Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
Hostname: page-component-cd9895bd7-8ctnn Total loading time: 0 Render date: 2024-12-24T17:54:25.905Z Has data issue: false hasContentIssue false

Selected Bibliography

Published online by Cambridge University Press:  18 September 2020

Edited by
Richard Langham Smith  and
Clair Rowden
Richard Langham Smith
Affiliation:
Royal College of Music, London
Clair Rowden
Affiliation:
Cardiff University
Get access

Summary

A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Carmen Abroad
Bizet's Opera on the Global Stage
 , pp. 350 - 353
Publisher: Cambridge University Press
Print publication year: 2020

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Primary Sources

Secondary Sources

Carmen, opéra en 4 actes, tiré de la nouvelle de Prosper Mérimée. Paroles italiennes de A. de Lauzières, paroles allemandes de D. Louis, vocal score. Paris, Choudens, 1877 (1st ed.), (2nd ed.) n. d.Google Scholar
Carmen, Opera in Four Acts with English and Italian Words, vocal score. Boston, Ditson, 1879.Google Scholar
Carmen, drama Lirico in 4 atti, vocal score. Milan, Sonzogno / Paris, Choudens, n. d. [c. 1877–1884].Google Scholar
Carmen, drama Lirico in 4 atti, piano solo score. Milan, Sonzogno / Paris, Choudens, n. d. [c. 1877–1884].Google Scholar
Georg Bizet Carmen. Oper in drei Akten von Henri Meilhac und Ludovic Halévy nach der Novelle von Prosper Mérimée. Kritische Neuausgabe nach den Quellen und deutsche Texteinrichtung der von Ernest Guiraud nachkomponierten Rezitative. Klavierauszug, edited by Oeser, Fritz. Kassel, Alkor-Edition, 1964 (German text with French underlaid).Google Scholar
Carmen, Klavierauszug, edited by Didion, Robert. Mainz, Schott, 2000. Orchestral score, Mainz, Eulenberg, 2003.Google Scholar
Carmen, Opéra-comique in four acts, vocal score edited by Smith, Richard Langham. London, Peters Edition, 2013 (additional materials on Peters website: longer preface; table of variant tempo markings; bibliography).Google Scholar
Jameson, Fredric. Postmodernism, or, The Cultural Logic of Late Capitalism. London, Verso, 1991.Google Scholar
Presner, Todd, Shepard, David and Kawano, Yoh. HyperCities: Thick Mapping in the Digital Humanities. Cambridge, MA, Harvard University Press, 2014.Google Scholar
Sutherland, Thomas. ‘Mapping the space of flows: considerations and consequences’, in Lammes, Sybille, Perkins, Chris, Gekker, Alex, Hind, Sam, Wilmott, Clancy and Evans, Daniel, eds., Time for Mapping: Cartographic Temporalities. Manchester, Manchester University Press, 2018, 175–96.Google Scholar
Soja, Edward W. ‘Taking space personally’, in Warf, Barney and Arias, Santa, eds., The Spatial Turn: Interdisciplinary Perspectives. London, Routledge, 2009, 11–35.Google Scholar
Carmen: L’avant-scène Opéra 26, February 2007.Google Scholar
Baker, Evan. ‘The scene designs for the first performances of Bizet’s “Carmen”’. 19th-Century Music, 13(3), 1990, 230–42.Google Scholar
Baker, Evan From the Score to the Stage: An Illustrated History of Continental Opera Production and Staging. Chicago, University of Chicago Press, 2013.Google Scholar
Balard, Françoise. Geneviève Straus: Biographie et correspondance avec Ludovic Halévy, 1855–1908. Paris, CNRS Éditions, 2002.CrossRefGoogle Scholar
Christoforidis, Michael, and Kertesz, Elizabeth. Carmen and the Staging of Spain: Recasting Bizet’s Opera in the Belle Epoque. New York, Oxford University Press, 2019.Google Scholar
Clément, Catherine. L’Opéra ou la défaite des femmes. Paris, Grasset, 1979.Google Scholar
Curtiss, Mina. Bizet and His World. New York, Alfred A. Knopf, 1958.Google Scholar
Dean, Winton. Bizet, rev. ed. London, J. M. Dent, 1975 [1965].Google Scholar
Dean, Winton Essays on Opera. Oxford, Clarendon Press, 1990.Google Scholar
Furman, Nelly. ‘The languages of love in Carmen’, in Groos, Arthur and Parker, Roger, eds., Reading Opera. Princeton, NJ, Princeton University Press, 1988, 168–83.Google Scholar
Hauk, Minnie (Baroness de Wartegg). Memories of a Singer. London, A. M. Philpot, 1925.Google Scholar
Henson, Karen. Opera Acts: Singers and Performance in the Late Nineteenth Century. Cambridge, Cambridge University Press, 2015.CrossRefGoogle Scholar
Kertesz, Elizabeth, and Christoforidis, Michael. ‘Confronting Carmen beyond the Pyrenees: Bizet’s opera in Madrid, 1887–1888’. Cambridge Opera Journal, 20(1), 2008, 79–110.CrossRefGoogle Scholar
Lacombe, Hervé. Georges Bizet: Naissance d’une identité créatrice. Paris, Fayard, 2000.Google Scholar
Lacombe, Hervé ‘La version primitive de l’air d’entrée de Carmen: réflexion sur la dramaturgie et “l’autorialité” d’un opéra’, in Branger, Jean-Christophe and Giroud, Vincent, eds., Aspects de l’opéra français de Meyerbeer à Honegger. Lyon, Symétrie, 2009, 35–56.Google Scholar
Lacombe, Hervé, and Rodriguez, Christine. La Habanera de Carmen: Naissance d’un tube. Paris, Fayard, 2014.Google Scholar
Locke, Ralph P. ‘Spanish local colour in Bizet’s Carmen: unexplored borrowings and transformations’, in Fauser, Annegret and Everist, Mark, eds., Music, Theater, and Cultural Transfer: Paris, 1830–1914. Chicago, University of Chicago Press, 2009, 316–60.Google Scholar
Loewenburg, Alfred. Annals of Opera, 1597–1940, 3rd ed. London, John Calder, 1978.Google Scholar
Macdonald, Hugh. Bizet. Oxford, Oxford University Press, 2014.Google Scholar
Macdonald, Hugh‘The Bizet catalogue’. Available at: http://digital.wustl.edu/bizet.Google Scholar
McClary, Susan. Feminine Endings: Music, Gender, Sexuality. Minnesota, University of Minnesota Press, 1991.Google Scholar
McClary, Susan Georges Bizet: Carmen. Cambridge, Cambridge University Press, 1992.Google Scholar
Pigot, Charles. Georges Bizet et son œuvre. Paris, E. Dentu, 1886.Google Scholar
Pigot, Charles Georges Bizet et son œuvre, rev. ed. Paris, Ch. Delagrave, n. d. [1911].Google Scholar
Preston, Katherine K. Opera for the People: English-Language Opera and Women Managers in Late 19th-Century America. New York, Oxford University Press, 2017.Google Scholar
Rowden, Clair, and Martín Arbide, Lola San. ‘Final féministe: les défis de la mise en scène au XXIème siècle. #JeSuisCarmen’, in Lozier, Claire and Marc, Isabelle, eds., Carmen revisitée. Bern, Peter Lang, 2020.Google Scholar
Rutherford, Susan. The Prima Donna and Opera, 1815–1930. Cambridge, Cambridge University Press, 2006.Google Scholar
Salgado, Susana. The Teatro Solis: 150 Years of Opera, Concert and Ballet in Montevideo. Middletown, CT, Wesleyan University Press, 2003.Google Scholar
Stricker, Rémy. Georges Bizet, 1838–1875. Paris, Gallimard, 1999.Google Scholar
Van der Hoeven, Roland. ‘Le Théâtre de la Monnaie au XIXe siècle: contraintes d’exploitation d’un théâtre lyrique (1830–1914)’. Brussels, Université libre de Bruxelles, 2000.Google Scholar
Villamil, Victoria Etnier. ‘O ma Carmen’: Bizet’s Fateful Gypsy in Portrayal from 1875 to the Present. Jefferson, NC, McFarland, 2017.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×