Book contents
- Frontmatter
- Contents
- Acknowledgments
- 1 At the Brink of Writing: Which Doors to Open First?
- 2 Cosmopolitan Kinship: The Making of a Multi-world Subjectivity in the Poetry of Sa'di
- 3 Sa'di on Care of the Self: Ethical Games of Power in Practice of Freedom
- 4 “Every New Flower Arriving in the World”: Sa'di and the Art of Ghazal Writing
- 5 Gazing at the Garden of Your Beauty: Love in the Garden
- 6 My Poor Heart Sometimes Runs, Sometimes Whirls: Meet Sa'di the Comedian
- 7 Epilogue: Leaving the Garden Already? Here Are a Few Things I Hope You Take Along
- Bibliography
- Index
6 - My Poor Heart Sometimes Runs, Sometimes Whirls: Meet Sa'di the Comedian
Published online by Cambridge University Press: 05 August 2016
- Frontmatter
- Contents
- Acknowledgments
- 1 At the Brink of Writing: Which Doors to Open First?
- 2 Cosmopolitan Kinship: The Making of a Multi-world Subjectivity in the Poetry of Sa'di
- 3 Sa'di on Care of the Self: Ethical Games of Power in Practice of Freedom
- 4 “Every New Flower Arriving in the World”: Sa'di and the Art of Ghazal Writing
- 5 Gazing at the Garden of Your Beauty: Love in the Garden
- 6 My Poor Heart Sometimes Runs, Sometimes Whirls: Meet Sa'di the Comedian
- 7 Epilogue: Leaving the Garden Already? Here Are a Few Things I Hope You Take Along
- Bibliography
- Index
Summary
Sa'di, the master of eloquence, the lover (mystic and otherwise), the seasoned traveler, and the maker and teacher of ethical rules has a complex poetic persona with multiple faces, some quite colorful. And just as his language does not appear strained by the enormity of the tasks ahead, his persona has no difficulty integrating the various dispositions that constitute it. A constituent element of this persona, one that has hardly been discussed, is what I have here termed Sa'di the comedian. If you think the term “comedian” would not do justice to a classical figure as dignified as Sa'di, I must confess that I would even use the term “jester” if it did not imply putting his humor at the service of a king.
Sa'di the comedian is called to action often and does more than being funny. He lightens up the poem's ambience with a set of techniques that lead to the construction of a carefree mood open to casual but intimate poetic moments. The informality and intimacy of these sensual moments endow Sa'di's voice with remarkable reach. A few words about the character itself!
Sa'di the comedian is alert, witty, tough and, above all, streetwise. He does not display aloofness and does not use elitist language (except to make fun of it). His language is simple and extra-sensuous, at times slightly indiscreet, and often triumphant. But even in less festive moments, when he is abandoned, helpless or destitute, he will not seek anyone's help besides that of the beloved. Others have given up on him, anyway. His message is simple, too. I have no fear, because I have little to lose. And although much may be wrong with me, I am one to endure every hardship and remain loyal to my beloved. So, do not take me for a fool, this is a life choice and a deliberate one at that. Sa'di the comedian is a survivor.
- Type
- Chapter
- Information
- Lyrics of LifeSa'di on Love, Cosmopolitanism and Care of the Self, pp. 166 - 194Publisher: Edinburgh University PressPrint publication year: 2014