CHAP. I - LEIPSIC IN 1839–40. The Concerts
Published online by Cambridge University Press: 07 September 2010
Summary
Be the pilgrim musician or amateur, gentle or simple, humourist or journalist or novelist,–let no one within a hundred miles of the place miss the Leipsic Fair. The town in itself has a quaint, cheerful, and friendly appearance. Within the walls, high richly-decorated houses and old churches seem almost toppling over each other, so thickly are they set. Without, where the ramparts were, is an irregular pleasure-ground, spreading out in some places to such a respectable amplitude as to secure privacy for the walker. Beyond this belt is another ring, made up of houses, some of them set in gardens, richly dressed and full of flowers; the prettiest, most inviting residences which kind hearts and distinguished musicians could find. There in 1839 1840 and I found that cheerful, simple, unselfish, and intelligent artistic life which many have been used to imagine as universally German. Leipsic has no court to stiffen its social circles into formality, or to hinder its presiding spirits from taking free way : on the other hand, it possesses a University to stir its intelligences, a press busy and enterprising, and a recurrence of those gatherings which bring a representative of every class of society in Europe together. These last can hardly pass over–be they for mere moneygetting, be they for mere merry-making– without disturbing the settlement of that stagnant and pedantic egotism into which the strongest of minds are apt to sink when the wheel of life moves too slowly, or the circle of cares is too narrow.
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- Modern German MusicRecollections and Criticisms, pp. 17 - 37Publisher: Cambridge University PressPrint publication year: 2009