This chapter explores how Swift used hoax and parody in his satirical writings and pamphlets. An opening section looks at the five short pamphlets that constituted the 1708–9 Bickerstaff hoax, in which Swift predicted and then falsely confirmed the death of the Whig astrologer John Partridge. The second section shifts the focus on the Drapier’s Letters, where Swift similarly created a mock-author, albeit to very different ends. The chapter argues that such vividly realised personae are characteristic of Swift’s writing and sometimes result in works that are neither straightforward hoax nor parody.