Genetic Criticism and the Creative Process: Essays from Music, Literature, and Theater

doi:10.1017/9781580467537

Genetic Criticism and the Creative Process

Essays from Music, Literature, and Theater

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Cited by 8
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Crossref Citations

This Book has been cited by the following publications. This list is generated based on data provided by Crossref.

Donin, Nicolas 2011. Preface: Creative Process and Objective Properties of Sound. Contemporary Music Review, Vol. 30, Issue. 5, p. 321.

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2013. Some Thoughts on the Use of Autograph Manuscripts in Editing the Works of Verdi and Puccini. Journal of the American Musicological Society, Vol. 66, Issue. 1, p. 103.

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2014. The Future for Creative Writing. p. 71.

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Groth, Sanne Krogh 2016. Composers on Stage: Ambiguous Authorship in Contemporary Music Performance. Contemporary Music Review, Vol. 35, Issue. 6, p. 686.

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Donin, Nicolas 2018. La musicologie des processus de composition. Transposition,

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Levy, Benjamin R. and Emmery, Laura 2021. Archival Research in Music. Music Theory Online, Vol. 27, Issue. 3,

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Van de Mosselaer, Nele 2022. Genetic Game Criticism. p. 1.

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Lee-Price, Simon 2023. Writing ‘dark fiction’: an autoethnographic reflection. New Writing, Vol. 20, Issue. 1, p. 29.

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Edited by William Kinderman, University of Illinois, Urbana-Champaign, Joseph E. Jones, University of Illinois, Urbana-Champaign

Publisher:: Boydell & Brewer
Online publication date:: March 2023
Print publication year:: 2009
Online ISBN:: 9781580467537
DOI:: https://doi.org/10.1017/9781580467537

Subjects:: Ethnomusicology, Classical Studies, Music, Classical Literature

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Studies of the genesis of musical, literary, and theatrical works.

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Genetic Criticism and the Creative Process

Essays from Music, Literature, and Theater

This Book has been cited by the following publications. This list is generated based on data provided by Crossref.

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Contents

Frontmatter
pp i-iv

Contents
pp v-vi

Acknowledgments
pp vii-viii

Genetic Criticism and the Creative Process
pp 1-16

1 - Texts, Variants, and Variations: Evolving Contexts in Literature and Theater
pp 17-18

2 - Genetic Processes in Music: From Beethoven to Leroux
pp 94-95

1 - From Varieties of Genetic Experience to Radical Philology
pp 19-34

2 - Variant and Variation: Toward a Freudo-bathmologico-Bakhtino-Goodmanian Genetic Model?
pp 35-50

3 - The Genetic Record of a Voice: Variants in Barthes's Le Plaisir du texte
pp 51-67

4 - Can Genetic Criticism Be Applied to the Performing Arts?
pp 68-80

5 - “The hardy Laurel”: Beckett and Early Film Comedy
pp 81-92

6 - From Melodic Patterns to Themes: The Sketches for the Original Version of Beethoven's “Waldstein” Sonata, Op. 53
pp 95-107

7 - From Conceptual Image to Realization: Some Thoughts on Beethoven's Sketches
pp 108-122

8 - The Process within the Product: Exploratory Transitional Passages in Beethoven's Late Quartet Sketches
pp 123-150

9 - “They Only Give Rise to Misunderstandings”: Mahler's Sketches in Context
pp 151-169

10 - A Study of Richard Strauss's Creative Process: Der Rosenkavalier's “Presentation Scene” and “Schlußduett”
pp 170-191

11 - Genetic Criticism and Cognitive Anthropology: A Reconstruction of Philippe Leroux's Compositional Process for Voi(rex)
pp 192-216

Afterword
pp 217-220

Contributors
pp 221-224

Index
pp 225-229

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Genetic Criticism and the Creative Process

Essays from Music, Literature, and Theater

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