Book contents
- Frontmatter
- Contents
- SELECTIONS: EDITED BY DANTE GABRIEL ROSSETTI
- POETICAL SKETCHES
- SONGS OF INNOCENCE
- SONGS OF EXPERIENCE
- THE BOOK OF THEL
- IDEAS OF GOOD AND EVIL
- PROSE WRITINGS
- NOTE UPON BLAKE'S ENGRAVED DESIGNS
- ANNOTATED CATALOGUE OF BLAKE'S PAINTINGS AND DRAWINGS
- DESCRIPTIVE NOTES OF THE DESIGNS TO YOUNG'S “NIGHT THOUGHTS,”
- ESSAY ON BLAKE
- IN MEMORIAM F. O. FINCH
- MEMOIR OF ALEXANDER GILCHRIST
- INDEX TO VOLUME I
- Plate section
NOTE UPON BLAKE'S ENGRAVED DESIGNS
Published online by Cambridge University Press: 05 July 2011
- Frontmatter
- Contents
- SELECTIONS: EDITED BY DANTE GABRIEL ROSSETTI
- POETICAL SKETCHES
- SONGS OF INNOCENCE
- SONGS OF EXPERIENCE
- THE BOOK OF THEL
- IDEAS OF GOOD AND EVIL
- PROSE WRITINGS
- NOTE UPON BLAKE'S ENGRAVED DESIGNS
- ANNOTATED CATALOGUE OF BLAKE'S PAINTINGS AND DRAWINGS
- DESCRIPTIVE NOTES OF THE DESIGNS TO YOUNG'S “NIGHT THOUGHTS,”
- ESSAY ON BLAKE
- IN MEMORIAM F. O. FINCH
- MEMOIR OF ALEXANDER GILCHRIST
- INDEX TO VOLUME I
- Plate section
Summary
The aid of the photo-intaglio process has been called in to give the whole Job series as a thorough and important example of Blake's style. These photo-intaglios are, of course, line for line, and minutest touch for touch, the counterparts of their originals. They are smaller, but on the whole they may be safely put forward as giving a very sufficient idea of these, quite complete, indeed, in many of the most essential respects; and considering that the original publication is a rare and high-priced book, its reproduction here is a very valuable addition to our table of contents.
Quite as valuable, though still in another way not quite perfect, are the original plates of the Songs also given. These were recovered by Mr. Gilchrist, being the only remnant of the series still in existence on copper; the rest having, it is believed, been stolen after Blake's death, and sold for old metal. They are, therefore, as absolutely the originals as those appearing in the copies printed by Blake; and the reason why they must still be pronounced imperfect is that they were intended as a mere preparation for colouring by hand, as has been explained in the Life; while, being here necessarily given without the colour, they cannot be said to embody Blake's intention in producing them. Much which may here seem unaccountably rugged and incomplete is softened by the sweet, liquid, rainbow tints of the coloured copies into a mysterious brilliancy which could never have been obtained over a first printing of a neater or more exact kind; body colour as well as transparent colour being used in the finishing.
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- Chapter
- Information
- Life of William BlakeWith Selections from his Poems and Other Writings, pp. 201 - 204Publisher: Cambridge University PressPrint publication year: 2010First published in: 1880