Skip to main content Accessibility help
×
Hostname: page-component-586b7cd67f-t8hqh Total loading time: 0 Render date: 2024-11-25T11:45:54.414Z Has data issue: false hasContentIssue false

3 - The First Continuation and Prolongation

Published online by Cambridge University Press:  05 February 2013

Leah Tether
Affiliation:
Anglia Ruskin University
Get access

Summary

The provisional assignment of Extension to the First Continuation

As was explained in the previous chapter, an Extension is a Continuation which extends the Ur-Text, but without providing an ‘end’. It was also noted that the First Continuation appears to be extending the story rather than concluding it, as the fact that the First Continuation gives rise to further Continuations would suggest a notion of unfinishedness. Indeed, Bruckner points out that the text clearly projects ‘the expectation that something else must follow’. Given Herrnstein Smith's notion of ‘the expectation of nothing’ as being crucial to a true ending, this means that the First Continuation may, at least as a preliminary, be assigned to the sub-genre of Continuation termed Extension, rather than that of Conclusion, because the text does not seem to provide an ‘end’ under our terms. But this is not enough to prove that the First Continuation is an Extension. This provisional assignment demands further clarification by means of enquiries into how the First Continuation extends the narrative and whether it is possible to provide a more specific definition of the type of Extension at work.

The issue of redactions

According to Roach's system for categorising the redactions of the First Continuation, there are three redactions: the Short, Mixed and Long. As was previously stated, however, each of these redactions in turn omits, interpolates and adds a number of episodes/objects/motifs.

Type
Chapter
Information
The 'Continuations' of Chrétien's 'Perceval'
Content and Construction, Extension and Ending
, pp. 109 - 141
Publisher: Boydell & Brewer
Print publication year: 2012

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×