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9 - The parish church, popular culture and the Reformation

Published online by Cambridge University Press:  29 July 2009

N. J. G. Pounds
Affiliation:
Fitzwilliam College, Cambridge
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Summary

The world perception which emerges from the complex

and contradictory interaction of the reservoir of traditional

folklore and Christianity I shall call ‘medieval popular culture’.

Aaron Gurevich

For Sports, for Pagentrie and Playes,

Thou hast thy Eves, and Holydayes …

Thy Wakes, thy Quintels, here thou hast,

Thy May-poles too with Garland grac't:

Thy Morris-dance, thy Whitsun-ale;

Thy Sheering-feast, which never faile,

Thy Harvest home; thy Wassaile bowle,

That's tost up after Fox i'th' Hole;

Thy Mummeries: thy Twelfe-tide Kings

And Queenes; thy Christmas revellings.

Robert Herrick

Three were, it has often been said, two cultures in medieval England, that of the small and predominantly clerical élite and that of the mass of the mainly rural population. The latter had once been the culture of all the people. It was made up of their ‘values, beliefs, customs, rituals and associations’. It was traditional and it changed only very slowly. An élite culture gradually differentiated itself from the traditional. It was restricted to a small aristocratic or priestly group. It was, from an early date which varied from one society to another, both literate and leisured. It had a ‘vocabulary of sophisticated analytical terms’; it possessed notions of causality, and an appreciation of time, spatial relationships and quantities. When the Middle Ages began, the two cultures stood in opposition to one another. Elite culture strove to suppress popular; it was able to perpetuate itself through the schools, writing and, at a later date, the printed word.

Type
Chapter
Information
A History of the English Parish
The Culture of Religion from Augustine to Victoria
, pp. 325 - 368
Publisher: Cambridge University Press
Print publication year: 2000

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