Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-xbtfd Total loading time: 0 Render date: 2024-11-07T18:40:33.807Z Has data issue: false hasContentIssue false

Questioning the Word “Dispositif”: Note on the Translation

Published online by Cambridge University Press:  10 February 2021

Get access

Summary

Since the nineteenth century, the term “dispositif” has been used extensively in French, from the most trivial sense to the most theoretically sophisticated. Its function as a concept developed within what has been called “French theory” in the anglophone world – and more specifically within the work of Michel Foucault, where it appears next to that of “archeology” in The Archaeology of Knowledge, before taking hold in Discipline and Punish. In film studies, the notion of “dispositif” was central to the theorizations referred to as “apparatus theory” that emerged in the 1970s.

In French, however, the term frequently designates a technical setup – the basis for a mechanical arrangement, a small appliance or the most complex machinery – while also pointing to any concrete or abstract system. It also shares its original meaning in the legal domain with the English “dispositive,” which, unlike its French counterpart, is rarely used. As for “dispositif” in its technical sense, in English it is translated as “appliance,” “device,” “setup,” “system” or, in some cases, “apparatus.” Finally, some of the theoretical senses of the term appear as “apparatus” in English, notably in the discourse of ideological film criticism in the 1970s and in some translations of Foucault. Still, some other translations of the philosopher's work simply repeat the French “dispositif,” a choice fully justified by the specificity of the Foucauldian concept, which implies both a method for discursive analysis supported by an epistemological practice and a conception of processes involved in power.

The present collection of essays sets out to explore different uses of the term “dispositif,” starting from its polysemy in French, and aims to open the field to new forms of theorizations of viewing and listening dispositives by exploiting the rich potential of the notion. One particular aim is to move away from the historically circumscribed use of “dispositif” by apparatus theory – not to overshadow it, but rather, to revitalize the concept by opening it up to new approaches.

During the translation of most of the studies in this book into English, we met with several difficulties.

Type
Chapter
Information
Cine-Dispositives
Essays in Epistemology Across Media
, pp. 11 - 14
Publisher: Amsterdam University Press
Print publication year: 2015

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×