Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-ndw9j Total loading time: 0 Render date: 2024-11-09T06:16:57.776Z Has data issue: false hasContentIssue false

8 - Schinkel's Museums: Collecting and Displaying Architecture in Berlin, 1844–1933

from INSTITUTIONAL BIOGRAPHIES

Published online by Cambridge University Press:  05 February 2013

Wallis Miller
Affiliation:
University of Kentucky
Kate Hill
Affiliation:
University of Lincoln
Get access

Summary

The story of architecture museums in Berlin is, in one sense, a short one. Although Berlin's collection of archives dedicated to architecture is quite deep, it was only in 2007, when the Technical University renamed its archive and exhibition space after its historic Architekturmuseum, that the architecture museum as a type of institution re-established itself in the city's cultural landscape. Before this, the last time there was an architecture museum in Berlin was from 1931 to 1933. It was called the Schinkel Museum, and its short lifespan is surprising, given that Karl Friedrich Schinkel (1781–1841) was – and still is – recognised as Prussia's most famous architect. As the head of the Prussian Oberbaudeputation (the State architectural administration), Schinkel built an extraordinary number of public projects in addition to his private commissions, namely villas and commercial buildings. But he was most notable for ‘giving Berlin a face’ after the Napoleonic Wars, transforming it from a military garrison into a capital city. His urban design for the area around Unter den Linden unified the boulevard and added urban spaces from which people could behold several of his masterpieces: the Neue Wache (1816–18); the Schauspielhaus (1819–21); the Altes Museum (1823–30); and the Bauakademie (1832–36).

Of course, the short and complex story of architecture museums does not end here. First of all, it is not clear whether the Schinkel Museum can (or could have been) considered as an architecture museum at all because it was not an independent institution but part of the National Gallery.

Type
Chapter
Information
Museums and Biographies
Stories, Objects, Identities
, pp. 119 - 132
Publisher: Boydell & Brewer
Print publication year: 2012

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×