Skip to main content Accessibility help
×
Hostname: page-component-586b7cd67f-dsjbd Total loading time: 0 Render date: 2024-11-25T23:19:57.230Z Has data issue: false hasContentIssue false

Reading List

Published online by Cambridge University Press:  16 August 2019

T. S. Dorsch
Affiliation:
University of Durham
Ros King
Affiliation:
University of Southampton
Get access
Type
Chapter
Information
The Comedy of Errors , pp. 129 - 131
Publisher: Cambridge University Press
Print publication year: 2004

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Adams, Barry B., Coming-to-Know: Recognition and the Complex Plot in Shakespeare, New York; Canterbury: P. Lang, 2000Google Scholar
Baldwin, T. W., On the Compositional Genetics of ‘The Comedy of Errors’, Urbana: University of Illinois Press, 1965Google Scholar
Baldwin, T. W. William Shakespeare Adapts a Hanging, Princeton: Princeton University Press, 1931Google Scholar
Baldwin, T. W. William Shakespere’s Five-Act Structure: Shakespere’s Early Plays on the Background of Renaissance Theories of Five-Act Structure from 1470, Urbana: University of Illinois Press, 1947, reprinted 1963Google Scholar
Baldwin, T. W. William Shakespere’s Small Latin and Lesse Greeke, 2 vols., Urbana: University of Illinois Press, 1966Google Scholar
Berger, , Bradford, , Sondergard, (eds.), An Index of Characters in Early Modern English Drama: Printed Plays, 1500–1660, Cambridge: Cambridge University Press, 1998Google Scholar
Berry, Ralph, ‘Komisarjevsky at Stratford-upon-Avon’, Shakespeare Survey 36, 1983Google Scholar
Braunmuller, A. R. and Bulman, J. C. (eds.), Comedy from Shakespeare to Sheridan: Change and Continuity in the English and European Dramatic Tradition: Essays in Honor of Eugene M. Waith, Newark: University of Delaware Press; London; Toronto: Associated University Presses, 1986Google Scholar
Burke, William Kenneth, A New Approach to Shakespeare’s Early Comedies: Theoretical Foundations, New York: Vantage Press, 1998Google Scholar
Carroll, William, The Metamorphoses of Shakespearean Comedy, Princeton: Princeton University Press, 1985CrossRefGoogle Scholar
Chambers, E. K., Elizabethan Stage, 4 vols., Oxford: Clarendon Press, 1923Google Scholar
Collins, Michael J., Shakespeare’s Sweet Thunder: Essays on the Early Comedies. Newark: University of Delaware Press; London: Associated University Presses, 1997Google Scholar
Dent, R. W. Shakespeare’s Proverbial Language: An Index, Berkeley, London: University of California Press, 1981Google Scholar
Dutton, Richard, ‘The Comedy of Errors and The Calumny of Apelles: An Exercise in Source Study’ in Dutton, R. and Howard, J. E. (eds.), A Companion to Shakespeare’s Works: Volume 3, The Comedies, Oxford: Blackwell, 2003, pp. 307–19CrossRefGoogle Scholar
Evans, Bertrand, Shakespeare’s Comedies, Oxford: Clarendon Press, 1960Google Scholar
Farmer, Penelope, Two, or, the Book of Twins and Doubles, London: Virago, 1996Google ScholarPubMed
Feuillerat, Albert, Documents relating to the Office of the Revels in the time of Queen Elizabeth, Louvain: A Uystpruyst, 1908, Kraus reprint, 1963Google Scholar
Foakes, R. A. (ed.), The Comedy of Errors. London: Methuen; Cambridge: Mass., Harvard University Press, 1962Google Scholar
Gesta Grayorum or the History of the High and Mighty Prince Henry Prince of Purpoole Anno Domini 1594, (ed.) Bland, Desmond, Liverpool: Liverpool University Press, 1968Google Scholar
Gibbons, Brian, ‘Erring and straying like lost sheep’, Shakespeare Survey 50, Cambridge: Cambridge University Press, 1997Google Scholar
Hall, Jonathan, Anxious Pleasures: Shakespearean Comedy and the Nation-State, Madison, N. J.: Fairleigh Dickinson University Press; London: Associated University Presses, 1995Google Scholar
Hamilton, Donna B., Shakespeare and the Politics of Protestant England, Hemel Hempstead: Harvester Wheatsheaf, 1992Google Scholar
Hogan, Charles Beecher, Shakespeare in the Theatre 1701–1800, 2 vols. Oxford: Clarendon Press, 1952Google Scholar
Howard-Hill, T. H., Ralph Crane and Some Shakespeare First Folio Comedies, Charlottesville, University of Virginia: Bibliographical Society, 1972Google Scholar
Kilpatrick, Ross S., The Poetry of Criticism: Horace, Epistles II and Ars Poetica, Edmonton: University of Alberta Press, 1990Google Scholar
King, Ros, The Works of Richard Edwards: Politics, Poetry and Performance in Sixteenth-Century England, Manchester: Manchester University Press, 2001Google Scholar
Komisarjevsky, Theodore, The Theatre, London: Bodley Head, 1935Google Scholar
MacCarey, W. Thomas, ‘The Comedy of Errors: a different kind of comedy’, New Literary History, XI, 3 (Spring 1978), 525–36Google Scholar
Miola, Robert S. (ed.), The Comedy of Errors: Critical Essays, New York and London: Garland Publishing, 1997Google Scholar
Miola, Robert S. Shakespeare and Classical Comedy: The Influence of Plautus and Terence, Oxford: Clarendon Press, 1994CrossRefGoogle Scholar
Miola, Robert S. Shakespeare’s Reading, Oxford: Oxford University Press, 2000Google Scholar
Nelson, Alan H., Early Cambridge Theatres: College, University, and Town Stages, 1464–1720, Cambridge: Cambridge University Press, 1994Google Scholar
Newman, Karen, Shakespeare’s Rhetoric of Comic Character: Dramatic Convention in Classical and Renaissance Comedy, New York; London: Methuen, 1985Google Scholar
O’Connor, Marion, William Poel and the Elizabethan Stage Society, Cambridge: Chadwyck-Healey in association with the Consortium for Drama and Media in Higher Education, 1987Google Scholar
O’Donnell, Brennan, ‘The errors of the verse: metrical reading and performance of The Comedy of Errors’ in Miola, CofE, pp. 393422Google Scholar
Orrell, John, The Human Stage, Cambridge: Cambridge University Press, 1988Google Scholar
Pigman, G. W. III (ed.), Gascoigne, George, A Hundreth Sundrie Flowres, Oxford: Clarendon Press, 2000Google Scholar
Plautus, tr. Nixon, Paul, 5 vols., Cambridge, Mass.: Harvard University Press; London: William Heinemann, 1977Google Scholar
Records of Early English Drama: Cambridge, Nelson, Alan H. (ed.), 2 vols., Toronto: University of Toronto Press, 1989Google Scholar
Riehle, Wolfgang, Shakespeare, Plautus and the Humanist Tradition, Woodbridge: D. S. Brewer, 1991Google Scholar
Salmon, J. H. M., The French Religious Wars in English Political Thought, Oxford, 1959Google Scholar
Shaheen, Naseeb, Biblical References in Shakespeare’s Comedies, Newark: University of Delaware Press; London: Associated University Presses, 1993Google Scholar
Teague, Frances N. (ed.), Acting Funny: Comic Theory and Practice in Shakespeare’s Plays, Rutherford N. J.: Fairleigh Dickinson University Press; London: Associated University Presses, 1994Google Scholar
Wells, Stanley W. (ed.), The Comedy of Errors, Harmondsworth: Penguin, 1972Google Scholar
Werstine, Paul, ‘“Foul papers” and “prompt-books”: printer’s copy for Shakespeare’s Comedy of Errors’, Studies in Bibliography, 41, (1988), 232–46Google Scholar
Wright, George T., Shakespeare’s Metrical Art, Berkeley, Los Angeles, Oxford: University of California Press, 1988Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×