Book contents
- Frontmatter
- Contents
- Acknowledgements
- Introduction
- 1 Abstraction and empathy: the philosophical background in the socio-economic foreground
- 2 The poetics of Expressionist performance: contemporary models and sources
- 3 Schrei ecstatic performance
- 4 An “Expressionist solution to the problem of theatre”: Geist abstraction in performance
- 5 Late Expressionist performance in Berlin: the Emblematic mode
- Concluding observations
- Notes
- Select bibliography
- Index
Concluding observations
Published online by Cambridge University Press: 29 October 2009
Book contents
- Frontmatter
- Contents
- Acknowledgements
- Introduction
- 1 Abstraction and empathy: the philosophical background in the socio-economic foreground
- 2 The poetics of Expressionist performance: contemporary models and sources
- 3 Schrei ecstatic performance
- 4 An “Expressionist solution to the problem of theatre”: Geist abstraction in performance
- 5 Late Expressionist performance in Berlin: the Emblematic mode
- Concluding observations
- Notes
- Select bibliography
- Index
Summary
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- Information
- German Expressionist TheatreThe Actor and the Stage, pp. 218 - 247Publisher: Cambridge University PressPrint publication year: 1997