Book contents
- Hildegard of Bingen and Musical Reception
- Hildegard of Bingen and Musical Reception
- Copyright page
- Dedication
- Contents
- Figures
- Music examples
- Tables
- Book part
- Introduction: O virga ac diadema – historiography of a song
- 1 Forgotten? Hildegard’s reception from 1179 to 1850
- 2 Hildegard’s increased veneration and emergence as a composer
- 3 The German revival of chant
- 4 Hildegard and the Kulturkampf
- 5 Hildegard, tourism, and the politics of chant
- Conclusion: new century, new abbey, new Hildegard
- Bibliography
- Index
1 - Forgotten? Hildegard’s reception from 1179 to 1850
Published online by Cambridge University Press: 05 July 2015
- Hildegard of Bingen and Musical Reception
- Hildegard of Bingen and Musical Reception
- Copyright page
- Dedication
- Contents
- Figures
- Music examples
- Tables
- Book part
- Introduction: O virga ac diadema – historiography of a song
- 1 Forgotten? Hildegard’s reception from 1179 to 1850
- 2 Hildegard’s increased veneration and emergence as a composer
- 3 The German revival of chant
- 4 Hildegard and the Kulturkampf
- 5 Hildegard, tourism, and the politics of chant
- Conclusion: new century, new abbey, new Hildegard
- Bibliography
- Index
Summary
- Type
- Chapter
- Information
- Hildegard of Bingen and Musical ReceptionThe Modern Revival of a Medieval Composer, pp. 35 - 69Publisher: Cambridge University PressPrint publication year: 2015