Book contents
- Frontmatter
- Contents
- Preface
- List of Publications by Professor Marta Gibińska
- Part I
- Part II
- “My Last Duchess” or “The Radiance of the Painting”: Jean-Luc Marion Reads the Poetry of Robert Browning
- “‘Any good?’ ‘Will this do?’”: Reflections on the Poetry of C.S. Lewis
- Idealized Cognitive Models, Typicality Effects, Translation
- “Death Thou Shalt Die”: Resurrection in John Donne's Prose and Poetry
- From Pulpit to Stage – the Rhetorical Theatricality of George Whitefield's Preaching
- “What a gallant mourning ribbon is this, which I wear.” The Function of the Title Pages in the Shaping of the Character in Early Modern English Execution Narratives
- A Revolutionary Inspiration: Laurence Sterne's Tristram Shandy and Ann'quin Bredouille by Jean-Claude Gorjy
- The Indian Mutiny and English Fiction
- The Pioneers: Reflections of America's Anxiety about Frontier Expansion
- Imprisonment and False Liberation in E.L. Doctorow's Ragtime
- Coleridge's Zapolya: Between Dramatic Romance and Gothic Melodrama
The Indian Mutiny and English Fiction
from Part II
Published online by Cambridge University Press: 05 September 2014
- Frontmatter
- Contents
- Preface
- List of Publications by Professor Marta Gibińska
- Part I
- Part II
- “My Last Duchess” or “The Radiance of the Painting”: Jean-Luc Marion Reads the Poetry of Robert Browning
- “‘Any good?’ ‘Will this do?’”: Reflections on the Poetry of C.S. Lewis
- Idealized Cognitive Models, Typicality Effects, Translation
- “Death Thou Shalt Die”: Resurrection in John Donne's Prose and Poetry
- From Pulpit to Stage – the Rhetorical Theatricality of George Whitefield's Preaching
- “What a gallant mourning ribbon is this, which I wear.” The Function of the Title Pages in the Shaping of the Character in Early Modern English Execution Narratives
- A Revolutionary Inspiration: Laurence Sterne's Tristram Shandy and Ann'quin Bredouille by Jean-Claude Gorjy
- The Indian Mutiny and English Fiction
- The Pioneers: Reflections of America's Anxiety about Frontier Expansion
- Imprisonment and False Liberation in E.L. Doctorow's Ragtime
- Coleridge's Zapolya: Between Dramatic Romance and Gothic Melodrama
Summary
A striking feature of the Indian Mutiny is the contrast between the relatively small military scale of the event and its enormous impact on the British consciousness. The rebellion spread mainly in the northern and central provinces while much of the country remained uninvolved or loyal to the British. The Mutiny erupted on 10 May 1857 in the town of Meerut and involved a series of attacks on the British in several places but did not evolve into a centrally-organised movement. Initially surprised by the rising, the British took action fairly quickly, suppressing the Mutiny within about a year. The fall of Gwalior on 20 May 1858 marked the actual end of the rebellion, despite the subsequent minor skirmishes.
The political consequences were far-reaching, however: after abolishing the East India Company, the British Empire took direct control of India, establishing the Raj and carrying out reforms both in the government of India and the Indian army. At that time the British rule in India was strengthened and formalised but, as Gautam Chakravarty claims from his contemporary Indian perspective, the Mutiny heralded an awakening of India's desire for independence. He treats the Mutiny (which he prefers to call “rebellion”) as a foreshadowing of future global conflicts:
the rebellion and its much-debated causes underscored a model of radical conflict between cultures, civilizations and races; a conflict that at once justified conquest and dominion and proved the impossibility of assimilating and acculturating subject peoples. No less significant were the several thousand British casualties in the war the rebel militias launched.
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- Eyes to Wonder, Tongue to PraiseVolume in Honour of Professor Marta Gibińska, pp. 245 - 254Publisher: Jagiellonian University PressPrint publication year: 2012