Book contents
- Frontmatter
- Contents
- List of Illustrations
- Acknowledgements
- Introduction
- 1 Biography of Claude III Audran (1658–1734)
- 2 The French Arabesque as an Art Form, Audran as Master Ornamentalist , and His Initial Commissioned Works
- 3 Claude III Audran and Jean de La Fontaine’s Fables: Maintaining the Social Hierarchy
- 4 Attracting New Patrons in the Eighteenth Century
- 5 Claude III Audran’s Competitors and His Legacies
- Color Plates
- Appendix
- Bibliography
- Index
- Frontmatter
- Contents
- List of Illustrations
- Acknowledgements
- Introduction
- 1 Biography of Claude III Audran (1658–1734)
- 2 The French Arabesque as an Art Form, Audran as Master Ornamentalist , and His Initial Commissioned Works
- 3 Claude III Audran and Jean de La Fontaine’s Fables: Maintaining the Social Hierarchy
- 4 Attracting New Patrons in the Eighteenth Century
- 5 Claude III Audran’s Competitors and His Legacies
- Color Plates
- Appendix
- Bibliography
- Index
Summary
1689—Château d’Anet, Anet, Louis-Joseph de Bourbon, duc de Vendôme.
1690–1694—Hôtel de Conti, Paris, Pavillon des bains, princesse de Conti.
1695–1698—Hôtel de Soissons, Paris, princesse de Carignan.
1696—Hôtel de Bouillon, Paris, duc and duchesse de Bouillon
1697—Hunting lodge, Clichy-la-Garenne, Philippe de Bourbon and Françoise Moreau
1699—Château de Meudon, Meudon, Louis of France, Grand Dauphin.
—Gobelins, Paris, set of tapestries—Portières de deux.
—Ménagerie, Château de Versailles, Versailles, Louis XIV and Marie-Adélaïde.
1690–1705–1710—Hôtel de Flesselles, Paris, Pierre Delisle-Mansart.
1702–1705—duchesse de Bourgogne and princesse douairière de Conti, Versailles, unspecified painting.
1703–1704—Completion of Coronelli globes, Marly, Louis XIV.
1704—Château de Sceaux, Sceaux, Louis-August de Bourbon, duc de Maine, and Anne- Louis-Bénédicte de Bourbon-Condé, duchesse du Maine.
1704—Appointed concierge of Luxembourg Palace, Paris.
1709—Château de Versailles, Versailles, ceiling of a small bed chamber, princesse de Conti.
1708–1709—Gobelins set of tapestries, Les douze mois grotesques, Château-Neuf, Meudon, Louis of France, Grand Dauphin.
1709–1712—Château de La Muette, Paris, Fleuriau d’Armenonville.
—Château de Versailles, Versailles, Ruckers and Couchet double clavichord.
1708—Hôtel de Nointel, Paris, Louis de Béchameil, marquis de Nointel.
1709—Château de Marly, Marly, Louis XIV, Berceau des singes.
1714—Château de Fontainbleau, Fontainebleau, antechamber ceiling.
1719—Hôtel Angran de Fonspertuis, Paris, Louis-Austin Angran de Fonspertius.
1720—Hôtel de Verrue, Paris, Jeanne-Baptiste d’Albert de Luynes, comtesse de Verrue.
1723—Hôtel de Peyrenc de Moras, Paris, Abraham Peyrenc de Moras.
1731—Château de Réveillon, Réveillon, Jules-Robert de Cotte.
1733—Château d’Anet, Anet, duc and duchesse du Maine.
Other potential Audran commissioned works
Ceiling of a cabinet for J.-B. Massé, place Dauphine, Paris, as noted in Roger-Armand Weigert, “Liste chronologique des travaux datés de Claude III Audran.” In Dessins du Nationalmuseum de Stockholm, collections Tessin and Cronstedt: Claude III Audran (1658-1734): dessins d’architecture et d’ornements, edited by Carl David Moselius, J. Vallery-Radot, and Roger-Armand Weigert. Paris: Bibliothèque nationale de France, 1950, and Colin B. Bailey, “‘A Long Working Life, Considerable Research and Much Thought’: An Introduction to the Art and Career of Jean- Baptiste Oudry (1685–1755).”
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- Claude III Audran, Arbiter of the French Arabesque , pp. 199 - 204Publisher: Amsterdam University PressPrint publication year: 2024