Book contents
- Frontmatter
- Dedication
- Contents
- Acknowledgements
- The Principal Works of Nuruddin Farah as Referred to in The Disorder of Things
- 1 Taking On Foucault and Fleshing Out Farah: Opportunities for Dialogue and Reflections on Method
- 2 Quivering at the Heart of the Variations Cycle: Labyrinths of Loss in Sweet and Sour Milk
- 3 So Vast the Prison: Agonistic Power Relations in Sardines
- 4 Through the Maze Darkly: Incarceration and Insurrection in Close Sesame
- 5 From the Carceral to the Bio-political: The Dialectical Turn Inwards in Maps
- 6 ‘A Call to Alms’: Gifts and the Possibilities of a Foucauldian Reading
- 7 Trajectories of Implosion and Explosion: The Politics of Blood and Betrayal in Secrets
- 8 Bringing It All Back Home: Theorising Diaspora and War in Yesterday, Tomorrow and Links
- 9 A Woman Apart: Entanglements of Power, Disintegration and Restoration in Knots
- 10 Pirates of the Apocalypse: Where Next?
- Index
4 - Through the Maze Darkly: Incarceration and Insurrection in Close Sesame
Published online by Cambridge University Press: 22 March 2018
- Frontmatter
- Dedication
- Contents
- Acknowledgements
- The Principal Works of Nuruddin Farah as Referred to in The Disorder of Things
- 1 Taking On Foucault and Fleshing Out Farah: Opportunities for Dialogue and Reflections on Method
- 2 Quivering at the Heart of the Variations Cycle: Labyrinths of Loss in Sweet and Sour Milk
- 3 So Vast the Prison: Agonistic Power Relations in Sardines
- 4 Through the Maze Darkly: Incarceration and Insurrection in Close Sesame
- 5 From the Carceral to the Bio-political: The Dialectical Turn Inwards in Maps
- 6 ‘A Call to Alms’: Gifts and the Possibilities of a Foucauldian Reading
- 7 Trajectories of Implosion and Explosion: The Politics of Blood and Betrayal in Secrets
- 8 Bringing It All Back Home: Theorising Diaspora and War in Yesterday, Tomorrow and Links
- 9 A Woman Apart: Entanglements of Power, Disintegration and Restoration in Knots
- 10 Pirates of the Apocalypse: Where Next?
- Index
Summary
[The aim of the public execution] is not so much to re-establish a balance as to bring into play, at its extreme point, dissymmetry between the subject who has dared to violate the law and the all-powerful sovereign who displays his strength … in this liturgy of punishment, there must be an emphatic affirmation of power and of its intrinsic superiority. And this superiority is not simply that of right, but that of the physical strength of the sovereign beating down upon the body of his adversary and mastering it: by breaking the law, the offender has touched the very person of the prince; and it is the prince – or at least those to whom he has delegated his force – who seizes upon the body of the condemned man and displays it marked, beaten and broken.
(Michel Foucault – Discipline and Punish, 1991: 48 – 49)No one could account for Deeriye's movements for three solid days. And it took the best part of the fourth day to piece together stories stranded with gaps nobody could fill … Into what dark hole of mystery did he disappear between being seen with Khaliif and turning up, arrayed in army uniform, marching in rhythm with other soldiers – and standing at attention before the General who was awarding medals to heroes of the land, pulling out, by mistake, prayer-beads instead of a revolver to shoot the General dead? (Another version told how the prayer-beads, like a boa-constrictor, entwined themselves around the muzzle of the revolver and Deeriye could not disentangle it in time.) He was an easy target, now that he hadn't hit his. And the General's bodyguards emptied into him cartridges of machine-gun fire until his body was cut nearly in half.
(Close Sesame: 236)THE MADDENING BRILLIANCE OF THE LABYRINTH IS THAT ENDING AND beginning often seem to be one and the same. If Sweet and Sour Milk's prologue establishes its evasiveness with Soyaan's mysterious death, Close Sesame's epilogue captures its fascination with overt violence and strategic subterfuge. Foucault's sovereign is here reconfigured as Farah's punitive General, with Damiens’ regicidal intentions re-imagined through Deeriye's abortive assassination attempt.
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- Information
- The Disorder of ThingsA Foucauldian Approach to the Work of Nuruddin Farah, pp. 95 - 122Publisher: Wits University PressPrint publication year: 2014