Book contents
- Cassandra and the Poetics of Prophecy in Greek and Latin Literature
- Cassandra and the Poetics of Prophecy in Greek and Latin Literature
- Copyright page
- Dedication
- Contents
- Acknowledgements
- Introduction
- Chapter 1 Understanding Too Much: Aeschylus’ Agamemnon
- Chapter 2 Rewriting Her-story: Euripides’ Trojan Women
- Chapter 3 A Scholarly Prophet: Lycophron’s Alexandra
- Chapter 4 Graeco-Roman Sibylline Scripts: Virgil’s Aeneid
- Chapter 5 Cassandra Translated: Seneca’s Agamemnon
- Conclusion
- Bibliography
- Index Locorum
- General Index
- References
Bibliography
Published online by Cambridge University Press: 22 March 2019
Book contents
- Cassandra and the Poetics of Prophecy in Greek and Latin Literature
- Cassandra and the Poetics of Prophecy in Greek and Latin Literature
- Copyright page
- Dedication
- Contents
- Acknowledgements
- Introduction
- Chapter 1 Understanding Too Much: Aeschylus’ Agamemnon
- Chapter 2 Rewriting Her-story: Euripides’ Trojan Women
- Chapter 3 A Scholarly Prophet: Lycophron’s Alexandra
- Chapter 4 Graeco-Roman Sibylline Scripts: Virgil’s Aeneid
- Chapter 5 Cassandra Translated: Seneca’s Agamemnon
- Conclusion
- Bibliography
- Index Locorum
- General Index
- References
- Type
- Chapter
- Information
- Publisher: Cambridge University PressPrint publication year: 2019
References
BNP = Cancik, H., Schneider, H. and Salazar, C. F. (eds.) (2002–) Brill’s New Pauly. Brill.Google Scholar
OCD = Hornblower, S., Spawforth, A. and Eidinow, E. (eds.) (2012) Oxford Classical Dictionary, 4th edn. Oxford University Press.CrossRefGoogle Scholar
OLD = Glare, P. G. W. (ed.) (2012) Oxford Latin Dictionary, 2nd edn. Oxford University Press.Google Scholar
LP = Lobel, E. and Page, D. (eds.) (1955) Poetarum Lesbiorum Fragmenta. Oxford University Press.Google Scholar
LSJ = Liddle, H. G. and Scott, R.. Rev. (eds.) (1996) A Greek-English Lexicon, augm. Jones, H. S, with the assistance of McKenzie, R. Oxford University Press.Google Scholar
RE = Pauly, A. and Wissowa, G. (eds.) (1893–1980) Real-Encyclopädie der classischen Altertumswissenschaft. Metzler.Google Scholar
Adams, J. N. (2003) Bilingualism and the Latin Language. Cambridge University Press.CrossRefGoogle Scholar
Adams, J. N., Janse, M. and Swain, S. (eds.) (2002) Bilingualism in Ancient Society: Language Contact and the Written Text. Oxford University Press.CrossRefGoogle Scholar
Aélion, R. (1982) ‘Silence et personnages silencieux chez les Tragiques’, Euphrosyne 12: 31–52.CrossRefGoogle Scholar
Ash, R. (2002) ‘Epic encounters? Ancient historical battle narratives and the epic tradition’, in Levene, D. S and Nelis, D. P (eds.), 253–73.CrossRefGoogle Scholar
Austin, J. L. (1975) [1962] How to Do Things with Words, 2nd edn. Urmson, J. O. and Sbisà, M. (eds.). Harvard University Press.CrossRefGoogle Scholar
Austin, R. G. (1986) P. Vergili Maronis Aeneidos Liber Sextus. Oxford University Press.Google Scholar
Barchiesi, A. (1993) ‘Future reflexive: two models of allusion and Ovid’s Heroides’, HSPh 95: 333–65.Google Scholar
Barchiesi, A. (1994) ‘Immovable Delos: Aeneid 3.73–98 and the Hymns of Callimachus’, CQ 44.2: 438–43.CrossRefGoogle Scholar
Barchiesi, A. (1997a) ‘Virgilian narrative: ecphrasis’, in Martindale, C (ed.), 271–81.CrossRefGoogle Scholar
Barchiesi, A. (1997b) ‘Endgames: Ovid’s Metamorphoses 15 and Fasti 6’, in Roberts, D. H., Dunn, F. M. and Fowler, D. (eds.) Classical Closure: Reading the End in Greek and Latin Literature. Princeton University Press, 181–208.Google Scholar
Barchiesi, A. (2005) ‘Centre and periphery’, in Harrison, S. (ed.) A Companion to Latin Literature. Blackwell, 394–405.CrossRefGoogle Scholar
Barker, A. (2004) ‘Transforming the nightingale: aspects of Athenian musical discourse in the late fifth century’, in Murray, P. and Wilson, P. (eds.) Music and the Muses: The Culture of mousikê in the Classical Athenian City. Oxford University Press, 185–204.CrossRefGoogle Scholar
Bartsch, S. (1994) Actors in the Audience: Theatricality and Doublespeak from Nero to Hadrian. Harvard University Press.CrossRefGoogle Scholar
Bartsch, S. (2016) ‘Roman literature: translation, metaphor, and empire’, Daedalus 145.2: 30–9.CrossRefGoogle Scholar
Benjamin, W. (1999) [1923] ‘The task of the translator’, trans. Zorn, H, in Illuminations. Introduction Arendt, H. Pimlico, 70–82.Google Scholar
Bergren, A. (1983) ‘Language and the female in early Greek thought’, Arethusa 16.1/2: 69–95.Google Scholar
Berlioz, H. (1968) [1854] Les Soirées de l’orchestre, 2nd edn. Ed. Guichard, L.. Gründ.Google Scholar
Bermann, S. and Wood, M. (eds.) (2005) Nation, Language, and the Ethics of Translation. Princeton University Press.CrossRefGoogle Scholar
Bettini, M. (1997) ‘Ghosts of exile: doubles and nostalgia in Vergil’s parva Troia (Aeneid 3.294ff.)’, ClAnt 16: 8–33.Google Scholar
Bettini, M. (2012) Vertere: un’antropologia della traduzione nella cultura antica. Einaudi.Google Scholar
Bing, P. (1988) The Well-Read Muse: Present and Past in Callimachus and the Hellenistic Poets. Vandenhoeck and Ruprecht.CrossRefGoogle Scholar
Bloom, H. (1997) [1973] The Anxiety of Influence: A Theory of Poetry, 2nd edn. Oxford University Press.Google Scholar
Bouché-Leclercq, A. (1879–82) Histoire de la divination dans l’antiquité. 4 vols. E. Leroux.Google Scholar
Bouquet, M. and Morzadec, F. (eds.) (2004) La Sibylle: parole et représentation. Rennes University Press.CrossRefGoogle Scholar
Brault, P.-A. (1990) Prophetess Doomed: Cassandra and the Representation of Truth. PhD thesis, New York University.Google Scholar
Bremmer, J. N. (1996) ‘The status and symbolic capital of the seer’, in Hägg, R. (ed.) The Role of Religion in the Early Greek Polis. Proceedings of the Third International Seminar on Ancient Greek Cult: Organised by the Swedish Institute at Athens, 16–18 October 1992. Svenska institutet I Athen, 97–109.Google Scholar
Buitenwerf, R. (2003) Book iii of the Sibylline Oracles and its Social Setting. Brill.CrossRefGoogle Scholar
Burkert, W. (1983) Homo Necans: The Anthropology of Ancient Greek Sacrificial Ritual and Myth, trans. Bing, P. University of California Press (= Homo necans: Interpretationen altgriechischer Opferriten und Mythen. De Gruyter. 1972).Google Scholar
Burkert, W. (1991) Oedipus, Oracles, Meaning: From Sophocles to Umberto Eco. University of Toronto Press.Google Scholar
Buxton, R. G. A. (1982) Persuasion in Greek Tragedy: A Study of Peitho. Cambridge University Press.Google Scholar
Calame, C. (1995) The Craft of Poetic Speech in Ancient Greece, trans. Orion, J. Preface Coquet, J.-C. Cornell University Press (= Le récit en Grèce ancienne: énonciations et représentations de poètes. Méridiens Klincksieck. 1986).Google Scholar
Cameron, A. (2004) Greek Mythography in the Roman World. Oxford University Press.CrossRefGoogle Scholar
Clausen, W. (1987) Virgil’s Aeneid and the Tradition of Hellenistic Poetry. Sather Classical Lectures 51. University of California Press.Google Scholar
Commager, S. (1981) ‘Fateful words. Some conversations in Aeneid iv’, Arethusa 14: 101–14.Google Scholar
Connelly, J. B. (1993) ‘Narrative and image in Attic vase painting: Ajax and Kassandra at the Trojan Palladion’, in Holliday, P. J. (ed.) Narrative and Event in Ancient Art. Cambridge University Press, 88–129.Google Scholar
Connor, S. (2000) Dumbstruck: A Cultural History of Ventriloquism. Oxford University Press.CrossRefGoogle Scholar
Conte, G. B. (1986) The Rhetoric of Imitation: Genre and Poetic Memory in Virgil and Other Latin Poets. Cornell University Press.Google Scholar
Craik, E. (1990) ‘Sexual imagery and innuendo in Troades’, in Powell, A. (ed.) Euripides, Women and Sexuality. Routledge, 1–15.Google Scholar
Crippa, S. (1998) ‘La voce e la visione: il linguaggio oracolare’, in Chirassi Colombo, I. and Seppilli, T. (eds.) Sibille e linguaggi oracolari: mito, sotira, tradizizone: atti del convegno Macerata-Norcia, settembre 1994. Istituti editoriali e poligrafici internazionali, 159–89.Google Scholar
Crippa, S. (2004) ‘Figures du σιβυλλαίνειν’, in Bouquet, M and Morzadec, F (eds.), 99–108.CrossRefGoogle Scholar
Croally, N. T. (1994) Euripidean Polemic: The Trojan Women and the Function of Tragedy. Cambridge University Press.Google Scholar
Curley, D. (2013) Tragedy in Ovid: Theater, Metatheater, and the Transformation of a Genre. Cambridge University Press.CrossRefGoogle Scholar
Cusset, C. (2001) ‘Le bestiaire de Lycophron: entre chien et loup’, Anthropozoologica 33–4: 61–72.Google Scholar
Cusset, C. (2004) ‘Cassandre et/ou la Sibylle’, in Bouquet, M and Morzadec, F (eds.), 53–60.Google Scholar
Cusset, C. (2006) ‘Dit et non-dit dans l’Alexandre de Lycophron’, in Harder, M. A., Regtuit, R. F. and Wakker, G. C., (eds.) Beyond the Canon. Hellenistica Groningana 11. Peeters, 43–60.Google Scholar
Cusset, C. and Prioux, E. (eds.) (2009) Lycophron: éclats d’obscurité: actes du colloque international de Lyon et Saint-Etienne, 18–20 janvier 2007. Publications de l’Université de Saint-Etienne.Google Scholar
Dalgarno, E. (2012) Virginia Woolf and the Migrations of Language. Cambridge University Press.Google Scholar
Davreux, J. (1942) La légende de la prophétesse Cassandre d’après les textes et les monuments. Bibliothèque de la faculté de philosophie et lettres de l’Université de Liège, 94. Droz.Google Scholar
Depew, M. and Obbink, D. (eds.) (2000) Matrices of Genre: Authors, Canons, and Society. Harvard University Press.Google Scholar
Derrida, J. (1979) ‘Living on: border lines’, trans. Hulbert, J, in Bloom, H. (ed.) Deconstruction and Criticism. Continuum, 62–142.Google Scholar
Detienne, M. (1996). The Masters of Truth in Archaic Greece, trans. Lloyd, J. Foreword Vidal-Naquet, P. Zone Books (= Les maîtres de vérité dans la Grèce archaïque. Maspero. 1967).Google Scholar
Diggle, J. (1981b) Studies on the Text of Euripides: Supplices, Electra, Heracles, Troades, Iphigenia in Tauris, Ion. Oxford University Press.Google Scholar
Dodds, E. R. (1951) The Greeks and the Irrational. University of California Press.CrossRefGoogle Scholar
Dué, C. (2006) The Captive Woman’s Lament in Greek Tragedy. University of Texas Press.Google Scholar
Dunn, F. M. (1993) ‘Beginning at the end in Euripides’ Trojan Women’, RhM 136.1: 22–35.Google Scholar
Dunn, F. M. (1996) Tragedy’s End: Closure and Innovation in Euripidean Drama. Oxford University Press.CrossRefGoogle Scholar
Ekbom, M. (2013) The Sortes Vergilianae: A Philological Study. PhD thesis, Uppsala Universitet.Google Scholar
Ertel, E. (2011) ‘Derrida on translation and his (mis)reception in America’, Trahir 2: 1–18.Google Scholar
Faraone, C. A. (2011) ‘Hexametrical incantations as oral and written phenomena’, in Lardinois, A. P. M. H, Blok, J. H and van der Poel, M. G. M. (eds.), 191–203.CrossRefGoogle Scholar
Feeney, D. C. (1991) The Gods in Epic: Poets and Critics of the Classical Tradition. Oxford University Press.CrossRefGoogle Scholar
Feeney, D. C. (1992) ‘Si licet et fas est: Ovid’s Fasti and the problem of free speech under the Principate’, in Powell, A. (ed.) Roman Poetry and Propaganda in the Age of Augustus. Bristol Classical Press, 1–25.Google Scholar
Feeney, D. C. (2004) ‘Tenui … latens discrimine: spotting the differences in Statius’ Achilleid’, MD 52: 85–105.Google Scholar
Feeney, D. C. (2015) Beyond Greek: The Beginnings of Latin Literature. Harvard University Press.Google Scholar
Feldherr, A. (1998) Spectacle and Society in Livy’s History. University of California Press.Google Scholar
Feldherr, A. (2010) Playing Gods: Ovid’s Metamorphoses and the Politics of Fiction. Princeton University Press.Google Scholar
Février, C. (2004) ‘Le double langage de la Sibylle: de l’oracle grec au rituel romain’, in Bouquet, M and Morzadec, F (eds.), 17–27.Google Scholar
Fitch, J. G. (2004) Seneca Tragedies: ii. Loeb Classical Libraries 78. Harvard University Press.Google Scholar
Fitzgerald, W. (1995) Catullan Provocations: Lyric Poetry and the Drama of Position. University of California Press.CrossRefGoogle Scholar
Ford, A. (2002) The Origins of Criticism: Literary Culture and Poetic Theory in Classical Greece. Princeton University Press.CrossRefGoogle Scholar
Fowler, D. (1997a) ‘On the shoulders of giants: intertextuality and classical studies’, in Hinds, S. and Fowler, D. (eds.) Memoria, arte allusiva, intertestualità: Memory, Allusion, Intertextuality. Istituti editoriali e poligrafici internazionali, 1–39.Google Scholar
Fowler, D. (1997b) ‘Virgilian narrative: story-telling’, in Martindale, C (ed.), 259–70.CrossRefGoogle Scholar
Fowler, D. (2002) ‘Masculinity under threat? The poetics and politics of inspiration in Latin poetry’, in E. Spentzou, and D. Fowler, (eds.), 141–59.CrossRefGoogle Scholar
Franke, W. (2011) ‘On doing the truth in time: the Aeneid’s invention of poetic prophecy’, Arion 19.1: 53–63.CrossRefGoogle Scholar
Fusillo, M. (1984) ‘L’Alessandra di Licofrone: racconto epico e discorso drammatico’, ASNP 14.2: 495–525.Google Scholar
Gera, D. (2003) Ancient Greek Ideas on Speech, Language and Civilization. Oxford University Press.CrossRefGoogle Scholar
Goldhill, S. (1984a) Language, Sexuality, Narrative: the Oresteia. Cambridge University Press.CrossRefGoogle Scholar
Goldhill, S. (1984b) ‘Two notes on telos and related words in the Oresteia’, JHS 104: 169–76.Google Scholar
Goldhill, S. (1991) The Poet’s Voice: Essays on Poetics and Greek Literature. Cambridge University Press.Google Scholar
Goldhill, S. (1998) ‘Collectivity and otherness – the authority of the tragic chorus: response to Gould’, in Silk, M (ed.), 244–56.Google Scholar
Goldhill, S. (2004) Aeschylus: the Oresteia, 2nd edn. Cambridge University Press.CrossRefGoogle Scholar
Goldhill, S. (2006) ‘The language of tragedy: rhetoric and communication’, in Easterling, P. E. (ed.) The Cambridge Companion to Greek Tragedy. Cambridge University Press, 127–50.Google Scholar
Gowers, E. (2005) ‘Virgil’s Sibyl and the “many mouths” cliché (Aen. 6.625–7)’, CQ 55.1: 170–82.CrossRefGoogle Scholar
Gowing, A. M. (2005) Empire and Memory: The Representation of the Roman Republic in Imperial Culture. Cambridge University Press.CrossRefGoogle Scholar
Graf, F. (1985) Nordionische Kulte: Religionsgeschichtliche und epigraphische Untersuchungen zu den Kulten von Chios, Erythrai, Klazomenai und Phokaia. Bibliotheca Helvetica Romana.Google Scholar
Gregory, J. (1997) Euripides and the Instruction of the Athenians. University of Michigan Press.Google Scholar
Hall, E. (1991) Inventing the Barbarian: Greek Self-definition through Tragedy. Oxford University Press.Google Scholar
Hall, E. (1999) ‘Actor’s song in tragedy’, in Goldhill, S. and Osborne, R. (eds.) Performance Culture and Athenian Democracy. Cambridge University Press, 96–122.Google Scholar
Hall, E. (2002) ‘The singing actors of antiquity’, in Easterling, P. and Hall, E. (eds.) Greek and Roman Actors. Cambridge University Press, 3–38.Google Scholar
Hallett, J. P. and Skinner, M. B. (eds.) (1997) Roman Sexualities. Princeton University Press.Google Scholar
Hardie, P. R. (1993) The Epic Successors of Virgil: A Study in the Dynamics of a Tradition. Cambridge University Press.Google Scholar
Hardie, P. R. (2014) The Last Trojan Hero: A Cultural History of Virgil’s Aeneid. I. B. Tauris.CrossRefGoogle Scholar
Hartog, F. (1988) The Mirror of Herodotus: The Representation of the Other in the Writing of History, trans. Lloyd, J. University of California Press (= Le miroir d’Hérodote: essai sur la représentation de l’autre. Gallimard. 1980).Google Scholar
Heath, J. (2005) The Talking Greeks: Speech, Animals and the Other in Homer, Aeschylus and Plato. Cambridge University Press.CrossRefGoogle Scholar
Henrichs, A. (1995) ‘“Why should I dance?” Choral self-referentiality in Greek tragedy’, Arion 3.1: 56–111.Google Scholar
Heyworth, S. J. (2009) Cynthia: A Companion to the Text of Propertius. Oxford University Press.Google Scholar
Hexter, R. J. (1990) ‘What was the Trojan horse made of? Interpreting Virgil’s Aeneid’, YJC 3.2: 109–31.Google Scholar
Hexter, R. J. (1999) ‘Imitating Troy: a reading of Aeneid 3’, in Perkell, C. G. (ed.) Reading Vergil’s Aeneid: An Interpretative Guide. University of Oklahoma Press, 64–79.Google Scholar
Hinds, S. E. (1987a) The Metamorphoses of Persephone: Ovid and the Self-Conscious Muse. Cambridge University Press.Google Scholar
Hinds, S. E. (1998) Allusion and Intertext: Dynamics of Appropriation in Roman Poetry. Cambridge University Press.Google Scholar
Hornblower, S. (2014) ‘Lykophron and epigraphy: the value and function of cult epithets in the Alexandra’, CQ 64.1: 91–120.CrossRefGoogle Scholar
Hunter, R. L. (2006) The Shadow of Callimachus: Studies in the Reception of Hellenistic Poetry at Rome. Cambridge University Press.CrossRefGoogle Scholar
Hunter, R. L. and Fantuzzi, M. (2004) Tradition and Innovation in Hellenistic Poetry. Cambridge University Press.Google Scholar
Hutchinson, G. O. (2013) Greek to Latin: Frameworks and Contexts for Intertextuality. Oxford University Press.CrossRefGoogle Scholar
Jakobson, R. (1959) ‘On linguistic aspects of translation’, in Brower, R. A. (ed.) On Translation. Harvard University Press, 232–39.Google Scholar
Jocelyn, H. D. (1967) The Tragedies of Ennius: The Fragments. Cambridge University Press.Google Scholar
Johnson, W. A. (2000) ‘Musical evenings in the early empire: new evidence from a Greek papyrus with musical notation’, JHS 120: 57–85.CrossRefGoogle Scholar
Karanika, A. (2011) ‘Homeric verses and divination in the homeromanteion’, in Lardinois, A. P. M. H., Blok, J. H. and van der Poel, M. G. M. (eds.), 255–77.Google Scholar
Karanika, A. (2014) Voices at Work: Women, Performance, and Labor in Ancient Greece. Johns Hopkins University Press.CrossRefGoogle Scholar
Katz, J. (2013) ‘The muse at play: an introduction’, in Kwapisz, J, Petrain, D and Szymański, M (eds.), 1–30.Google Scholar
Keith, A. M. (1992) The Play of Fictions: Studies in Ovid’s Metamorphoses Book 2. University of Michigan Press.CrossRefGoogle Scholar
Kelly, H. A. (1979) ‘Tragedy and the performance of tragedy in late Roman antiquity’, Traditio 35: 21–44.CrossRefGoogle Scholar
Kennedy, D. (1997) ‘Modern receptions and their interpretative implications’, in Martindale, C (ed.), 38–55.CrossRefGoogle Scholar
Keskiaho, J. (2013) ‘Re-visiting the Libri Sibyllini: some remarks on their nature in Roman legend and experience’, in Kajava, M. (ed.) Studies in Ancient Oracles and Divination. Acta Instituti Romani Finlandiae, 40. Institutum Romandum Finlandiae, 145–72.Google Scholar
Knox, B. (1950) ‘The serpent and the flame: the imagery of the second book of the Aeneid’, AJP 71.4: 379–400.Google Scholar
Knox, B. (1979) Word and Action: Essays on the Ancient Theater. Johns Hopkins University Press.Google Scholar
Kolde, A. (2009) ‘Parodie et ironie chez Lycophron: un mode de dialogue avec la tradition?’, in Cusset, C and Prioux, E (eds.), 39–57.Google Scholar
Kosmetatou, E. (2000) ‘Lycophron’s Alexandra reconsidered: the Attalid connection’, Hermes 128: 32–53.Google Scholar
Kovacs, D. (1999) Euripides: Trojan Women, Iphigenia Among the Taurians, Ion. Loeb Classical Libraries 10. Harvard University Press.Google Scholar
Kwapisz, J., Petrain, D. and Szymanski, M. (eds.) (2013) The Muse at Play: Riddles and Wordplay in Greek and Latin Poetry. De Gruyter.Google Scholar
Kytzler, B. (1989) ‘Fidus interpres: the theory and practice of translation in classical antiquity’, Antichthon 23: 42–50.CrossRefGoogle Scholar
Kundera, M. (1981) ‘Xenakis «prophète de l’insensibilité»’, in Fleuret, M. (ed.) Regards sur Iannis Xenakis. Stock, 21–4.Google Scholar
Lape, S. (2010) Race and Citizen Identity in the Classical Athenian Democracy. Cambridge University Press.CrossRefGoogle Scholar
Lardinois, A. P. M. H., Blok, J. H. and van der Poel, M. G. M. (eds.) (2011) Sacred Words: Orality, Literacy and Religion. Orality and Literacy in the Ancient World, Vol. viii. Mnem. Suppl. 332. Brill.CrossRefGoogle Scholar
Lavery, J. F. (2004b) ‘Some Aeschylean influences on Seneca’s Agamemnon’, MD 53: 183–94.Google Scholar
Lebeck, A. (1971) The Oresteia: A Study in Language and Structure. Harvard University Press.Google Scholar
LeVen, P. A. (2014) The Many-Headed Muse: Tradition and Innovation in Late Classical Greek Lyric Poetry. Cambridge University Press.CrossRefGoogle Scholar
Levene, D. S. and Nelis, D. P. (eds.) (2002) Clio and the Poets: Augustan Poetry and the Traditions of Ancient Historiography. Mnem. Suppl. 224, Brill.CrossRefGoogle Scholar
Lightfoot, J. L. (2007) The Sibylline Oracles: With Introduction, Translation, and Commentary on the First and Second Books. Oxford University Press.Google Scholar
Littlewood, C. A. J. (2004) Self-Representation and Illusion in Senecan Tragedy. Oxford University Press.CrossRefGoogle Scholar
Loraux, N. (1987) Tragic Ways of Killing a Woman, trans. Forster, A. Harvard University Press (= Façons tragiques de tuer une femme. Hachette. 1985).Google Scholar
Loraux, N. (2002) The Mourning Voice: An Essay on Greek Tragedy, trans. Trapnell Rawlings, E. Cornell University PressGoogle Scholar
Lowe, N. J. (2004) ‘Lycophron’, in de Jong, R. J. F., Nünlist, R. and Bowie, A. (eds.) Narrators, Narratees, and Narratives in Ancient Greek Literature. Brill, 307–14.Google Scholar
Lowrie, M. (2009) Writing, Performance, and Authority in Augustan Rome. Oxford University Press.CrossRefGoogle Scholar
Martindale, C. (ed.) (1997) The Cambridge Companion to Virgil. Cambridge University Press.CrossRefGoogle Scholar
Maurizio, L. (1995) ‘Anthropology and spirit possession: a reconsideration of the Pythia’s role at Delphi’, JHS 115: 69–86.CrossRefGoogle ScholarPubMed
Maurizio, L. (2013) ‘Technopaegnia in Heraclitus and the Delphic oracles’, in Kwapisz, J, Petrain, D and Szymanski, M (eds.), 100–20.Google Scholar
Mazzoldi, S. (2001) Cassandra, la vergine e l’indovina: identità di un personaggio da Omero all’Ellenismo. Filologia e critica 88. Istituti editoriali e poligrafici internazionali.Google Scholar
Mazzoldi, S. (2002) ‘Cassandra’s prophecy between ecstasy and rational mediation’, Kernos 15: 145–54.Google Scholar
McClure, L. (1999) Spoken Like a Woman: Speech and Gender in Athenian Drama. Princeton University Press.CrossRefGoogle Scholar
McElduff, S. (2013) Roman Theories of Translation: Surpassing the Source. Routledge.CrossRefGoogle Scholar
McNelis, C. and Sens, A. (2016) The Alexandra of Lycophron: A Literary Study. Oxford University Press.CrossRefGoogle Scholar
Mitchell-Boyask, R. (2006) ‘The marriage of Cassandra and the Oresteia: text, image, performance’, TAPhA 136.2: 269–97.Google Scholar
Moberly, R. W. L. (2006) Prophecy and Discernment. Cambridge University Press.CrossRefGoogle Scholar
Monrós Gaspar, L. (2008) ‘The voice of Cassandra: Florence Nightingale’s Cassandra (1852) and the Victorian woman’, New Voices in Classical Reception Studies 3: 61–76.Google Scholar
Monrós Gaspar, L. and Reece, R. (2011) Cassandra, the Fortune-Teller: Prophets, Gipsies and Victorian Burlesque. Levante.Google Scholar
Montiglio, S. (2000) Silence in the Land of Logos. Princeton University Press.CrossRefGoogle Scholar
Moreau, A. (1989) ‘Les ambivalences de Cassandre’, in Laurens, A.-F. (ed.) Entre hommes et dieux. Le convive, le héros, le prophète. Annales littéraires de l’Université de Besançon. Les Belles Lettres, 145–67.Google Scholar
Morgan, Ll. (1998) ‘Assimilation and civil war: Hercules and Cacus’, in Stahl, H.-P. (ed.) Vergil’s Aeneid: Augustan Epic and Political Context. Duckworth/The Classical Press of Wales, 175–97.Google Scholar
Morgan, Ll. (1999) Patterns of Redemption in Virgil’s Georgics. Cambridge University Press.CrossRefGoogle Scholar
Most, G. W. (2003) ‘Violets in crucibles: translating, traducing, transmuting’, TAPhA 133.2: 381–90.Google Scholar
Mullen, A. (2012) ‘Introduction: multiple languages, multiple identities’, in Mullen, A. and James, P. (eds.) Multilingualism in the Graeco-Roman Worlds. Cambridge University Press, 1–35.CrossRefGoogle Scholar
Myers, K. S. (1994) Ovid’s Causes: Cosmogony and Aetiology in the Metamorphoses. University of Michigan Press.CrossRefGoogle Scholar
Nagy, G. (1989) ‘Early Greek views of poets and poetry’, in Kennedy, G. A. (ed.) The Cambridge History of Literary Criticism, Vol. i. Cambridge University Press, 1–77.Google Scholar
Nagy, G. (1990) ‘Ancient Greek poetry, prophecy, and concepts of theory’, in Kugel, J. L. (ed.) Poetry and Prophecy: The Beginnings of a Literary Tradition. Cornell University Press.Google Scholar
Neblung, D. (1997) Die Gestalt der Kassandra in der antiken Literatur. B. G. Teubner.CrossRefGoogle Scholar
Nelis, D. (2001) Vergil’s Aeneid and the Argonautica of Apollonius Rhodius. Francis Cairns.Google Scholar
Niranjana, S. (1992) Siting Translation: History, Post-Structuralism, and the Colonial Context. University of California Press.CrossRefGoogle Scholar
Nisbet, R. G. M and Rudd, N. (2007) A Commentary on Horace, Odes, Book iii. Oxford University Press.Google Scholar
O’Hara, J. J. (1990) Death and the Optimistic Prophecy in Vergil’s Aeneid. Princeton University Press.CrossRefGoogle Scholar
Oliensis, E. (1997) ‘Sons and lovers: sexuality and gender in Virgil’s poetry’, in Martindale, C (ed.), 294–311.Google Scholar
Padel, R. (1992) In and Out of the Mind: Greek Images of the Tragic Self. Princeton University Press.CrossRefGoogle Scholar
Page, D. L. (1972) Aeschyli septem quae supersunt tragoedias. Oxford University Press.Google Scholar
Palmer, L. H. (1962) ‘The language of Homer’, in Wace, A. J. B. and Stubbings, F. H. (eds.) A Companion to Homer. Macmillan, 75–178.Google Scholar
Papadopoulou, T. (2000) ‘Cassandra’s radiant vigour and the ironic optimism of Euripides’ Troades’, Mnemosyne 53.5: 513–27.CrossRefGoogle Scholar
Parke, H. W. (1988) Sibyls and Sibylline Prophecy in Classical Antiquity. Ed. McGing, B. C.. Routledge.Google Scholar
Parker, R. (1983) Miasma: Pollution and Purification in Early Greek Religion. Oxford University Press.Google Scholar
Paschalis, M. (2010) ‘Cassandra and the passionate lucidity of furor in Seneca’s Agamemnon’, in Tsitsiride, S. (ed.) Parachoregema: Studies on Ancient Theatre in Honour of Professor Gregory M. Sifakis. Crete University Press, 209–28.Google Scholar
Pavlock, B. (2009) The Image of the Poet in Ovid’s Metamorphoses. University of Wisconsin Press.Google Scholar
Pillinger, E. (2010) ‘Translating classical visions in Berlioz’s Les Troyens’, Arion 18.2: 65–103.CrossRefGoogle Scholar
Pillinger, E. (2012) ‘And the gods dread to hear another poem: the repetitive poetics of witchcraft from Virgil to Lucan’, MD 68: 103–43.Google Scholar
Pillinger, E. (2017) ‘Finding asylum for Virginia Woolf’s classical visions’, in Zajko, V. and Hoyle, H. (eds.) A Handbook to the Reception of Classical Mythology, Wiley-Blackwell, 271–84.Google Scholar
Pillinger, E. (forthcoming) ‘A walk in Virgil’s footsteps: Statius on the Via Domitiana’, in Gladhill, B. and Y. Myers, M. (eds.) Walking Through Elysium: Aeneid 6 and Its Cultural Reception (under contract, University of Toronto Press).Google Scholar
Potter, D. S. (1990a) Prophecy and History in the Crisis of the Roman Empire: A Historical Commentary on the Thirteenth Sibylline Oracle. Oxford University Press.CrossRefGoogle Scholar
Potter, D. S. (1994) Prophets and Emperors: Human and Divine Authority from Augustus to Theodosius. Harvard University Press.CrossRefGoogle Scholar
Prins, Y. (1991) ‘The power of the speech act: Aeschylus’ Furies and their binding song’, Aresthusa 24.2: 177–95.Google Scholar
Prins, Y. (2005) ‘OTOTOTOI: Virginia Woolf and “the naked cry” of Cassandra’, in Macintosh, F., Michelakis, P., Hall, E. and Taplin, O. (eds.) Agamemnon in Performance: 458 bc to ad 2004. Oxford University Press, 163–85.Google Scholar
Quint, D. (1982) ‘Painful memories: Aeneid 3 and the problem of the past’, CJ 78.1:30–8.Google Scholar
Rabinowitz, N. S. (1993) Anxiety Veiled: Euripides and the Traffic in Women, Cornell University Press.CrossRefGoogle Scholar
Racine, R. (2003) Le mythe littéraire de Cassandre. Vingt apparitions de la prophétesse Troyenne: entre perte et recherche d’identité, PhD thesis, Université Paris IV – Sorbonne.Google Scholar
Raeburn, D. and Thomas, O. (2011) The Agamemnon of Aeschylus: A Commentary for Students. Oxford University Press.Google Scholar
Rehm, R. (1994) Marriage to Death: The Conflation of Wedding and Funeral Rituals in Greek Tragedy. Princeton University Press.Google Scholar
Rehm, R. (2002) The Play of Space: Spatial Transformation in Greek Tragedy. Princeton University Press.CrossRefGoogle Scholar
Reid, J. D. and Rohmann, C. (eds.) (1993) The Oxford Guide to Classical Mythology in the Arts, 1300–1990s. 2 vols. Oxford University Press.Google Scholar
Richardson, N. (1993) The Iliad: A Commentary. Vol. vi: Books 21–24. Cambridge University Press.Google Scholar
Robinson, D. (1997) Translation and Empire: Postcolonial Theories Explained. St Jerome Publishing.Google Scholar
Ross, S. (2005) ‘Barbarophonos: language and panhellenism in the Iliad’, CPh 100.4: 299–316.Google Scholar
Rossi, A. (2002) ‘The fall of Troy: between tradition and genre’, in Levene, D. S and Nelis, D. P (eds.), 231–51.CrossRefGoogle Scholar
Rutherford, R. B. (2012) Greek Tragic Style: Form, Language and Interpretation. Oxford University Press.CrossRefGoogle Scholar
Santangelo, F. (2013) Divination, Prediction and the End of the Roman Republic. Cambridge University Press.CrossRefGoogle Scholar
Satterfield, S. (2008) Rome’s Own Sibyl: The Sibylline Books in the Roman Republic and Early Empire. PhD thesis, Princeton University.Google Scholar
Scheer, E. (1879) ‘Die Ueberlieferung der Alexandra des Lykophron’, RhM 34: 272–91, 442–73.Google Scholar
Scheid, J. (1998) ‘Les livres sibyllins et les archives des quindécimvirs’, in Moatti, C. (ed.) La mémoire perdue. Recherches sur l’administration romaine. L’Ecole Française de Rome, 11–26.Google Scholar
Schiesaro, A. (2003) The Passions in Play: Thyestes and the Dynamics of Senecan Drama. Cambridge University Press.CrossRefGoogle Scholar
Sciarrino, E. (2006) ‘The introduction of epic in Rome: cultural thefts and social contests’, Arethusa 39.3: 449–69.CrossRefGoogle Scholar
Seidensticker, B. (1985) ‘Maius Solito. Senecas Thyestes und die tragoedia rhetorica’, A&A 31: 116–36.Google Scholar
Segal, C. (1993a) Euripides and the Poetics of Sorrow: Art, Gender, and Commemoration in Alcestis, Hippolytus and Hecuba. Duke University Press.Google Scholar
Segal, C. (1993b). ‘The female voice and its contradictions: from Homer to tragedy’, in Dalfen, J., Petersmann, G. and Schwarz, F. F. (eds.) Religio Graeco-Romana: Festschrift für Walter Pötscher. Grazer Beiträge Suppl. 5. Berger, 57–75.Google Scholar
Sens, A. (2010) ‘Hellenistic Tragedy and Lycophron’s Alexandra’, in Clauss, J. J. and Cuypers, M. (eds.) A Companion to Hellenistic Literature. Wiley-Blackwell, 297–313.CrossRefGoogle Scholar
Seremetakis, C. N. (1991) The Last Word: Women, Death, and Divination in Inner Mani. University of Chicago Press.Google Scholar
Sewell-Rutter, N. J. (2007) Guilt by Descent: Moral Inheritance and Decision Making in Greek Tragedy. Oxford University Press.CrossRefGoogle Scholar
Shelton, J.-A. (1983) ‘Revenge or resignation: Seneca’s Agamemnon’, in Boyle, A. J. (ed.) Seneca Tragicus: Ramus Essays on Senecan Drama. Aureal, 159–83.Google Scholar
Siebengartner, A. W. (2012) ‘Stoically seeing and being seen in Cicero’s Aratea’, in Glucker, J. and Burnett, C. (eds.) Greek into Latin from Antiquity until the Nineteenth Century. Warburg Institute, 97–115.Google Scholar
Sienkewicz, T. J. (1978) ‘Euripides’ Trojan Women: an interpretation’, Helios 6.1: 81–95.Google Scholar
Silk, M. S. (ed.) (1998) Tragedy and the Tragic: Greek Theatre and Beyond. Oxford University Press.Google Scholar
Sissa, G. (1990) Greek Virginity, trans. Goldhammer, A. Harvard University Press (= Le corps virginale: la virginité féminine en Grèce ancienne. Librairie philosophique Vrin. 1987).Google Scholar
Slaney, H. (2016) The Senecan Aesthetic: A Performance History. Oxford University Press.Google Scholar
Sluiter, I. (1998) ‘Metatexts and the principle of charity’, in Schmitter, P. and Wal, M. V. D. (eds.) Metahistoriography: Theoretical and Methodological Aspects of the Historiography of Linguistics. Nodus Publikationen, 11–27.Google Scholar
Sluiter, I. (2000) ‘The dialectics of genre: some aspects of secondary literature and genre in antiquity’, in Depew, M and Obbink, D (eds.), 183–203.Google Scholar
Smith, R. A. (1997) Poetic Allusion and Poetic Embrace in Ovid and Virgil. University of Michigan Press.Google Scholar
Smith, R. A. (2005) The Primacy of Vision in Virgil’s Aeneid. University of Texas Press.Google Scholar
Solodow, J. B. (1988) The World of Ovid’s Metamorphoses. University of North Carolina Press.CrossRefGoogle Scholar
Sommerstein, A. H. (2008) Aeschylus: Oresteia. Loeb Classical Libraries 146. Harvard University Press.Google Scholar
Sourvinou-Inwood, C. (1997) ‘Medea at a shifting distance: images and Euripidean tragedy’, in Clauss, J. J. and Johnston, S. I. (eds.) Medea: Essays on Medea in Myth, Literature, Philosophy, and Art. Princeton University Press, 253–96.Google Scholar
Spentzou, E. (2002) ‘Introduction: secularizing the Muse’, in Spentzou, E and Fowler, D (eds.), 1–28.CrossRefGoogle Scholar
Spentzou, E. and Fowler, D. (eds.) (2002) Cultivating the Muse: Struggles for Power and Inspiration in Classical Literature. Oxford University Press.CrossRefGoogle Scholar
Steiner, G. (1998) [1975] After Babel: Aspects of Language and Translation, 3rd edn. Oxford University Press.Google Scholar
Struck, P. T. (2004) Birth of the Symbol: Ancient Readers at the Limits of their Texts. Princeton University Press.CrossRefGoogle Scholar
Stephens, S. (2003) Seeing Double: Intercultural Poetics in Ptolemaic Alexandria. University of California Press.Google Scholar
Takács, S. (2008) Vestal Virgins, Sibyls, and Matrons: Women in Roman Religion. University of Texas Press.Google Scholar
Taplin, O. (1977) The Stagecraft of Aeschylus: The Dramatic Use of Exits and Entrances in Greek Tragedy. Oxford University Press.Google Scholar
Thalmann, W. G. (1985) ‘Speech and silence in the Oresteia’, Phoenix 39: 99–118 and 221–37.CrossRefGoogle Scholar
Tissol, G. (1993) ‘Ovid’s little Aeneid and the thematic integrity of the Metamorphoses’, Helios 20: 69–79.Google Scholar
Tracy, S. V. (1986) ‘Darkness from light: the beacon fire in the Agamemnon’, CQ 36: 257–60.CrossRefGoogle Scholar
Traina, , A. (1989) ‘Le traduzioni’, in Cavallo, G., Fedeli, P. and Giardina, A. (eds.) Lo spazio letterario di Roma antica, Vol. ii. Salerno, 93–123.Google Scholar
Trinacty, C. V. (2014) Senecan Tragedy and the Reception of Augustan Poetry. Oxford University Press.CrossRefGoogle Scholar
Venuti, L. (1998) The Scandals of Translation: Towards an Ethics of Difference. Routledge.CrossRefGoogle Scholar
Venuti, L. (2008) ‘Translation, interpretation, canon formation’, in Lianeri, A. and Zajko, V. (eds.) Translation and the Classic: Identity as Change in the History of Culture. Oxford University Press, 27–51.CrossRefGoogle Scholar
Vernant, J.-P. (1990) ‘Tensions and ambiguities in Greek tragedy’, in Vernant, J. P. and Vidal-Naquet, P. (eds.) Myth and Tragedy in Ancient Greece, trans. Lloyd, J. Zone Books, 29–48 (= Mythe et tragédie en Grèce ancienne. Maspero. 1972 and 1986).Google Scholar
Van Sickle, J. (1980) ‘The book-roll and some conventions of the poetic book’, Arethusa 13.1: 5–42.Google Scholar
Volk, K. (2002) The Poetics of Latin Didactic: Lucretius, Vergil, Ovid, Manilius. Oxford University Press.CrossRefGoogle Scholar
Von Glinski, M. L. (2012) Simile and Identity in Ovid’s Metamorphoses. Cambridge University Press.CrossRefGoogle Scholar
West, M. L. (1997) The East Face of Helicon: West Asiatic Elements in Greek Poetry and Myth. Oxford University Press.CrossRefGoogle Scholar
West, S. R. (2000) ‘Lycophron’s Alexandra: “Hindsight as Foresight Makes No Sense”?’, in Depew, M and Obbink, D (eds.), 153–66.Google Scholar
Wheeler, S. M. (1999) A Discourse of Wonders: Audience and Performance in Ovid’s Metamorphoses. University of Pennsylvania Press.Google Scholar
Whitehorne, J. (2005) ‘O city of Kranaos! Athenian identity in Aristophanes’ Acharnians’, G&R 52.1: 34–44.Google Scholar
Willi, A. (2002) ‘Languages on stage: Aristophanic language, cultural history, and Athenian identity’, in Willi, A. (ed.) The Language of Greek Comedy. Oxford University Press, 111–50.CrossRefGoogle Scholar
Winnington-Ingram, R. P. (1948) ‘Clytemnestra and the vote of Athena’, JHS 68: 130–47.Google Scholar
Wohl, V. (1998) Intimate Commerce: Exchange, Gender and Subjectivity in Greek Tragedy. University of Texas Press.Google Scholar
Wolf, C. (1984) Cassandra: A Novel and Four Essays, trans. Van Heurck, J. Farrar, Straus and Giroux.Google Scholar
Wolf, C. (2008) [1983] Voraussetzungen einer Erzählung: Kassandra. Frankfurter Poetik-Vorlesungen. Suhrkamp Verlag.Google Scholar
Wolf, C. (2014) [1983] Kassandra: Erzählung. Text und Kommentar, ed. Hilzinger, S. Suhrkamp Verlag.Google Scholar
Wood, M. (2003) The Road to Delphi: The Life and Afterlife of Oracles. Farrar, Straus and Giroux.Google Scholar
Wood, M. (2005) Literature and the Taste of Knowledge. Cambridge University Press.CrossRefGoogle Scholar
Woolf, V. (1984) [1925] ‘On not knowing Greek’, in The Common Reader: First Series, Harvest edn. Harcourt.Google Scholar
Zanker, G. (1987) Realism in Alexandrian Poetry: A Literature and its Audience. Croom Helm.Google Scholar
Zeitlin, F. I. (1965) ‘The motif of the corrupted sacrifice in Aeschylus’ Oresteia’, TAPhA 96: 436–508.Google Scholar
Zeitlin, F. I. (1996) Playing the Other: Gender and Society in Classical Greek Literature. University of Chicago Press.Google Scholar
Zeitlin, F. I. (2009) ‘Troy and tragedy: the conscience of Hellas’, in Dill, U. and Walde, C. (eds.) Antike Mythen: Medien, Transformationen und Konstruktionen. De Gruyter, 709–26.Google Scholar
Zetzel, J. E. G. (1983) ‘Re-creating the canon: Augustan poetry and the Alexandrian past’, Critical Inquiry 10.1: 83–105.Google Scholar
Ziegler, K. (1927) ‘Lykophron der Tragiker und die Alexandra Frage’, RE 13.2: 2316–81.Google Scholar