Siegfried Sassoon and Edmund Blunden both saw action and survived into the late twentieth century as successful men of letters whose styles were quite different. This chapter looks at their literary friendship and compares their work, clarifying where they stand in relation to the Georgians and other war poets, while putting them in a broader cultural perspective. It shows how experience of the trenches led them to twist traditional forms, and examines the stylistic and personal challenges they faced as survivors, their writings ever more retrospective. It argues that Blunden’s complexpoetry may feel archaic but has Modernist elements and has been unjustly neglected by comparison with Sassoon’s more accessible but less subtle verse. With close analysis and comparison, and some redefining of key texts, the chapter emphasises their contrasting approaches: Blunden the troubled pastoralist, exploring profounder shades of meaning; Sassoon deliberately ‘anti-poetic’, but with satirical designs on us.