Book contents
- Frontmatter
- Contents
- Notes on Contributors
- Introduction
- Part I MAN & NATION IN AFRICA
- 1 The Anxious Phallus The Iconography of Impotence in Quartier Mozart & Clando
- 2 The Homoerotics of Nationalism White Male-on-Male Rape & the ‘Coloured’ Subject in Mark Behr's The Smell of Apples
- 3 ‘Wild Men’ & Emergent Masculinities in Post-colonial Kenyan Popular Fiction
- 4 The Anonymity of Manhood Unmasking Shadow Selves in Assia Djebar's Ombre sultane
- 5 The Rape Continuum Masculinities in the Works of Nawal El Saadawi & Tahar Ben Jelloun
- Part II ALTERNATIVE MASCULINITIES
- Index
5 - The Rape Continuum Masculinities in the Works of Nawal El Saadawi & Tahar Ben Jelloun
from Part I - MAN & NATION IN AFRICA
Published online by Cambridge University Press: 12 September 2012
- Frontmatter
- Contents
- Notes on Contributors
- Introduction
- Part I MAN & NATION IN AFRICA
- 1 The Anxious Phallus The Iconography of Impotence in Quartier Mozart & Clando
- 2 The Homoerotics of Nationalism White Male-on-Male Rape & the ‘Coloured’ Subject in Mark Behr's The Smell of Apples
- 3 ‘Wild Men’ & Emergent Masculinities in Post-colonial Kenyan Popular Fiction
- 4 The Anonymity of Manhood Unmasking Shadow Selves in Assia Djebar's Ombre sultane
- 5 The Rape Continuum Masculinities in the Works of Nawal El Saadawi & Tahar Ben Jelloun
- Part II ALTERNATIVE MASCULINITIES
- Index
Summary
For a man to be a man, he must have shoulders which do not droop but are straight and broad … And he must have legs, each separate from the other so he could move each one on its own confidently and freely. That, for her, was the characteristic which distinguished masculinity from femininity. Nawal El Saadawi, ‘Man’ (93)
To be a woman is a natural infirmity and every woman gets used to it. To be a man is an illusion, an act of violence that requires no justification. Tahar Ben Jelloun, The Sand Child (70)
Introduction
In the last three decades, scholarly attention to gender issues in the Middle East and North Africa has been focused almost exclusively, sometimes obsessively, on a quest to understand Islamic femininity: what it is and how it is made and regulated – with Muslim women's oppression, the question of the hijab, and the practice of female genital mutilation attracting most of the scrutiny. Some of the most significant literature in this well-established field includes Fatna Sabbah’s Woman in the Muslim Unconscious (1984), a critique of the contradictory messages which the Islamic legal and erotic discourses imprint on the female body; Fatima Mernissi’s The Veil and the Male Elite (1987), an indictment of the ways in which numerous Hadiths (or sayings by the Prophet) have been manipulated by a male elite to maintain male privileges; Fedwa Malti-Douglas’s Woman’s Body, Woman’s Word (1991), a mapping out of the relationship of woman’s voice in Arabo-Islamic discourse to sexuality and the body; Leila Ahmed’s Women and Gender in Islam (1992), a study of the development of Islamic discourses on women and gender from the ancient world to the present; and Marnia Lazreg’s The Eloquence of Silence (1994), an analysis of the gender relations in Algeria from the pre-colonial times to the present.
- Type
- Chapter
- Information
- Men in African Film and Fiction , pp. 68 - 80Publisher: Boydell & BrewerPrint publication year: 2011