Book contents
- Frontmatter
- Dedication
- Editor and Advisers
- Preface
- Contents
- Note on Transliteration
- Introduction: The Chutzpah of Jewish Cultural Studies 1
- PART I EXPRESSION
- PART II IDENTITY
- PART III REPRESENTATION
- 9 Hasidism versus Zionism as Remembered by Carpatho-Russian Jews between the Two World Wars
- 10 The Sublimity of the Jewish Type: Balzac's Belle Juive as Virgin Magdalene aux Camélias
- 11 As Goyish as Lime Jell-O? Jack Benny and the American Construction of Jewishness
- 12 Jewish Coding: Cultural Studies and Jewish American Cinema
- Contributors
- Index
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10 - The Sublimity of the Jewish Type: Balzac's Belle Juive as Virgin Magdalene aux Camélias
from PART III - REPRESENTATION
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Book contents
- Frontmatter
- Dedication
- Editor and Advisers
- Preface
- Contents
- Note on Transliteration
- Introduction: The Chutzpah of Jewish Cultural Studies 1
- PART I EXPRESSION
- PART II IDENTITY
- PART III REPRESENTATION
- 9 Hasidism versus Zionism as Remembered by Carpatho-Russian Jews between the Two World Wars
- 10 The Sublimity of the Jewish Type: Balzac's Belle Juive as Virgin Magdalene aux Camélias
- 11 As Goyish as Lime Jell-O? Jack Benny and the American Construction of Jewishness
- 12 Jewish Coding: Cultural Studies and Jewish American Cinema
- Contributors
- Index
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- JewishnessExpression, Identity and Representation, pp. 239 - 271Publisher: Liverpool University PressPrint publication year: 2008