The sixth chapter focuses on Victorian anxieties about the empire’s powerful women, as reflected in Yusuf Khan Kambalposh’s Urdu travelogue, Tarikh-i-Yusufi. Published in 1847, it records the dreamlike vision of the Lucknow Muslim captain who arrived in England on August 1837 and three months later witnessed Queen Victoria’s stately procession for the Lord Mayor’s feast. In Yusuf’s eyes, this spectacle renders Britain a fairyland, an immersive virtual world indeterminately woven with the actual and the artificial. Its wonders emanate from visual recreations like Astley’s Amphitheater, St. Paul’s Cathedral, the Diorama, the Colosseum, Vauxhall Gardens, Madam Tussauds Wax Museum, and the British Museum – what he calls “magic houses” that connect disparate geographies, creeds, and languages virtually. Through his repartee with female fairies in these tourist sites, he imagines an ephemeral empire of strangers. Refashioning his masculinity in this empire, he behaves like the autonomous subject of a new female monarch who is yet to become an icon of imperial self-confidence.