Book contents
- The Invention of Beethoven and Rossini
- The Invention of Beethoven and Rossini
- Copyright page
- Contents
- Figures
- Contributors
- Acknowledgements
- Abbreviations
- Introduction: Pleasure in history
- Part I The age of Beethoven and Rossini?
- 1 Dahlhaus’s Beethoven-RossiniStildualismus: lingering legacies of the text-event dichotomy
- 2 Beethoven, Rossini – and others
- 3 Heilige Trias, Stildualismus, Beethoven: on the limits of nineteenth-century Germanic music historiography
- 4 Rossini and Beethoven in the reception of Schubert
- Part II Senses of place
- Part III Rehearings
- Part IV Crossing musical cultures
- List of works cited
- Index
2 - Beethoven, Rossini – and others
from Part I - The age of Beethoven and Rossini?
Published online by Cambridge University Press: 05 December 2013
- The Invention of Beethoven and Rossini
- The Invention of Beethoven and Rossini
- Copyright page
- Contents
- Figures
- Contributors
- Acknowledgements
- Abbreviations
- Introduction: Pleasure in history
- Part I The age of Beethoven and Rossini?
- 1 Dahlhaus’s Beethoven-RossiniStildualismus: lingering legacies of the text-event dichotomy
- 2 Beethoven, Rossini – and others
- 3 Heilige Trias, Stildualismus, Beethoven: on the limits of nineteenth-century Germanic music historiography
- 4 Rossini and Beethoven in the reception of Schubert
- Part II Senses of place
- Part III Rehearings
- Part IV Crossing musical cultures
- List of works cited
- Index
- Type
- Chapter
- Information
- The Invention of Beethoven and RossiniHistoriography, Analysis, Criticism, pp. 49 - 65Publisher: Cambridge University PressPrint publication year: 2013