Book contents
- Journalism and the Periodical Press in Nineteenth-Century Britain
- Journalism and the Periodical Press in Nineteenth-Century Britain
- Copyright page
- Contents
- Illustrations
- Tables
- Notes on Contributors
- Acknowledgements
- Chronology of Publications and Events
- Chapter 1 Introduction
- Part I Periodicals, Genres and the Production of Print
- Part II The Press and the Public
- Part III The ‘Globalisation’ of the Nineteenth-Century Press
- Part IV Journalists and Journalism
- Guide to Further Reading
- Index
- References
Guide to Further Reading
Published online by Cambridge University Press: 24 March 2017
Edited by
Book contents
- Journalism and the Periodical Press in Nineteenth-Century Britain
- Journalism and the Periodical Press in Nineteenth-Century Britain
- Copyright page
- Contents
- Illustrations
- Tables
- Notes on Contributors
- Acknowledgements
- Chronology of Publications and Events
- Chapter 1 Introduction
- Part I Periodicals, Genres and the Production of Print
- Part II The Press and the Public
- Part III The ‘Globalisation’ of the Nineteenth-Century Press
- Part IV Journalists and Journalism
- Guide to Further Reading
- Index
- References
Summary
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- Type
- Chapter
- Information
- Publisher: Cambridge University PressPrint publication year: 2017
References
Primary Sources
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Garrison, Laurie, Science, Sexuality and Sensation Novels. Basingstoke: Palgrave Macmillan, 2011.CrossRefGoogle Scholar
Law, Graham, Serializing Fiction in the Victorian Press. Basingstoke: Palgrave Macmillan, 2000.CrossRefGoogle Scholar
Liddle, Dallas, The Dynamics of Genre. Journalism and the Practice of Literature in Mid-Victorian Britain. Charlottesville and London: University of Virginia Press, 2009.Google Scholar
Roper, Derek, Reviewing Before the Edinburgh 1788–1802. Newark: University of Delaware Press, 1978.Google Scholar
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Shattock, Joanne, Politics and Reviewers: The Edinburgh and the Quarterly in the Early Victorian Age. Leicester University Press, 1989.Google Scholar
Shattock, Joanne, ‘Reviews’ and ‘Reviewing’, in Brake, Laurel and Demoor, Marysa, eds., Dictionary of Nineteenth Century Journalism. London and Brussels: British Library and Academia Press, 2009, pp. 538–39.Google Scholar
Boyle, Andrew, An Index to the Annuals Vol. 1 the Authors (1820–1850). Worcester: Andrew Boyle (Booksellers) Ltd. Worcester, 1967.Google Scholar
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Hunnisett, Basil, Steel-Engraved Book Illustration in England. London: Scolar Press, 1980.Google Scholar
Houfe, Simon, Dictionary of British Book Illustrators and Caricaturists 1800–1914. Woodbridge: Antique Collectors’ Club, 1978.Google Scholar
Kooistra, Lorraine Janzen, Poetry, Pictures, and Popular Publishing: The Illustrated Gift Book and Victorian Visual Culture 1855–75. Athens: Ohio University Press, 2011.Google Scholar
Ledbetter, Kathryn, British Victorian Women’s Periodicals: Beauty, Civilization, and Poetry. London: Palgrave Macmillan, 2009.CrossRefGoogle Scholar
Onslow, Barbara, Women of the Press in Nineteenth Century Britain. Basingstoke and London: Macmillan, 2000.Google Scholar
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Gatrell, Vic, City of Laughter: Sex and Satire in Eighteenth-Century London. London: Atlantic Books, 2006.Google Scholar
Gatrell, Vic, The First Bohemians: Life and Art in London’s Golden Age. London: Allen Lane, 2013.Google Scholar
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Klancher, Jon P., The Making of the English Reading Audience 1790–1832. Madison: University of Wisconsin Press, 1987.Google Scholar
Kunzle, D., The History of Comic Strip – the Nineteenth Century. Berkeley: University of California Press, 1990.Google Scholar
Maidment, Brian, Comedy, Caricature and the Social Order. Manchester: Manchester University Press, 2013.Google Scholar
Maidment, Brian, ‘Dinners or Desserts? – Miscellaneity, Knowledge and Illustration in Magazines of the 1820s and 1830s’, Victorian Periodicals Review, 43. 4 (Winter 2010), 353–87.CrossRefGoogle ScholarPubMed
Marriott, J., ed., Unknown London: Early Modernist Visions of the Metropolis, 1815–1845, 6 vols. London: Pickering and Chatto, 2000.Google Scholar
Altick, Richard, The English Common Reader: A Social History of the Mass Reading Public 1800–1900. Chicago and London: University of Chicago Press, 1957.Google Scholar
Anderson, Patricia, The Printed Image and the Transformation of Popular Culture 1790–1860. Oxford: Clarendon Press, 1991.Google Scholar
Beegan, Gerry, The Mass Image: A Social History of Photomechanical Reproduction in Victorian London. Houndmills, Basingstoke: Palgrave Macmillan, 2008.CrossRefGoogle Scholar
Brake, Laurel, and Demoor, Marysa, eds., The Lure of Illustration in the Nineteenth Century: Picture and Press. Basingstoke: Palgrave Macmillan, 2009.CrossRefGoogle Scholar
Carlisle, Janice, Picturing Reform in Great Britain. Cambridge University Press, 2012.CrossRefGoogle Scholar
Cooke, Simon, Illustrated Periodicals of the 1860s: Contexts and Collaborations. New Castle, DE: Oak Knoll Press, 2010.Google Scholar
Hughes, Linda K., ‘Inventing Poetry and Pictorialism in Once a Week: A Magazine of Visual Effects’, Victorian Poetry 48.1 (Spring 2010), 41–72CrossRefGoogle Scholar
Jackson, Mason, The Pictorial Press: Its Origin and Progress. London: Hurst and Blackett, 1885.Google Scholar
Leary, Patrick, The Punch Brotherhood: Table Talk and Print Culture in Mid-Victorian England. London: British Library, 2010.Google Scholar
Kooistra, Lorraine Janzen, ‘“Making Poetry” in Good Words: Why Illustration Matters to Periodical Poetry Studies’, Victorian Poetry 52.1 (Spring 2014), 111–39.CrossRefGoogle Scholar
Maidment, Brian, Reading Popular Prints 1790–1870. 2nd ed. Manchester: Manchester University Press, 2001.Google Scholar
Martin, Michèle. 2006. Images at War: Illustrated Periodicals and Constructed Nations. Toronto: University of Toronto Press, 2006.CrossRefGoogle Scholar
Sinnema, Peter. Dynamics of the Pictured Page: Representing the Nation in the Illustrated London News. Aldershot: Ashgate, 1998.Google Scholar
Blair, Kirstie, ‘“A Very Poetical Town”: Newspaper Poetry and the Working-Class Poet in Victorian Dundee,’ Victorian Poetry 52.1 (Spring 2014), 89–109.CrossRefGoogle Scholar
Erickson, Lee, ‘The Market’, in Cronin, Richard, Chapman, Alison and Harrison, Antony H., eds., A Companion to Victorian Poetry. Oxford: Blackwell, 2002, pp. 345–60.Google Scholar
Feldman, Paula R., ‘The Poet and the Profits: Felicia Hemans’, in Armstrong, Isobel and Blain, Virginia, eds., Women’s Poetry, Late Romantic to Late Victorian. London: Macmillan, 1999.Google Scholar
Hobbs, Andrew and Januszewski, Claire, ‘How Local Newspapers Came to Dominate Victorian Poetry Publishing’, Victorian Poetry, 52.1 (Spring 2014), 65–87.CrossRefGoogle Scholar
Houston, Natalie M., ‘Newspaper Poems: Material Texts in the Public Sphere’, Victorian Studies, 50.2 (Winter 2008), pp. 233–42.CrossRefGoogle Scholar
Hughes, Linda K., ‘What the Wellesley Index Left Out: Why Poetry Matters to Periodical Studies’, Victorian Periodicals Review, 40 (Summer 2007), 91–125.CrossRefGoogle Scholar
Hughes, Linda K., ‘“Between Politics and Deer-Stalking”: Browning’s Periodical Poetry’, Victorian Poetry, 52.1 (Spring 2014), 161–82.CrossRefGoogle Scholar
Ledbetter, Kathryn, Tennyson and Victorian Periodicals: Commodities in Context. Aldershot: Ashgate, 2007.Google Scholar
Peterson, Linda H., Becoming a Woman of Letters: Myths of Authorship and Facts of the Victorian Market. Princeton University Press, 2009.CrossRefGoogle Scholar
Brake, Laurel, ‘London Letter: Researching the Historical Press, Now and Here’, Victorian Periodicals Review, 48 (2015), 245–53.CrossRefGoogle Scholar
Fyfe, Paul, ‘Technologies of Serendipity’, Victorian Periodicals Review, 48 (2015), 261–66.CrossRefGoogle Scholar
Hayles, N. Katherine, ‘Translating Media: Why We Should Rethink Textuality’, The Yale Journal of Criticism, 16 (2003), 263–90.CrossRefGoogle Scholar
Hughes, Linda K., ‘SIDEWAYS!: Navigating the Material(ity) of Print Culture’, Victorian Periodicals Review, 47 (2014), 1–30.CrossRefGoogle Scholar
Leary, Patrick, ‘Googling the Victorians’, Journal of Victorian Culture, 10 (2005), 72–86.CrossRefGoogle Scholar
Mussell, James, The Nineteenth-Century Press in the Digital Age. Basingstoke: Palgrave, 2012.CrossRefGoogle Scholar
Nicholson, Bob, ‘Counting Culture; Or, How to Read Victorian Newspapers from a Distance’, Journal of Victorian Culture, 17 (2012), 238–46.CrossRefGoogle Scholar
Robson, Catherine, ‘How We Search Now: New Ways of Digging Up Wolfe’s “Sir John Moore”’, in Alfano, Veronica and Stauffer, Andrew, eds., Virtual Victorians. Basingstoke: Palgrave Macmillan, 2015, 11–28.CrossRefGoogle Scholar
Turner, Mark W., ‘Time, Periodicals, and Literary Studies’, Victorian Periodicals Review, 39:4 (2006), 309–16.CrossRefGoogle Scholar
Wolff, Michael, ‘Charting the Golden Stream: Thoughts on a Directory of Victorian Periodicals’, Victorian Periodicals Newsletter, 4 (1971), 23–38.Google Scholar
Cronin, Richard, Paper Pellets: British Literary Culture After Waterloo. Oxford University Press, 2010.CrossRefGoogle Scholar
Dart, Gregory, Metropolitan Art and Literature 1810–1840: Cockney Adventures. Cambridge University Press, 2012.CrossRefGoogle Scholar
Fang, Karen, Romantic Writing and the Empire of Signs: Periodical Culture and Post-Napoleonic Authorship. Charlottesville and London: University of Virginia Press, 2010.Google Scholar
Higgins, David, Romantic Genius and the Literary Magazine: Biography, Celebrity, Politics. London: Routledge, 2005.Google Scholar
Hull, Simon P., Charles Lamb, Elia and the London Magazine: Metropolitan Muse. London: Pickering and Chatto, 2010.Google Scholar
Morrison, Robert and Roberts, Daniel S., eds., Romanticism and Blackwood’s Magazine: ‘An Unprecedented Phenomenon’. Basingstoke: Palgrave Macmillan, 2013.CrossRefGoogle Scholar
Parker, Mark, Literary Magazines and British Romanticism. Cambridge University Press, 2000.Google Scholar
Schoenfield, Mark, British Periodicals and Romantic Identity: The ‘Literary Lower Empire’. New York: Palgrave Macmillan, 2009.CrossRefGoogle Scholar
Stewart, David, Romantic Magazines and Metropolitan Literary Culture. Basingstoke: Palgrave Macmillan, 2011.Google Scholar
Wheatley, Kim, Romantic Feuds: Transcending the ‘Age of Personality’. Farnham: Ashgate, 2013.Google Scholar
Bakhtin, M. M., The Dialogic Imagination. Four Essays, ed. Holquist, Michael. Austin: University of Texas Press, 1981.Google Scholar
Bolter, Jay David and Grusin, Richard, Remediation: Understanding New Media. Cambridge, MA: MIT Press, 1999.Google Scholar
Garrison, Laurie, Science, Sexuality and Sensation Novels. Basingstoke: Palgrave Macmillan, 2011.CrossRefGoogle Scholar
Law, Graham, Serializing Fiction in the Victorian Press. Basingstoke: Palgrave Macmillan, 2000.CrossRefGoogle Scholar
Liddle, Dallas, The Dynamics of Genre. Journalism and the Practice of Literature in Mid-Victorian Britain. Charlottesville and London: University of Virginia Press, 2009.Google Scholar
Roper, Derek, Reviewing Before the Edinburgh 1788–1802. Newark: University of Delaware Press, 1978.Google Scholar
Shattock, Joanne, ‘Contexts and Conditions of Criticism 1830–1914’, in Habib, M. A. R., ed., The Cambridge History of Literary Criticism. Vol. 6. The Nineteenth Century. Cambridge University Press, 2013, pp. 21–45.CrossRefGoogle Scholar
Shattock, Joanne, Politics and Reviewers: The Edinburgh and the Quarterly in the Early Victorian Age. Leicester University Press, 1989.Google Scholar
Shattock, Joanne, ‘Reviews’ and ‘Reviewing’, in Brake, Laurel and Demoor, Marysa, eds., Dictionary of Nineteenth Century Journalism. London and Brussels: British Library and Academia Press, 2009, pp. 538–39.Google Scholar
Boyle, Andrew, An Index to the Annuals Vol. 1 the Authors (1820–1850). Worcester: Andrew Boyle (Booksellers) Ltd. Worcester, 1967.Google Scholar
Harris, Katherine D., Forget Me Not: The Rise of the British Literary Annual, 1823–1835. Athens: Ohio University Press, 2015.Google Scholar
Hunnisett, Basil, Steel-Engraved Book Illustration in England. London: Scolar Press, 1980.Google Scholar
Houfe, Simon, Dictionary of British Book Illustrators and Caricaturists 1800–1914. Woodbridge: Antique Collectors’ Club, 1978.Google Scholar
Kooistra, Lorraine Janzen, Poetry, Pictures, and Popular Publishing: The Illustrated Gift Book and Victorian Visual Culture 1855–75. Athens: Ohio University Press, 2011.Google Scholar
Ledbetter, Kathryn, British Victorian Women’s Periodicals: Beauty, Civilization, and Poetry. London: Palgrave Macmillan, 2009.CrossRefGoogle Scholar
Onslow, Barbara, Women of the Press in Nineteenth Century Britain. Basingstoke and London: Macmillan, 2000.Google Scholar
Fox, Celina, Graphic Journalism in England During the 1830s and 1840s. New York and London: Garland Publishing, 1988.Google Scholar
Gatrell, Vic, City of Laughter: Sex and Satire in Eighteenth-Century London. London: Atlantic Books, 2006.Google Scholar
Gatrell, Vic, The First Bohemians: Life and Art in London’s Golden Age. London: Allen Lane, 2013.Google Scholar
George, M. D., Hogarth to Cruikshank: Social Change in Graphic Satire, revised edn. London: Viking, 1987.Google Scholar
Klancher, Jon P., The Making of the English Reading Audience 1790–1832. Madison: University of Wisconsin Press, 1987.Google Scholar
Kunzle, D., The History of Comic Strip – the Nineteenth Century. Berkeley: University of California Press, 1990.Google Scholar
Maidment, Brian, Comedy, Caricature and the Social Order. Manchester: Manchester University Press, 2013.Google Scholar
Maidment, Brian, ‘Dinners or Desserts? – Miscellaneity, Knowledge and Illustration in Magazines of the 1820s and 1830s’, Victorian Periodicals Review, 43. 4 (Winter 2010), 353–87.CrossRefGoogle ScholarPubMed
Marriott, J., ed., Unknown London: Early Modernist Visions of the Metropolis, 1815–1845, 6 vols. London: Pickering and Chatto, 2000.Google Scholar
Altick, Richard, The English Common Reader: A Social History of the Mass Reading Public 1800–1900. Chicago and London: University of Chicago Press, 1957.Google Scholar
Anderson, Patricia, The Printed Image and the Transformation of Popular Culture 1790–1860. Oxford: Clarendon Press, 1991.Google Scholar
Beegan, Gerry, The Mass Image: A Social History of Photomechanical Reproduction in Victorian London. Houndmills, Basingstoke: Palgrave Macmillan, 2008.CrossRefGoogle Scholar
Brake, Laurel, and Demoor, Marysa, eds., The Lure of Illustration in the Nineteenth Century: Picture and Press. Basingstoke: Palgrave Macmillan, 2009.CrossRefGoogle Scholar
Carlisle, Janice, Picturing Reform in Great Britain. Cambridge University Press, 2012.CrossRefGoogle Scholar
Cooke, Simon, Illustrated Periodicals of the 1860s: Contexts and Collaborations. New Castle, DE: Oak Knoll Press, 2010.Google Scholar
Hughes, Linda K., ‘Inventing Poetry and Pictorialism in Once a Week: A Magazine of Visual Effects’, Victorian Poetry 48.1 (Spring 2010), 41–72CrossRefGoogle Scholar
Jackson, Mason, The Pictorial Press: Its Origin and Progress. London: Hurst and Blackett, 1885.Google Scholar
Leary, Patrick, The Punch Brotherhood: Table Talk and Print Culture in Mid-Victorian England. London: British Library, 2010.Google Scholar
Kooistra, Lorraine Janzen, ‘“Making Poetry” in Good Words: Why Illustration Matters to Periodical Poetry Studies’, Victorian Poetry 52.1 (Spring 2014), 111–39.CrossRefGoogle Scholar
Maidment, Brian, Reading Popular Prints 1790–1870. 2nd ed. Manchester: Manchester University Press, 2001.Google Scholar
Martin, Michèle. 2006. Images at War: Illustrated Periodicals and Constructed Nations. Toronto: University of Toronto Press, 2006.CrossRefGoogle Scholar
Sinnema, Peter. Dynamics of the Pictured Page: Representing the Nation in the Illustrated London News. Aldershot: Ashgate, 1998.Google Scholar
Blair, Kirstie, ‘“A Very Poetical Town”: Newspaper Poetry and the Working-Class Poet in Victorian Dundee,’ Victorian Poetry 52.1 (Spring 2014), 89–109.CrossRefGoogle Scholar
Erickson, Lee, ‘The Market’, in Cronin, Richard, Chapman, Alison and Harrison, Antony H., eds., A Companion to Victorian Poetry. Oxford: Blackwell, 2002, pp. 345–60.Google Scholar
Feldman, Paula R., ‘The Poet and the Profits: Felicia Hemans’, in Armstrong, Isobel and Blain, Virginia, eds., Women’s Poetry, Late Romantic to Late Victorian. London: Macmillan, 1999.Google Scholar
Hobbs, Andrew and Januszewski, Claire, ‘How Local Newspapers Came to Dominate Victorian Poetry Publishing’, Victorian Poetry, 52.1 (Spring 2014), 65–87.CrossRefGoogle Scholar
Houston, Natalie M., ‘Newspaper Poems: Material Texts in the Public Sphere’, Victorian Studies, 50.2 (Winter 2008), pp. 233–42.CrossRefGoogle Scholar
Hughes, Linda K., ‘What the Wellesley Index Left Out: Why Poetry Matters to Periodical Studies’, Victorian Periodicals Review, 40 (Summer 2007), 91–125.CrossRefGoogle Scholar
Hughes, Linda K., ‘“Between Politics and Deer-Stalking”: Browning’s Periodical Poetry’, Victorian Poetry, 52.1 (Spring 2014), 161–82.CrossRefGoogle Scholar
Ledbetter, Kathryn, Tennyson and Victorian Periodicals: Commodities in Context. Aldershot: Ashgate, 2007.Google Scholar
Peterson, Linda H., Becoming a Woman of Letters: Myths of Authorship and Facts of the Victorian Market. Princeton University Press, 2009.CrossRefGoogle Scholar
Alexander, Isabella, Copyright Law and the Public Interest in the Nineteenth Century. Oxford: Hart, 2010.Google Scholar
Fisher, J., and Strahan, J. A., The Law of the Press. A Digest of the Law Specially Affecting Newspapers. London: W. Clowes & Son, 1891.Google Scholar
Gilmartin, Kevin, Print Politics. The Press and Radical Opposition in Early Nineteenth Century England. Cambridge University Press, 1996.Google Scholar
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Harling, Philip, ‘The Law of Libel and the Limits of Repression, 1790–1832’, Historical Journal, 44.1 (2001), 107–34.Google Scholar
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Jones, Aled, Powers of the Press. Newspapers, Power and the Public in Nineteenth Century England. Aldershot: Ashgate, 1996.Google Scholar
Kent, Christopher, ‘The Editor and the Law’, in Wiener, Joel, ed., Innovators and Preachers. The Role of the Editor in Victorian England. Westport, CT: Greenwood Press, 1985, pp. 99–119.Google Scholar
Marsh, Joss, Word Crimes: Blasphemy, Culture and Literature in Nineteenth Century England. University of Chicago Press, 1998.Google Scholar
Pease, Allison, Modernism, Mass Culture and the Aesthetics of Obscenity. Cambridge University Press, 2000.Google Scholar
Baker, Alfred, The Newspaper World: Essays on Press History and Work, Past and Present London: Pitman, 1890.Google Scholar
Blake, Peter, George Augustus Sala and the Nineteenth-Century Periodical Press: The Personal Style of a Public Writer. Farnham: Ashgate, 2015.Google Scholar
Donovan, Stephen and Rubery, Matthew, Secret Commissions: An Anthology of Victorian Investigative Journalism. Peterborough: Broadview, 2012.Google Scholar
Garlick, Barbara and Harris, Margaret, eds., Victorian Journalism: Exotic and Domestic. Brisbane: Queensland University Press, 1998.Google Scholar
Grant, James, The Newspaper Press: Its Origin, Progress and Present Position. 2 vols. London: Tinsley, 1871.Google Scholar
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Knightley, Philip, The First Casualty: The War Correspondent as Hero and Mythmaker from the Crimea to Kosovo. London: Prion, 2000.Google Scholar
McKenzie, Judy. ‘Paper Heroes: Special Correspondents and Their Narratives of Empire’. In Garlick, and Harris, , 124–40.Google Scholar
Sala, George Augustus. ‘The Special Correspondent: His Life and Crimes’, Belgravia: A London Magazine, 4 (1871), 211–22.Google Scholar
Waters, Catherine. ‘Dickens’s “Young Men”, Household Words and the Development of the Victorian “Special Correspondent”,’ In Kujawska-Lis, Ewa and Krawczyk-Laskarzewska, Anna, eds., Reflections on/of Dickens. Newcastle upon Tyne: Cambridge Scholars Publishing, 2014, pp. 18–31.Google Scholar
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Fisher, J., and Strahan, J. A., The Law of the Press. A Digest of the Law Specially Affecting Newspapers. London: W. Clowes & Son, 1891.Google Scholar
Gilmartin, Kevin, Print Politics. The Press and Radical Opposition in Early Nineteenth Century England. Cambridge University Press, 1996.Google Scholar
Goldstein, R. J., Political Censorship of the Arts and the Press in Nineteenth Century Europe. Basingstoke: Macmillan, 1989.CrossRefGoogle Scholar
Harling, Philip, ‘The Law of Libel and the Limits of Repression, 1790–1832’, Historical Journal, 44.1 (2001), 107–34.Google Scholar
Hewitt, Martin, The Dawn of the Cheap Press in Victorian Britain: The End of the ‘Taxes on Knowledge’, 1849–69. London:Bloomsbury Academic, 2014.Google Scholar
Jones, Aled, Powers of the Press. Newspapers, Power and the Public in Nineteenth Century England. Aldershot: Ashgate, 1996.Google Scholar
Kent, Christopher, ‘The Editor and the Law’, in Wiener, Joel, ed., Innovators and Preachers. The Role of the Editor in Victorian England. Westport, CT: Greenwood Press, 1985, pp. 99–119.Google Scholar
Marsh, Joss, Word Crimes: Blasphemy, Culture and Literature in Nineteenth Century England. University of Chicago Press, 1998.Google Scholar
Pease, Allison, Modernism, Mass Culture and the Aesthetics of Obscenity. Cambridge University Press, 2000.Google Scholar
Baker, Alfred, The Newspaper World: Essays on Press History and Work, Past and Present London: Pitman, 1890.Google Scholar
Blake, Peter, George Augustus Sala and the Nineteenth-Century Periodical Press: The Personal Style of a Public Writer. Farnham: Ashgate, 2015.Google Scholar
Donovan, Stephen and Rubery, Matthew, Secret Commissions: An Anthology of Victorian Investigative Journalism. Peterborough: Broadview, 2012.Google Scholar
Garlick, Barbara and Harris, Margaret, eds., Victorian Journalism: Exotic and Domestic. Brisbane: Queensland University Press, 1998.Google Scholar
Grant, James, The Newspaper Press: Its Origin, Progress and Present Position. 2 vols. London: Tinsley, 1871.Google Scholar
Griffiths, Andrew, The New Journalism, the New Imperialism and the Fiction of Empire, 1870–1900. Basingstoke: Palgrave Macmillan, 2015.CrossRefGoogle Scholar
Hatton, Joseph, Journalistic London: Being a Series of Sketches of Famous Pens and Papers of the Day. London: Routledge, 1882.Google Scholar
Knightley, Philip, The First Casualty: The War Correspondent as Hero and Mythmaker from the Crimea to Kosovo. London: Prion, 2000.Google Scholar
McKenzie, Judy. ‘Paper Heroes: Special Correspondents and Their Narratives of Empire’. In Garlick, and Harris, , 124–40.Google Scholar
Sala, George Augustus. ‘The Special Correspondent: His Life and Crimes’, Belgravia: A London Magazine, 4 (1871), 211–22.Google Scholar
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Waters, Catherine, Commodity Culture in Dickens’s Household Words: The Social Life of Goods. Aldershot: Ashgate, 2008.Google Scholar
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Martineau, Harriet, Harriet Martineau: Further Letters, ed. Logan, Deborah A.. Bethlehem: Lehigh University Press, 2012.Google Scholar
Collins, Wilkie. The Letters of Wilkie Collins, ed. Baker, William and Clarke, William M., 2 vols. Basingstoke: Macmillan, 1999.Google Scholar
Collins, Wilkie. The Collected Letters of Wilkie Collins, ed. Baker, William et al., 4 vols. London: Pickering & Chatto, 2005.Google Scholar
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Habermas, Jürgen, The Structural Transformation of the Public Sphere, trans. by Burger, Thomas. Oxford: Polity Press, 1989.Google Scholar
Law, Graham and Maunder, Andrew, Wilkie Collins: A Literary Life. Basingstoke: Palgrave, 2008.CrossRefGoogle Scholar
Peters, Catherine, The King of Inventors: A Life of Wilkie Collins. London: Secker & Warburg, 1991.Google Scholar
Clarke, J. S., ed., Margaret Oliphant: Non-Fictional Writings. A Bibliography. Victorian Fiction Research Guide 26. St Lucia: University of Queensland, 1997.Google Scholar
Finkelstein, David, ‘“Long and Intimate Connections”: Constructing a Scottish Identity for Blackwood’s Magazine’, in Brake, Laurel, Bell, Bill, Finkelstein, David, eds. Nineteenth-Century Media and the Construction of Identities. Basingstoke: Palgrave, 2000, pp. 326–38.Google Scholar
Finkelstein, David, The House of Blackwood. Author Publisher Relations in the Victorian Era. Pennsylvania State University Press, 2002.Google Scholar
Jay, Elisabeth, Mrs Oliphant. A Fiction to Herself. A Literary Life. Oxford: Clarendon Press, 1995.CrossRefGoogle Scholar
Oliphant, Margaret, Autobiography and Letters of Mrs M.O.W. Oliphant. ed. by Mrs Coghill, Harry. Edinburgh and London: William Blackwood and Sons, 1899, rptd Leicester University Press, 1974, ed. Linda H. Peterson, Selected Works of Margaret Oliphant, Vol. 6, London: Pickering & Chatto, 2012.Google Scholar
Oliphant, Margaret, The Autobiography of Margaret Oliphant, Jay, Elisabeth ed. Oxford University Press, 1990.Google Scholar
Oliphant, Margaret, Selected Works of Margaret Oliphant, Shattock, Joanne and Jay, Elisabeth eds., 25 vols. London: Pickering & Chatto Routledge, 2011–16.Google Scholar
Shattock, Joanne, ‘The Culture of Criticism’, in Shattock, Joanne, ed., Cambridge Companion to English Literature 1830–1914. Cambridge University Press, 2010, pp. 71–90.CrossRefGoogle Scholar
Shattock, Joanne, ‘Becoming a Professional Writer’, in Peterson, Linda H., ed., Cambridge Companion to Victorian Women’s Writing. Cambridge University Press, 2015 pp. 29–42.CrossRefGoogle Scholar
Armstrong, Isobel. Victorian Scrutinies: Reviews of Poetry 1830–1870. London: Athlone Press, 1972.Google Scholar
Ashton, Rosemary. 142 Strand: A Radical Address in Victorian London. London: Chatto and Windus, 2006.Google Scholar
Dames, Nicholas. ‘On Not Close Reading: The Prolonged Excerpt as Victorian Critical Protocol’, in Ablow, Rachel, ed., The Feeling of Reading: Affective Experience and Victorian Literature. Ann Arbor: University of Michigan Press, 2010, pp. 11–26.Google Scholar
Dillane, Fionnuala. Before George Eliot: Marian Evans and the Periodical Press. Cambridge University Press, 2013.CrossRefGoogle Scholar
Easley, Alexis, ‘Authorship, Gender and Identity: George Eliot in the 1850s’, Women’s Writing, 3.2 (1996), 145–60.CrossRefGoogle Scholar
Eliot, George, George Eliot A Writer’s Notebook 1854–1879, and Uncollected Writings, ed. Wiesenfarth, Joseph. Charlottesville: University Press of Virginia, 1981.Google Scholar
Eliot, George, The Journals of George Eliot, eds. Harris, Margaret and Johnston, Judith. Cambridge University Press, 1998.Google Scholar
Gray, Beryl. ‘George Eliot and the Westminster Review’, Victorian Periodicals Review 33.3 (Fall 2000), 212–24.Google Scholar
Hadjiafxendi, Kyriaki. ‘Profession, Vocation, Trade: Marian Evans and the Making of the Woman Professional Writer’, Nineteenth-Century Gender Studies 5.2 (Summer 2009), available at http://ncgsjournal.com/issue52/had.htm.Google Scholar
Harris, Margaret, ed., George Eliot in Context. Cambridge University Press, 2013.CrossRefGoogle Scholar
Stange, G. Robert, ‘The Voices of the Essayist’, Nineteenth-Century Fiction 35.3 (1980), 312–30.CrossRefGoogle Scholar
Brake, Laurel, ‘The Old Journalism and the New: Forms of Cultural Production in London in the 1880s’, in Subjugated Knowledges. Journalism, Gender and Literature. Basingstoke: Macmillan, 1994, pp. 83–103.CrossRefGoogle Scholar
Stokes, John, ‘Wilde the Journalist’, in Raby, Peter, ed., The Cambridge Companion to Oscar Wilde. Cambridge University Press, 1997, pp. 69–79.CrossRefGoogle Scholar
Turner, Mark W., ‘Journalism’, in Powell, Kerry and Raby, Peter, eds., Oscar Wilde in Context. Cambridge University Press, 2013, pp. 270–77.Google Scholar
Wilde, Oscar, The Complete Works of Oscar Wilde, eds. Stokes, John and Turner, Mark W., Vols. vi and vii, Journalism, Parts I and II. Oxford University Press, 2013.Google Scholar