Book contents
- Frontmatter
- Contents
- Acknowledgements
- Introduction
- 1 ‘Music of the future’? The nature of the Wagnerian inheritance
- 2 ‘Wagner of the Lied’? Wolf as critic of Wagner and Wagnerism
- 3 Small things can also enchant us – Wolf's challenge to nineteenth-century views of song
- 4 ‘Poetry the man, music the woman’? Wolf's reworking in his Mörike songs of Wagner's aesthetics of words and music
- 5 The integrity of musical language – questions of form and meaning in Wolf's Goethe songs
- 6 The Wolfian perspective – comparisons with the songs of Strauss and Mahler
- Notes
- Bibliography
- Index
Frontmatter
Published online by Cambridge University Press: 31 October 2009
Book contents
- Frontmatter
- Contents
- Acknowledgements
- Introduction
- 1 ‘Music of the future’? The nature of the Wagnerian inheritance
- 2 ‘Wagner of the Lied’? Wolf as critic of Wagner and Wagnerism
- 3 Small things can also enchant us – Wolf's challenge to nineteenth-century views of song
- 4 ‘Poetry the man, music the woman’? Wolf's reworking in his Mörike songs of Wagner's aesthetics of words and music
- 5 The integrity of musical language – questions of form and meaning in Wolf's Goethe songs
- 6 The Wolfian perspective – comparisons with the songs of Strauss and Mahler
- Notes
- Bibliography
- Index
Summary
A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
- Type
- Chapter
- Information
- Hugo Wolf and the Wagnerian Inheritance , pp. i - ivPublisher: Cambridge University PressPrint publication year: 1999