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43 - 3D Printer

from The Digital Now

Published online by Cambridge University Press:  12 June 2019

Dinusha Mendis
Affiliation:
Dinusha Mendis is Professor of Intellectual Property and Innovation Law at Bournemouth University, where she is also Co- Director of the Centre for Intellectual Property Policy & Management (CIPPM).
Claudy Op den Kamp
Affiliation:
Bournemouth University
Dan Hunter
Affiliation:
Swinburne Law School, Australia
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Summary

THE 3D PRINTER is not new: the technology dates back to the 1970s. Initially controlled by a thicket of patents, it only became commercially significant when the main patents expired and a range of homebrew developers saw the benefit in the widespread adoption of a range of 3D printing technologies.

The first patent for the technology was granted on 9 August 1977 to Wyn Kelly Swainson, an American. Although it did not lead to a commercially available 3D printer at the time, it paved the way for the manufacturing of 3D parts. Shortly thereafter, Hideo Kodama of Nagoya Municipal Industrial Research Institute published his work in producing a functional rapid-prototyping system using photopolymers, a photosensitive resin that could be polymerized by a UV light. In a process that is now familiar to most, a solid, printed model was built up in layers, each of which corresponded to a cross-sectional slice in the model. Kodama never patented this invention, and the first commercial 3D printer was launched in 1988 by Charles Hull— another American—following a patent for “Stereolithography” granted to him in March 1986. In 1988, at the University of Texas, Carl Deckard brought a patent for a different type of 3D printing technology, in which powder grains are fused together by a laser. From these three different approaches, and the patents that protected them, 3D printing born.

The 3D printer, and the process of 3D printing, has caused a great deal of hype in recent times for a range of reasons. The technology became widely accessible because of a move away from commercial and industrial printers to low-cost desktop printers, a movement caused by the expiration of the foundational patents. This gave rise to the “Maker Movement”—similar to the homebrew computer clubs that formed around personal computing in the 1980s— that made 3D printing more accessible and appealing, and which captured the imagination of the consumer. In 2005, Neil Gershenfeld predicted that “personal fabrication will bring the programming of the digital worlds we've invented to the physical world we inhabit.” Barely more than a decade later, Gershenfeld's prediction has become a reality.

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Publisher: Cambridge University Press
Print publication year: 2019

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  • 3D Printer
    • By Dinusha Mendis, Dinusha Mendis is Professor of Intellectual Property and Innovation Law at Bournemouth University, where she is also Co- Director of the Centre for Intellectual Property Policy & Management (CIPPM).
  • Edited by Claudy Op den Kamp, Bournemouth University, Dan Hunter
  • Book: A History of Intellectual Property in 50 Objects
  • Online publication: 12 June 2019
  • Chapter DOI: https://doi.org/10.1017/9781108325806.044
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  • 3D Printer
    • By Dinusha Mendis, Dinusha Mendis is Professor of Intellectual Property and Innovation Law at Bournemouth University, where she is also Co- Director of the Centre for Intellectual Property Policy & Management (CIPPM).
  • Edited by Claudy Op den Kamp, Bournemouth University, Dan Hunter
  • Book: A History of Intellectual Property in 50 Objects
  • Online publication: 12 June 2019
  • Chapter DOI: https://doi.org/10.1017/9781108325806.044
Available formats
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Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • 3D Printer
    • By Dinusha Mendis, Dinusha Mendis is Professor of Intellectual Property and Innovation Law at Bournemouth University, where she is also Co- Director of the Centre for Intellectual Property Policy & Management (CIPPM).
  • Edited by Claudy Op den Kamp, Bournemouth University, Dan Hunter
  • Book: A History of Intellectual Property in 50 Objects
  • Online publication: 12 June 2019
  • Chapter DOI: https://doi.org/10.1017/9781108325806.044
Available formats
×