July, only days before the outbreak of hostilities, he remarked: ‘I do hope War will not break out & knock all Art and Music on the head for years’. The war did indeed bring disorder to Delius's life at Grez. As the Germans made what seemed like their unstoppable advance towards Paris, Grainger's exhortation that he should leave for England and then cross to the United States appeared rational. Although he was forced to leave Grez with Jelka in September, the couple returned home after news of the allied creative apogee and decline In many ways the outbreak of war in August 1914 could not have occurred at a worse time for Delius. Performances of his music in England and Germany were at an all-time high. As Carley has noted, he bathed in London's musical scene, enjoyed concerts and operas, and was wined and dined in the capital’s most elevated social circles, even at 10 Downing Street where he lunched with Prime Minister Asquith. Beecham, Wood and others were keen to take on any new works he produced and many of the younger generation, such as Norman O’Neill, Heseltine and Grainger – devoted disciples of Delius's art – continued to help with the promotion of his music.

Type
Chapter
Information
The Music of Frederick Delius
Style, Form and Ethos
, pp. 375 - 408
Publisher: Boydell & Brewer
Print publication year: 2021

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×