Book contents
- Frontmatter
- Contents
- List of Illustrations
- Acknowledgements
- Notes on Contributors
- Introduction: Modernism and Affect
- 1 Mind, Body and Embarrassment in Henry James's The Awkward Age
- 2 The Trauma of Form: Death Drive as Affect in À la recherche du temps perdu
- 3 Logic of the Heart: Affective Ethical Valuing in T. E. Hulme and Max Scheler
- 4 The Line that Binds: Climbing Narratives, Ropework and Epistolary Practice
- 5 The Amplification of Affect: Tension, Intensity and Form in Modern Dance
- 6 Love and the Art Object
- 7 Animating Cane: Race, Affect, History and Jean Toomer
- 8 Fear and Precarious Life after Political Representation in Baudelaire
- 9 Bloom-Space of Theory: The Pleasure and the Bliss of Gerty MacDowell
- 10 From Odysseus to Rotpeter: Adorno and Kafka, Mimicry and Happiness
- 11 Making Happy, Happy-making: The Eameses and Communication by Design
- Index
Book contents
- Frontmatter
- Contents
- List of Illustrations
- Acknowledgements
- Notes on Contributors
- Introduction: Modernism and Affect
- 1 Mind, Body and Embarrassment in Henry James's The Awkward Age
- 2 The Trauma of Form: Death Drive as Affect in À la recherche du temps perdu
- 3 Logic of the Heart: Affective Ethical Valuing in T. E. Hulme and Max Scheler
- 4 The Line that Binds: Climbing Narratives, Ropework and Epistolary Practice
- 5 The Amplification of Affect: Tension, Intensity and Form in Modern Dance
- 6 Love and the Art Object
- 7 Animating Cane: Race, Affect, History and Jean Toomer
- 8 Fear and Precarious Life after Political Representation in Baudelaire
- 9 Bloom-Space of Theory: The Pleasure and the Bliss of Gerty MacDowell
- 10 From Odysseus to Rotpeter: Adorno and Kafka, Mimicry and Happiness
- 11 Making Happy, Happy-making: The Eameses and Communication by Design
- Index
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- Modernism and Affect , pp. 226 - 230Publisher: Edinburgh University PressPrint publication year: 2015