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Published online by Cambridge University Press:  05 October 2010

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Summary

NAKED FORME.—A forme without furniture.

NATURE PRINTING.—This beautiful art was first introduced and practised in Vienna, whither the late Mr. Henry Bradbury went, on purpose to acquire the knowledge he carried out subsequently with so much skill and ability. The flowers, leaves, or plant itself (as the case may be) are first dried by placing the subject between thick blotting papers, and pressing in a screw press, frequently changing the papers, and repeating the process, until all moisture is extracted; in some instances the services of the sun, or even artificial neat, are additionally called into requisition; when the subject is sufficiently dried, which may be known by its brittleness, it is ready for manipulation. The plant may be said to engrave its own plate thus:—a thick piece of pure, soft, sheet lead, rather larger than the paper on. which the subject is ultimately to be printed, must be planed as bright and even as a looking-glass. On this plate the subject is laid in the required position, upon which again is placed a highly-polished steel plate, face downwards. The whole is then placed between powerful rollers, until the plant is imbedded in the lead, the result being a fac-simile matrix. An electrotype of this matrix is then taken, from which, again, another electrotype is requisite, in order to give the original effect when printed from, The great object of Nature Printing is to reproduce very rare botanical specimens so truthfully as to enable the student of any country to examine the print, and obtain the same result to his investigation as though he actually had the plant itself.

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Publisher: Cambridge University Press
Print publication year: 2010
First published in: 1875

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  • N
  • John Southward
  • Book: Dictionary of Typography and its Accessory Arts
  • Online publication: 05 October 2010
  • Chapter DOI: https://doi.org/10.1017/CBO9780511707209.016
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  • N
  • John Southward
  • Book: Dictionary of Typography and its Accessory Arts
  • Online publication: 05 October 2010
  • Chapter DOI: https://doi.org/10.1017/CBO9780511707209.016
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • N
  • John Southward
  • Book: Dictionary of Typography and its Accessory Arts
  • Online publication: 05 October 2010
  • Chapter DOI: https://doi.org/10.1017/CBO9780511707209.016
Available formats
×