Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-4rdpn Total loading time: 0 Render date: 2024-11-20T00:14:21.424Z Has data issue: false hasContentIssue false

8 - Modern stage adaptations

Published online by Cambridge University Press:  05 August 2012

Tony Williams
Affiliation:
University of Buckingham
Sally Ledger
Affiliation:
Birkbeck College, University of London
Holly Furneaux
Affiliation:
University of Leicester
Get access

Summary

At the beginning of the twentieth century the theatrical tradition of staging Dickens's works was well established, as it had been, with or without his approval, in his own lifetime. There is a full account of stage adaptations as well as those in other media, to be found in H. Philip Bolton's Dickens Dramatized, which traces adaptations to the date of the book's publication in 1987. An earlier work, Dickens the Dramatist by F. Dubrez Fawcett, published in 1952, devotes a chapter to stage adaptations in the twentieth century, and a particularly rich source of accounts of amateur and professional productions is to be found in the review sections of The Dickensian, first published as the journal of the International Dickens Fellowship in 1905. From its own foundation in 1902, the Dickens Fellowship had a strong interest in dramatisations of Dickens's works, and there were many drama groups attached to its branches throughout the world. This mixture of professional and amateur interest has continued as in, for example, the annual Broadstairs Dickens Festivals, which include a dramatised work as part of the programme. Theatres mentioned in what follows are in London unless otherwise stated.

In the early years of the twentieth century some of the most significant names in theatre history performed in adaptations of Dickens, sometimes working alongside amateur groups. J. Comyns Carr's Oliver Twist had Herbert Beerbohm Tree as Fagin at Her Majesty's Theatre on 10 July 1905.

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2011

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×