Book contents
- Frontmatter
- Dedication
- Contents
- List of Plates
- List of Figures
- Foreword
- Preface to the New Edition
- Chronology
- Chapter 1 1843–1865: Childhood and Years of Study
- Chapter 2 1866–1867: Tribschen
- Chapter 3 1868–1869: Munich
- Chapter 4 1870–1871: Brussels; Tribschen
- Chapter 5 1871–1874: Budapest
- Chapter 6 1874–1875: Budapest and Bayreuth
- Chapter 7 1875: Vienna
- Chapter 8 1876: Bayreuth
- Chapter 9 1877: London
- Chapter 10 1878–1879: Vienna
- Chapter 11 1879–1880: Friends and Enemies
- Chapter 12 1880–1881: London and Vienna
- Chapter 13 1881–1882: Richter and d'Albert
- Chapter 14 1882: Richter and d'Albert
- Chapter 15 1882–1883: The Master's Death
- Chapter 16 1884: More Opera in London
- Chapter 17 1885–1886: Vienna, London and Birmingham
- Chapter 18 1887–1888 Return to Bayreuth
- Chapter 19 1889–1900: Vienna
- Chapter 20 1897–1900: Richter and Mahler
- Chapter 21 1889–1890: England
- Chapter 22 1891–1895: England
- Chapter 23 1895–1900: England
- Chapter 24 1890–1899: Bayreuth
- Chapter 25 1894–1899: Richter's Diary
- Chapter 26 1899–1900: Hallé Orchestra
- Chapter 27 1900–1902: England
- Chapter 28 1903–1904: England
- Chapter 29 1904–1906: England
- Chapter 30 1906–1908: England
- Chapter 31 1908–1909: England
- Chapter 32 1909–1911: England
- Chapter 33 1911–1914: Retirement
- Chapter 34 1914–1916: The Last Years
- Chapter 35 Finale
- HANS RICHTER'S CONDUCTING BOOKS
- Appendix 1 Works conducted by Hans Richter
- Appendix 2 Cities and towns where Richter conducted
- Select Bibliography
- Index
Chapter 18 - 1887–1888 Return to Bayreuth
Published online by Cambridge University Press: 29 April 2017
- Frontmatter
- Dedication
- Contents
- List of Plates
- List of Figures
- Foreword
- Preface to the New Edition
- Chronology
- Chapter 1 1843–1865: Childhood and Years of Study
- Chapter 2 1866–1867: Tribschen
- Chapter 3 1868–1869: Munich
- Chapter 4 1870–1871: Brussels; Tribschen
- Chapter 5 1871–1874: Budapest
- Chapter 6 1874–1875: Budapest and Bayreuth
- Chapter 7 1875: Vienna
- Chapter 8 1876: Bayreuth
- Chapter 9 1877: London
- Chapter 10 1878–1879: Vienna
- Chapter 11 1879–1880: Friends and Enemies
- Chapter 12 1880–1881: London and Vienna
- Chapter 13 1881–1882: Richter and d'Albert
- Chapter 14 1882: Richter and d'Albert
- Chapter 15 1882–1883: The Master's Death
- Chapter 16 1884: More Opera in London
- Chapter 17 1885–1886: Vienna, London and Birmingham
- Chapter 18 1887–1888 Return to Bayreuth
- Chapter 19 1889–1900: Vienna
- Chapter 20 1897–1900: Richter and Mahler
- Chapter 21 1889–1890: England
- Chapter 22 1891–1895: England
- Chapter 23 1895–1900: England
- Chapter 24 1890–1899: Bayreuth
- Chapter 25 1894–1899: Richter's Diary
- Chapter 26 1899–1900: Hallé Orchestra
- Chapter 27 1900–1902: England
- Chapter 28 1903–1904: England
- Chapter 29 1904–1906: England
- Chapter 30 1906–1908: England
- Chapter 31 1908–1909: England
- Chapter 32 1909–1911: England
- Chapter 33 1911–1914: Retirement
- Chapter 34 1914–1916: The Last Years
- Chapter 35 Finale
- HANS RICHTER'S CONDUCTING BOOKS
- Appendix 1 Works conducted by Hans Richter
- Appendix 2 Cities and towns where Richter conducted
- Select Bibliography
- Index
Summary
The concert on 19 December 1886, with its programme drawn appropriately from the Vienna-based composers Beethoven, Heuberger and Fuchs, was Hans Richter's one hundredth Philharmonic concert. Just before it took place, he wrote a letter to the orchestra which shows the excellent relationship between the conductor and his men. He referred to the famous Viennese brothers Johann and Josef Schrammel, who by 1886 had a tavern quartet of two violins, guitar and clarinet and had added the word Schrammelmusik to Vienna's musical language. They had begun as a trio in 1878 and in 1884 wrote a Hans Richter March. They mainly played old Austrian folk music at beer gardens, wine festivals and inns; among their keenest admirers were Richter, Brahms, Johann Strauss and Emperor Franz Josef. Although these groups dated back to the Middle Ages, when they were used to spread music and news up and down the banks of the Danube, by the late nineteenth century they were called Schrammel quartets. The clarinet was replaced in 1893 by the accordion.
From the newspaper I understand that you wish to celebrate my one hundredth Philharmonic concert. It gives me great pleasure and pride to know that you deem my achievement so worthy but I feel I am still too young to celebrate a Jubilee even though the top of my head already shows signs of several thoughtful general pauses! If I should be granted a two hundredth Philharmonic concert to conduct, then in God's name celebrate; I'd then be old enough to be forgiven the pleasure of such vanity. So, I ask you to observe Sunday as an ordinary concert day, i.e. with fullest enthusiasm for the job in hand and otherwise to make no fuss. However I shall gladly take this opportunity once again to take it easy with you afterwards; after so much serious and often difficult work, real jollity can only do us all good. So let's fix a definite place to meet – just amongst ourselves – on Sunday. There we shall hear how superbly a splendid tavern band [Schrammeln] plays those incomparable waltzes by Lanner. I can offer you nothing better.
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- Information
- Hans Richter , pp. 231 - 244Publisher: Boydell & BrewerPrint publication year: 2016