Antony and Cleopatra dramatizes the fact that there is room only for war, not love, in an extreme shame culture, such as the Roman Empire. Their suicides were motivated partly to avoid being shamed in Octavian’s “triumph” in Rome, but more importantly because it was only by dying together, and in response to each other, that they could avoid being separated from each other. Enobarbus illustrates the fact that guilt feelings also motivate suicide, so guilt is no solution to the problem of violence. Ironically, the main losers in this tragedy may have been the putative victor and his associates, who were incapable of love, and hence life, on the scale and intensity that Antony and Cleopatra achieved with each other.