Book contents
- Frontmatter
- Contents
- Preface
- List of Illustrations
- Notes on Contributors
- List of Abbreviations
- Introduction: The Greek Gods in the Twentieth Century
- 1 What is a Greek God?
- PART I SYSTEMATIC ASPECTS
- PART II INDIVIDUAL DIVINITIES AND HEROES
- 8 Zeus at Olympia
- 9 Zeus in Aeschylus: the Factor of Monetization
- 10 Hephaistos Sweats or How to Construct an Ambivalent God
- 11 Transforming Artemis: from the Goddess of the Outdoors to City Goddess
- 12 Herakles between Gods and Heroes
- 13 Identities of Gods and Heroes: Athenian Garden Sanctuaries and Gendered Rites of Passage
- PART III DIACHRONIC ASPECTS
- PART IV HISTORIOGRAPHY
- Epilogue
- Index
11 - Transforming Artemis: from the Goddess of the Outdoors to City Goddess
from PART II - INDIVIDUAL DIVINITIES AND HEROES
Published online by Cambridge University Press: 05 August 2013
- Frontmatter
- Contents
- Preface
- List of Illustrations
- Notes on Contributors
- List of Abbreviations
- Introduction: The Greek Gods in the Twentieth Century
- 1 What is a Greek God?
- PART I SYSTEMATIC ASPECTS
- PART II INDIVIDUAL DIVINITIES AND HEROES
- 8 Zeus at Olympia
- 9 Zeus in Aeschylus: the Factor of Monetization
- 10 Hephaistos Sweats or How to Construct an Ambivalent God
- 11 Transforming Artemis: from the Goddess of the Outdoors to City Goddess
- 12 Herakles between Gods and Heroes
- 13 Identities of Gods and Heroes: Athenian Garden Sanctuaries and Gendered Rites of Passage
- PART III DIACHRONIC ASPECTS
- PART IV HISTORIOGRAPHY
- Epilogue
- Index
Summary
One of the most celebrated works of art in antiquity, famous for its artistic qualities, the impression it left on its observer and its technical excellence, was Pheidias' enthroned Zeus made for the sanctuary at Olympia. It is interesting that this particular statue was, according to the tradition, approved by two authorities: Zeus himself and Homer.
According to widespread tradition, Pheidias' representation of Zeus was inspired by the following verses from the Iliad (1. 528–30): ‘As he spoke, the son of Kronos bowed his dark brows, and the ambrosial locks swayed on his immortal head, till vast Olympos reeled.’ The statue, made according to the Homeric description of the god, pleased the deity too. Pausanias relates a tradition according to which Pheidias prayed to the god ‘to show by a sign whether the work was to his liking. Immediately, runs the legend, a thunderbolt fell on that part of the floor where down to the present day the bronze jar stood to cover the place’ (5.11.9).
This story not only emphasizes the status and great artistry of Pheidias' Zeus, but is also an important testimony of the role the Homeric epics played in the shaping of the Greek concept of divine. Herodotus (2.53.2) famously stated that it was Homer and Hesiod who taught the Greeks the ancestry of the gods, gave the gods their epithets, distributed their honours and areas of expertise, and described their outward forms.
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- Information
- The Gods of Ancient GreeceIdentities and Transformations, pp. 209 - 227Publisher: Edinburgh University PressPrint publication year: 2010