Book contents
- Frontmatter
- Dedication
- Contents
- Acknowledgements
- The Principal Works of Nuruddin Farah as Referred to in The Disorder of Things
- 1 Taking On Foucault and Fleshing Out Farah: Opportunities for Dialogue and Reflections on Method
- 2 Quivering at the Heart of the Variations Cycle: Labyrinths of Loss in Sweet and Sour Milk
- 3 So Vast the Prison: Agonistic Power Relations in Sardines
- 4 Through the Maze Darkly: Incarceration and Insurrection in Close Sesame
- 5 From the Carceral to the Bio-political: The Dialectical Turn Inwards in Maps
- 6 ‘A Call to Alms’: Gifts and the Possibilities of a Foucauldian Reading
- 7 Trajectories of Implosion and Explosion: The Politics of Blood and Betrayal in Secrets
- 8 Bringing It All Back Home: Theorising Diaspora and War in Yesterday, Tomorrow and Links
- 9 A Woman Apart: Entanglements of Power, Disintegration and Restoration in Knots
- 10 Pirates of the Apocalypse: Where Next?
- Index
9 - A Woman Apart: Entanglements of Power, Disintegration and Restoration in Knots
Published online by Cambridge University Press: 22 March 2018
- Frontmatter
- Dedication
- Contents
- Acknowledgements
- The Principal Works of Nuruddin Farah as Referred to in The Disorder of Things
- 1 Taking On Foucault and Fleshing Out Farah: Opportunities for Dialogue and Reflections on Method
- 2 Quivering at the Heart of the Variations Cycle: Labyrinths of Loss in Sweet and Sour Milk
- 3 So Vast the Prison: Agonistic Power Relations in Sardines
- 4 Through the Maze Darkly: Incarceration and Insurrection in Close Sesame
- 5 From the Carceral to the Bio-political: The Dialectical Turn Inwards in Maps
- 6 ‘A Call to Alms’: Gifts and the Possibilities of a Foucauldian Reading
- 7 Trajectories of Implosion and Explosion: The Politics of Blood and Betrayal in Secrets
- 8 Bringing It All Back Home: Theorising Diaspora and War in Yesterday, Tomorrow and Links
- 9 A Woman Apart: Entanglements of Power, Disintegration and Restoration in Knots
- 10 Pirates of the Apocalypse: Where Next?
- Index
Summary
It was common enough for people to leave their doors open night and day when [Cambara] lived in Mogadiscio and you could take peace for granted. Later, with kickbacks and other forms of corruption creating overnight millionaires, the city became flooded with the unemployed, the poor, and the migrants from the starving hinterland, and fences went up faster than you could tally the changing death and birth statistics. Sometime later, residents upgraded the fences, putting broken glass, razor blades, and electric wire on top to deter robbers. Imagine: an open gate. What can it mean?
(Knots: 112–113)[While] much current opinion, stretching from libertarian to Foucauldian, might minimize the importance of the state, there is plentiful evidence in popular fantasy of a nostalgia for authoritative, even authoritarian government … in their imaginaire, a metaphysics of disorder – the hyperreal conviction, rooted in everyday experience, that society hovers on the brink of dissolution – comes to legitimize a physics of social order, to be accomplished through effective law enforcement.
(Jean Comaroff & John L. Comaroff – ‘Criminal Obsessions, after Foucault: Postcoloniality, Policing and the Metaphysics of Disorder’, 2006: 293–294)
I BEGAN WRITING THE DISORDER OF THINGS IN THE UNITED KINGDOM, BUT it really only came to life following my relocation to South Africa in 2010. If this book has considered how and why a discursive marriage between aspects of Foucauldian thought might enliven a reading of Farah's work, I, unlike Patricia Duncker's protagonist in Hallucinating Foucault, have been fortunate enough to encounter the subject of my academic interest. Having met Farah in Cape Town in 2011, I found myself reflecting on the ways in which The Disorder of Things might be re-energised by taking into account the process of adapting to life in a republic where certain Foucauldian concerns impact the everyday. Trying to come to terms with the disjuncture between life in a quiet English village and that within Johannesburg's gated communities, protected by twenty-four hour surveillance systems and security services, has certainly been educative. In this concluding analysis, I build on my personal reflections about life in a postcolonial African city to consider how and why Knots brings together many of the major preoccupations of Farah's oeuvre.
- Type
- Chapter
- Information
- The Disorder of ThingsA Foucauldian Approach to the Work of Nuruddin Farah, pp. 267 - 293Publisher: Wits University PressPrint publication year: 2014