Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-s2hrs Total loading time: 0 Render date: 2024-11-19T01:44:29.075Z Has data issue: false hasContentIssue false

8 - A Sovereign People? Political Fantasy and Governmental Time in the Pursuit of Brexit

Published online by Cambridge University Press:  10 March 2021

Get access

Summary

May faced a choice between a fantasy Brexit, designed only to gratify a minority who are immune to gratification, and real Brexits that require compromise on every side. It wasn't an appealing decision, but nor was it a hard one. (Behr, 2018)

There has been an outpouring of journalistic and academic writing that has used the idea of fantasy to describe and critique Brexit (see, for example, Gearty, 2016; Nawratek, 2017; Newbigin, 2017; Eaglestone, 2018; Shariatmardi, 2018). It has been one widely used figure through which to address both the political leadership (of the campaign to leave and of the Conservative Party in government) and the popular support for Leave. Much of the time, ‘fantasy’ has been deployed as an image driven by liberal scepticism – denoting the apparently illinformed, misguided and potentially disastrous project of leaving the EU. It has been frequently expressed in the image of searching for ‘unicorns’ as a way of registering the triumph of fantasy and desire over rationality (for example, Rigby, 2019). It is not the aim here to treat fantasy in these terms, as marking a politics that is explicitly or implicitly contrasted with hard-headed realism or rational political decision-making. Too much of the debate around Brexit has found it convenient to dismiss the vote to leave in such terms. However, this does not mean abandoning the idea of fantasy: this chapter is more interested in how fantasy may be a productive way of thinking about processes of political articulation and mobilization – offering a means of addressing projections and promises that find political purchase. The chapter certainly does not assume that only the Leave campaign traded in affective politics that involved the use of collective fantasies: the campaign to remain was dubbed ‘Project Fear’ by the Leave campaign for good reason, and contrasted the projected economic misery outside the EU with images of other empowered (largely consumerist) futures for UK citizens should they make the ‘reasonable’ choice.

In the context of Brexit, then, one might pay attention to specific aspects of political-cultural fantasy work that project a double dynamic of loss and restoration; examples of what Paul Gilroy has described as melancholia, borrowing and adapting the term from Freud to explore the postcolonial condition in Britain.

Type
Chapter
Information
Contested Britain
Brexit, Austerity and Agency
, pp. 117 - 130
Publisher: Bristol University Press
Print publication year: 2020

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×