Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-dh8gc Total loading time: 0 Render date: 2024-11-03T00:48:18.152Z Has data issue: false hasContentIssue false
This chapter is part of a book that is no longer available to purchase from Cambridge Core

Estranged Invaders: The War of the Worlds

from Part II - Science Fiction in its Social, Cultural and Philosophical Contexts

Peter Fitting
Affiliation:
University of Toronto
Get access

Summary

SF is, then, a literary genre whose necessary and sufficient conditions are the presence and interaction of estrangement and cognition, and whose main formal device is an imaginative framework alternative to the author's empirical environment.

Suvin, Metamorphoses, pp. 7–8

In my own reading and teaching of science fiction I have always been fascinated by scenes of ‘First Contact’, the moment of encounter between humans and aliens, a moment familiar to us from anthropological investigation and historical accounts; one which, consciously or not, re-enacts the encounters of the European ‘discovery’ of the New World. SF accounts of meetings with alien others have usually been modelled on the European narratives of voyages of discovery of the sixteenth and seventeenth centuries. Yet in the earliest voyages to the Moon and the planets (from Cyrano to Voltaire) the alien appears primarily in a satirical role. Interest in the physical appearance and being of the alien comes later, with speculation about the possibility of life on other worlds. The first major literary text in which the alien becomes interesting for its own sake is H. G. Wells's The War of the Worlds (1898), which establishes the portrayal of aliens in SF for decades to come.

Science fiction often tries to imagine such meetings ‘innocently’, without the greed and acquisitiveness which motivated the European voyages of discovery. SF has another hypothetical advantage. While there are, of course, historical accounts of the discovery of the New World from the perspective of those who were discovered as well as from that of the European discoverer, accounts of the converse of this event—the discovery of Europe—exist primarily in fiction. The discovery of Europe by representatives of other cultures has been used as a satirical literary device (as in Montesquieu's Lettres persanes, or Voltaire's Micromégas), but there is no equivalent to the devastation and plundering of the New World by someone claiming to have discovered Europe. In SF, however, there are no such limitations: narratives of visits to Earth by aliens are as common as those which tell of voyages to other worlds.

With Wells the representation of the alien marks a shift from more explicitly didactic works (utopia, social satire etc.) to more pleasurable forms of fiction.

Type
Chapter
Information
Learning from Other Worlds
Estrangement, Cognition, and the Politics of Science Fiction and Utopia
, pp. 127 - 145
Publisher: Liverpool University Press
Print publication year: 2000

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×