Book contents
- Classical Philology and Theology
- Classical Philology and Theology
- Copyright page
- Contents
- Contributors
- Chapter 1 Philology’s Shadow
- Chapter 2 Philology’s Roommate: Hermeneutics, Antiquity, and the Seminar
- Chapter 3 The Union and Divorce of Classical Philology and Theology
- Chapter 4 The Philology of Judaism: Zacharias Frankel, the Septuagint, and the Jewish Study of Ancient Greek in the Nineteenth Century
- Chapter 5 Source, Original, and Authenticity between Philology and Theology
- Chapter 6 Whose Handmaiden? ‘Hellenisation’ between Philology and Theology
- Chapter 7 Julian the Emperor on Statues (of Himself)
- Chapter 8 Boethius in the Genres of the Book: Philology, Theology, Codicology
- Chapter 9 Virgil, Creator of the World
- Chapter 10 Theology’s Shadow
- Bibliography
- Index
Chapter 9 - Virgil, Creator of the World
Published online by Cambridge University Press: 03 September 2020
- Classical Philology and Theology
- Classical Philology and Theology
- Copyright page
- Contents
- Contributors
- Chapter 1 Philology’s Shadow
- Chapter 2 Philology’s Roommate: Hermeneutics, Antiquity, and the Seminar
- Chapter 3 The Union and Divorce of Classical Philology and Theology
- Chapter 4 The Philology of Judaism: Zacharias Frankel, the Septuagint, and the Jewish Study of Ancient Greek in the Nineteenth Century
- Chapter 5 Source, Original, and Authenticity between Philology and Theology
- Chapter 6 Whose Handmaiden? ‘Hellenisation’ between Philology and Theology
- Chapter 7 Julian the Emperor on Statues (of Himself)
- Chapter 8 Boethius in the Genres of the Book: Philology, Theology, Codicology
- Chapter 9 Virgil, Creator of the World
- Chapter 10 Theology’s Shadow
- Bibliography
- Index
Summary
This chapter looks at an early stage in the construction of the Latin tradition, reviewing the ways in which the early fifth-century Macrobius treats Virgil as a godlike author, constructing his influence along the lines of Christian monotheism while resolutely disavowing any knowledge of Christianity. Macrobius too is constructing his tradition of Latin literature, while positioning himself as a crucial contributor to that tradition – an even clearer example of the self-serving nature of such normative historiographies. The chapter proposes that Macrobius’ willed blindness to the Christian intellectual constructs around him, which nonetheless inevitably bleed into his work, serves as a model for the myopias and occlusions of classical philology as practised today
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- Information
- Classical Philology and TheologyEntanglement, Disavowal, and the Godlike Scholar, pp. 180 - 198Publisher: Cambridge University PressPrint publication year: 2020