Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-fbnjt Total loading time: 0 Render date: 2024-11-06T06:49:20.675Z Has data issue: false hasContentIssue false

Select bibliography

Published online by Cambridge University Press:  28 March 2012

Kate Flint
Affiliation:
University of Southern California
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2012

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Ahmad, Aijaz, ‘The Politics of Literary Postcoloniality’, Race and Class 36.3 (1995), pp. 1–20CrossRefGoogle Scholar
Altick, Richard, The English Common Reader: A Social History of the Mass Reading Public, 1800–1900 (University of Chicago Press, 1957)Google Scholar
Altick, Richard D., Punch: the Lively Youth of a British Institution 1841–1851 (Columbus: Ohio State University Press, 1997)Google Scholar
Amigoni, David, Victorian Biography: Intellectuals and the Ordering of Discourse (New York: St Martin’s Press, 1993)Google Scholar
Amigoni, David (ed.), Life Writing and Victorian Culture (Aldershot and Burlington, VT: Ashgate, 2006)Google Scholar
Amigoni, David, Colonies, Cults and Evolution (Cambridge University Press, 2007)CrossRefGoogle Scholar
Anderson, Amanda, The Powers of Distance: Cosmopolitanism and the Cultivation of Detachment (Princeton University Press, 2001)Google Scholar
Anderson, Amanda and Joseph, Valente (eds.), Disciplinarity at the Fin de Siècle (Princeton University Press, 2002)Google Scholar
Anderson, Robert, British Universities: Past and Present (London: Hambledon Continuum, 2006)Google Scholar
Anderson, Amanda, Tainted Souls and Painted Faces: The Rhetoric of Fallenness in Victorian Culture (Ithaca, NY: Cornell University Press, 1993)Google Scholar
Anderson, Benedict, Imagined Communities: Reflections on the Origin and Spread of Nationalism (1983; London and New York: Verso, 2006)Google Scholar
Anderson, Benedict, Imagined Communities: Reflections on the Origin and Spread of Nationalism (London and New York: Verso, 1991)Google Scholar
Appadurai, Arjun (ed.), The Social Life of Things: Commodities in Cultural Perspective (Cambridge University Press, 1986)CrossRefGoogle Scholar
Appiah, Kwame Anthony, ‘Is the Post- in Postmodernism the Post- in Postcolonial?’, Critical Inquiry 17 (1991), pp. 336–51CrossRefGoogle Scholar
Arac, Jonathan and Harriet, Ritvo (eds.), Macropolitics of Nineteenth-Century Literature: Nationalism, Exoticism, Imperialism (Philadelphia: University of Pennsylvania Press, 1991)CrossRefGoogle Scholar
Arata, Stephen, Fictions of Loss in the Victorian Fin de Siècle: Identity and Empire (Cambridge University Press, 1996)CrossRefGoogle Scholar
Ardis, Ann, New Women, New Novels: Feminism and Early Modernism (New Brunswick, NJ: Rutgers University Press, 1990)Google Scholar
Armstrong, Isobel, Victorian Poetry: Poetics and Politics (London: Routledge, 1993)CrossRefGoogle Scholar
Armstrong, Isobel, The Radical Aesthetic (Oxford: Wiley-Blackwell, 2000)Google Scholar
Armstrong, Nancy, Desire and Domestic Fiction: A Political History of the Novel (Oxford University Press, 1987)Google Scholar
Armstrong, Isobel (ed.), Victorian Scrutinies: Reviews of Poetry 1830–1870 (London: Athlone Press, 1972)Google Scholar
Armstrong, Isobel, Victorian Poetry: Poetry, Poetics and Politics (London: Routledge, 1993)CrossRefGoogle Scholar
Armstrong, Nancy, Fiction in the Age of Photography: The Legacy of British Realism (Cambridge, MA: Harvard University Press, 1999)Google Scholar
Ashton, Rosemary, 142 Strand: A Radical Address in Victorian London (London: Chatto and Windus, 2006)Google Scholar
Ashton, Rosemary, The German Idea: Four English Writers and the Reception of German Thoughts, 1800–1860 (Cambridge University Press, 1980)Google Scholar
Ashton, Rosemary, The German Idea: Four English Writers and the Reception of German Thought, 1800–1860 (Cambridge University Press, 1980)Google Scholar
Bachelard, Gaston, The Poetics of Space, trans. Jolas, Maria (1958; Boston: Beacon Press, 1969)Google Scholar
Bailkin, Jordana, The Culture of Property: The Crisis of Liberalism in Modern Britain (University of Chicago Press, 2004)Google Scholar
Bakhtin, M. M., The Dialogic Imagination: Four Essays (Austin: University of Texas Press, 1981)Google Scholar
Bamford, T. W., The Rise of the Public Schools (London: Nelson, 1967)Google Scholar
Banerjee, Jacqueline, Through the Northern Gate: Childhood and Growing up in British Fiction, 1719–1900 (New York: Peter Lang, 1996)Google Scholar
Barczewski, Stephanie L., Myth and National Identity in Nineteenth-Century Britain: The Legends of King Arthur and Robin Hood (Oxford University Press, 2000)CrossRefGoogle Scholar
Barreca, Regina (ed.), The Penguin Book of Women’s Humor (Harmondsworth: Penguin, 1996)Google Scholar
Bashford, Christina, ‘Learning to Listen: Audiences for Chamber Music in Early-Victorian London’, Journal of Victorian Culture 4 (1999), pp. 25–51CrossRefGoogle Scholar
Beardsley, Monroe C., Aesthetics from Classical Greece to the Present: A Short History (Tuscaloosa: University of Alabama Press, 1966)Google Scholar
Beer, Gillian, Darwin’s Plots: Evolutionary Narrative in Darwin, George Eliot, and Nineteenth Century Fiction, 3rd edn (Cambridge University Press, 2009)CrossRefGoogle Scholar
Beer, Gillian, Open Fields: Science in Cultural Encounter (Oxford University Press, 1996)Google Scholar
Beetham, Margaret, A Magazine of Her Own? Domesticity and Desire in the Woman’s Magazine, 1800–1914 (London and New York: Routledge, 1996)Google Scholar
Beinart, William and Lotte, Hughes, Environment and Empire (Oxford University Press, 2007)Google Scholar
Benjamin, , , Walter, Charles Baudelaire: A Lyric Poet in the Era of High Capitalism, trans. Zohn, Harry (London: New Left Books, 1973)Google Scholar
Benjamin, Walter, ‘The Work of Art in the Age of Mechanical Reproduction’ in Illuminations, trans. Zohn, Harry (London: Fontana, 1973), pp. 219–53Google Scholar
Bergson, Henri, ‘Laughter: an Essay on the Meaning of the Comic’, in Wylie, Sypher (ed.), Comedy (Baltimore: Johns Hopkins University Press, 1980)Google Scholar
Bernstein, Charles (ed.), Close Listening: Poetry and the Performed Word (Oxford University Press, 1998)CrossRefGoogle Scholar
Bernstein, Carol L., The Celebration of Scandal: Toward the Sublime in Victorian Urban Fiction (University Park: Pennsylvania State University Press, 1991)Google Scholar
Bhabha, Homi K., The Location of Culture (London and New York: Verso, 1994)Google Scholar
Birch, Dinah, Our Victorian Education (Oxford: Blackwell, 2007)Google Scholar
Bizup, Joseph, Manufacturing Culture: Vindications of Early Victorian Industry (Charlottesville: University of Virginia Press, 2003)Google Scholar
Blasing, Mutlu Konuk, Lyric Poetry: The Pain and the Pleasure of Words (Princeton University Press, 2007)Google Scholar
Blaut, J. M., The Colonizer’s Model of the World: Geographical Diffusionism and Eurocentric History (New York and London: Guildford, 1993)Google Scholar
Boehmer, Elleke, Empire, the National, and the Postcolonial: Resistance in Interaction (Oxford and New York: Oxford University Press, 2002)Google Scholar
Boone, Troy, The Youth of Darkest England: Working-Class Children at the Heart of Victorian Empire (New York: Routledge, 2005)Google Scholar
Booth, Michael R., English Melodrama (London: Herbert Jenkins, 1965)Google Scholar
Booth, Michael R., Victorian Spectacular Theatre, 1850–1910 (London: Routledge & Kegan Paul, 1981)Google Scholar
Bosanquet, Bernard, History of Aesthetic (London: Allen and Unwin, 1892)CrossRefGoogle Scholar
Bown, Nicola, Carolyn, Burdett, and Pamela, Thurschwell (eds.), The Victorian Supernatural (Cambridge University Press, 2004)Google Scholar
Bown, Nicola, Carolyn, Burdett, and Pamela, Thurschwell (eds.), The Victorian Supernatural (Cambridge University Press, 2004)Google Scholar
Bown, Nicola, Carolyn, Burdett, and Pamela, Thurschwell (eds.), The Victorian Supernatural (Cambridge University Press, 2004)Google Scholar
Brake, , Laurel, , Subjugated Knowledges: Journalism, Gender and Literature in the Nineteenth Century (Houndmills, Basingstoke: Macmillan, 1994)CrossRefGoogle Scholar
Brake, Laurel, Bill, Bell, and David, Finkelstein (eds.), Nineteenth-Century Media and the Construction of Identities (Houndmills, Basingstoke: Palgrave, 2000)CrossRefGoogle Scholar
Brake, Laurel and Julie, F. Codell, (eds.), Encounters in the Victorian Press: Editors, Authors, Readers (Houndmills, Basingstoke: Palgrave Macmillan, 2005)CrossRefGoogle Scholar
Brake, Laurel and Marysa, Demoor (eds.), Dictionary of Nineteenth-Century Journalism in Great Britain and Ireland (Gent: Academia Press; London: The British Library, 2009)Google Scholar
Brake, Laurel, Print in Transition, 1850–1910: Studies in Media and Book History (New York: St Martin’s Press, 2000)Google Scholar
Branscombe, Peter, ‘Melodrama’, in The New Grove Dictionary of Music and Musicians, vol. xii, ed. Stanley, Sadie (London: Macmillan, 1980), pp. 116–18Google Scholar
Brantlinger, Patrick, The Reading Lesson: The Threat of Mass Literacy in Nineteenth-Century Britain (Bloomington: University of Indiana Press, 1998)Google Scholar
Brantlinger, Patrick, Rule of Darkness: British Literature and Imperialism (Ithaca, NY: Cornell University Press, 1995)Google Scholar
Brantlinger, Patrick and Thesing, William B. (eds.), A Companion to the Victorian Novel (Oxford: Blackwell, 2002)Google Scholar
Brantlinger, Patrick, The Reading Lesson: The Threat of Mass Literacy in Nineteenth-Century British Fiction (Bloomington: Indiana University Press, 1998)Google Scholar
Brantlinger, Patrick, ‘Imperial Gothic: Atavism and the Occult in the British Adventure Novel 1880–1914’, in Rule of Darkness: British Literature and Imperialism 1830–1914 (Ithaca, NY: Cornell University Press, 1988), pp. 227–53Google Scholar
Brantlinger, Patrick, ‘What is Sensational about the “Sensation Novel”?’, Nineteenth-Century Fiction, 37:1 (1982), pp. 1–28CrossRefGoogle Scholar
Brantlinger, Patrick and William, B. Thesing, (eds.), A Companion to the Victorian Novel (Oxford: Blackwell, 2002)Google Scholar
Brantlinger, Patrick, Fictions of State: Culture and Credit in Britain, 1694–1994 (Ithaca, NY: Cornell University Press, 1996)Google Scholar
Bratton, Jacky, Jim, Cook, and Christine, Gledhill (eds.), Melodrama: Stage Picture Screen (London: British Film Institute Publishing, 1994)Google Scholar
Bratton, J. S., The Impact of Victorian Children’s Fiction (London: Croom Helm, 1981)Google Scholar
Brennan, Timothy, ‘The National Longing for Form’, in Bhabha, Homi K. (ed.), Nation and Narration (London and New York: Routledge, 1990), pp. 44–70Google Scholar
Brett, David, On Decoration (Cambridge: Lutterworth, 1992)Google Scholar
Brewster, Scott, Lyric (London: Routledge, 2009)Google Scholar
Brewster, Ben and Lea, Jacobs, Theatre to Cinema: Stage Pictorialism and the Early Feature Film (Oxford University Press, 1997)Google Scholar
Briggs, Asa and Peter, Burke, A Social History of the Media, from Gutenberg to the Internet (London: Polity Press, 2002)Google Scholar
Briggs, Asa, The Making of Modern England, 1783–1867: The Age of Improvement (New York: Harper and Row, 1965)Google Scholar
Briggs, Julia, Night Visitors: The Rise and Fall of the Ghost Story (London: Faber, 1977)Google Scholar
Briggs, Asa, Victorian Cities (New York: Harper and Row, 1970)Google Scholar
Bristow, Joseph (ed.), The Cambridge Companion to Victorian Poetry (Cambridge University Press, 2000)CrossRefGoogle Scholar
Bristow, Joseph, Empire Boys: Adventures in a Man’s World (London: HarperCollins, 1991)Google Scholar
Bristow, Joseph, ‘Charlotte Mew’s Aftereffects’, Modernism/Modernity, 16:2 (2009), pp. 255–80CrossRefGoogle Scholar
Bristow, Joseph (ed.), The Fin-de-Siècle Poem: English Literary Culture and the 1890s (Athens: Ohio University Press, 2005)Google Scholar
Brooks, Chris, Signs for the Times: Symbolic Realism in the Mid-Victorian World (London: George Allen and Unwin, 1984)Google Scholar
Brooks, Peter, The Melodramatic Imagination: Balzac, Henry James, Melodrama, and the Mode of Excess (1976; New Haven: Yale University Press, 2nd edn., with new preface, 1995)Google Scholar
Broughton, Trev, Men of Letters, Writing Lives: Masculinity and Literary Auto/biography in the Late-Victorian Period (London and New York: Routledge, 1999)Google Scholar
Brown, Daniel, Hopkins and Idealism: Philosophy, Physics, Poetry (Oxford: Clarendon Press, 1997)CrossRefGoogle Scholar
Buckley, Jerome H., ‘The Four Faces of Victorian Time’, in Patrides, C. A. (ed.), Aspects of Time (Manchester University Press, 1976)Google Scholar
Buell, Lawrence, ‘American Literary Emergence as Postcolonial Phenomenon’, American Literary History 4 (1992), pp. 411–42CrossRefGoogle Scholar
Bullen, J. B., The Myth of the Renaissance in Nineteenth-Century Writing (Oxford: Clarendon Press, 1994)CrossRefGoogle Scholar
Burn, W. L., The Age of Equipoise: A Study of the Mid-Victorian Generation (New York: Norton, 1965)Google Scholar
Burrow, John, A Liberal Descent: Victorian Historians and the English Past (Cambridge University Press, 1981)CrossRefGoogle Scholar
Burrow, J. W., A Liberal Descent: Victorian Historians and the English Past (Cambridge University Press, 1981)CrossRefGoogle Scholar
Butler, Leslie, Critical Americans: Victorian Intellectuals and Transatlantic Liberal Reform (Chapel Hill: University of North Carolina Press, 2007)CrossRefGoogle Scholar
Buzard, James, Childers, Joseph W., and Gillooly, Eileen (eds.), Victorian Prism: Refractions of the Crystal Palace (Charlottesville: University of Virginia Press, 2007)Google Scholar
Buzard, James, Disorienting Fiction: The Autoethnographic Work of Nineteenth-Century British Novels (Princeton University Press, 2005)Google Scholar
Buzard, James, The Beaten Track: European Tourism, Literature, and the Ways to ‘Culture’, 1800–1918 (Oxford University Press, 1993)CrossRefGoogle Scholar
Buzard, James, Disorienting Fiction: The Autoethnographic Work of Nineteenth-Century British Novels (Princeton University Press, 2005)Google Scholar
Byerly, Alison, ‘ “The Language of the Soul”: George Eliot and Music’, Nineteenth-Century Literature 44:1 (1989), pp. 1–17CrossRefGoogle Scholar
Byerly, Alison, Realism, Representation, and the Arts in Victorian Literature (Cambridge University Press, 1997)Google Scholar
Bynum, , William, F., Roy, Porter, and Michael, Shepherd (eds.), The Anatomy of Madness: Essays in the History of Psychiatry. i. People and Ideas. ii. Institutions and Society. iii. The Asylum and its Psychiatry (London: Tavistock Publications and Routledge, 1985–8)Google Scholar
Césaire, Aimé, Discourse on Colonialism, trans. Joan Pinkham (1950; New York and London: Monthly Review Press, 1970)Google Scholar
Cain, P. J. and Hopkins, A. G., British Imperialism: Crisis and Deconstruction 1914–1990 (London and New York: Longman, 1993)Google Scholar
Cairns, David and Shaun, Richards, Writing Ireland: Colonialism, Nationalism, and Culture (Manchester University Press, 1988)Google Scholar
Caldwell, Janis, Literature and Medicine in Nineteenth-Century Britain: from Mary Shelley to George Eliot (Cambridge University Press, 2004)CrossRefGoogle Scholar
Campbell, Matthew, Jacqueline, M. Labbe, , and Sally, Shuttleworth (eds.), Memory and Memorials 1789–1914: Literary and Cultural Perspectives (London: Routledge, 2000)CrossRefGoogle Scholar
Carpenter, Humphrey, Secret Gardens: A Study of the Golden Age of Children’s Literature (Boston: Houghton Mifflin, 1985)Google Scholar
Carpenter, Kevin, Penny Dreadfuls and Comics: English Periodicals for Children from Victorian Times to the Present Day (London: Victoria and Albert Museum, 1983)Google Scholar
Casanova, Pascale, The World Republic of Letters, trans. DeBevoise, M. B. (1999; Cambridge, MA: Harvard University Press, 2004)Google Scholar
Casey, Edward S., The Fate of Place. A Philosophical History (Berkeley and London: University of California Press, 1997)Google Scholar
Castle, Kathryn, Britannia’s Children: Reading Colonialism through Children’s Books and Magazines (Manchester University Press, 1996)Google Scholar
Cavallo, Guglielmo and Roger, Chartier (eds.), A History of Reading in the West (Cambridge: Polity Press, 1999)Google Scholar
Chadwick, Owen, The Victorian Church, 2 vols. vol. i, 1829–1859; vol. ii, 1860–1901 (London: A&C Black, 1966)Google Scholar
Chadwick, Owen, The Victorian Church, 2 vols. (London: A.& C.Black, 1966)Google Scholar
Chandler, Alice, A Dream of Order: The Medieval Ideal in Nineteenth-Century Literature (London: Routledge & Kegan Paul, 1971)Google Scholar
Charnell-White, Cathryn, Bardic Circles: National, Regional and Personal Identity in the Bardic Vision of Iolo Morganwg (Cardiff: University of Wales Press, 2007)Google Scholar
Chase, Karen, Eros and Psyche: The Representation of Personality in Charlotte Brontë, Charles Dickens, and George Eliot (New York: Methuen, 1984)Google Scholar
Chatterjee, Partha, Nationalist Thought and the Colonial World: A Derivative Discourse (Minneapolis: University of Minnesota Press, 1986)Google Scholar
Chaturvedi, Vinayak (ed.), Mapping Subaltern Studies and the Postcolonial (London and New York: Verso, 2000)Google Scholar
Cheyette, Brian, Constructions of the Jew in English Literature and Society: Racial Interpretations, 1875–1945 (Cambridge University Press, 1993)CrossRefGoogle Scholar
Chothia, Jean, English Drama of the Early Modern Period, 1890–1940 (Harlow: Longman, 1996)Google Scholar
Christ, Carol T. and Jordan, John O. (eds.),Victorian Literature and the Victorian Visual Imagination (Berkeley: University of California Press, 1995)Google Scholar
Clark, Beverly Lyon, Regendering the School Story: Sassy Sissies and Tattling Tomboys (New York: Garland, 1996)Google Scholar
Claybaugh, Amanda, The Novel of Purpose: Literature and Social Reform in the Anglo-American World (Ithaca, NY: Cornell University Press, 2007)Google Scholar
Clayton, Jay, Charles Dickens in Cyberspace: the Afterlife of the Nineteenth Century in Postmodern Culture (Oxford University Press, 2003)Google Scholar
Clayton, Jay, Charles Dickens in Cyberspace: The Afterlife of the Nineteenth Century in Postmodern Culture (Oxford University Press, 2003)Google Scholar
Clements, Patricia, Baudelaire and the English Tradition (Princeton University Press, 1985)Google Scholar
Cockshut, A. O. J., The Art of Autobiography in 19th & 20th century England (New Haven: Yale University Press, 1984)Google Scholar
Codell, Julie, The Victorian Artist: Artists’ Lifewritings in Britain, ca. 1870–1910 (Cambridge University Press, 2003)Google Scholar
Cohen, Deborah, Household Gods: The British and their Possessions (New Haven: Yale University Press, 2006)Google Scholar
Cohen, , Ed, Talk on the Wilde Side (New York: Routledge, 1992)Google Scholar
Cohen, Deborah, Household Gods: The British and Their Possessions (New Haven: Yale University Press, 2006)Google Scholar
Cohen, Margaret and Carolyn, Dever (eds.), The Literary Channel: The Inter-National Invention of the Novel (Princeton University Press, 2002)Google Scholar
Cominos, Peter, ‘Late-Victorian Sexual Respectability and the Social System’, International Review of Social History 8 (1963), pp. 18–48, 216–50CrossRefGoogle Scholar
Conrad, Peter, Imagining America (New York: Oxford University Press, 1980)Google Scholar
Coombes, Annie, Reinventing Africa: Museums, Material Culture and the Popular Imagination in Late Victorian and Edwardian England (New Haven: Yale University Press, 1994)Google Scholar
Copelman, Dina, London’s Women Teachers: Gender, Class and Feminism, 1870–1930 (London: Routledge and Kegan Paul, 1996)Google Scholar
Corbett, Mary Jean, Representing Femininity: Middle-Class Subjectivity in Victorian and Edwardian Women’s Autobiographies (New York: Oxford University Press, 1992)Google Scholar
Corbett, Mary Jean, Allegories of Union in Irish and English Writing, 1790–1870 (Cambridge University Press, 2000)CrossRefGoogle Scholar
Correa, Delia da Sousa, George Eliot, Music, and Victorian Culture (Basingstoke: Palgrave Macmillan, 2003)CrossRefGoogle Scholar
Crary, Jonathan, Suspensions of Perception: Attention, Spectacle, and Modern Culture (Cambridge, MA: October/MIT Press, 1999)Google Scholar
Crary, Jonathan, Techniques of the Observer: On Vision and Modernity in the Nineteenth Century (Cambridge, MA: October/MIT Press, 1994)Google Scholar
Crary, Jonathan, Techniques of the Observer: On Vision and Modernity in the Nineteenth Century (Cambridge, MA: MIT Press, 1990)Google Scholar
Crary, Jonathan, Techniques of the Observer: On Vision and Modernity in the Nineteenth Century (Cambridge, MA and London: MIT Press, 1990)Google Scholar
Crawford, Robert, The Modern Poet: Poetry, Academia, and Knowledge since the 1750s (Oxford University Press, 2001)Google Scholar
Cronin, Richard, Alison, Chapman, and Antony, Harrison (eds.), A Companion to Victorian Poetry (Oxford: Blackwell, 2002)Google Scholar
Crosby, Christina, ‘Financial’, in Tucker, Herbert F. (ed.), A Companion to Victorian Literature and Culture (Oxford: Blackwell, 1999), pp. 225–43Google Scholar
Culler, Jonathan, ‘Why Lyric?’PMLA 123:1 (2008), pp. 201–6CrossRefGoogle Scholar
Cunningham, Hugh, The Children of the Poor: Representations of Childhood since the Seventeenth Century (Oxford: Basil Blackwell, 1991)Google Scholar
Cunningham, Valentine, Everywhere Spoken Against: Dissent in the Victorian Novel (Oxford: Clarendon Press, 1975)Google Scholar
Curran, Stuart, Poetic Form and British Romanticism (New York: Oxford University Press, 1986)Google Scholar
Cutt, Margaret Nancy, Ministering Angels: A Study of Nineteenth-Century Evangelical Religious Writing for Children (Wormley, Herts: Five Owls, 1979)Google Scholar
Cvetkovich, Ann, Mixed Feelings: Feminism, Mass Culture, and Victorian Sensationalism (New Brunswick, NJ: Rutgers University Press, 1992)Google Scholar
Dale, Catherine, Music Analysis in Britain in the Nineteenth and Early Twentieth Centuries (Aldershot: Ashgate, 2005)Google Scholar
Daly, Nicholas, Literature, Technology, and Modernity, 1860–2000 (Cambridge University Press, 2004)Google Scholar
Dames, Nicholas, Amnesiac Selves: Nostalgia, Forgetting, and British Fiction 1810–1870 (Oxford University Press, 2001)Google Scholar
Danahay, Martin A., A Community of One: Masculine Autobiography and Autonomy in Nineteenth-Century Britain (Albany: State University of New York Press, 1993)Google Scholar
Danziger, Kurt, Naming the Mind: How Psychology Found its Language (London: Sage, 1997)Google Scholar
Darton, F. J. Harvey, Children’s Books in England: Five Centuries of Social Life, 3rd edn (Cambridge University Press, 1982)Google Scholar
Davis, Michael, George Eliot and Nineteenth-Century Psychology: Exploring the Unmapped Country (Aldershot: Ashgate, 2006)Google Scholar
Davis, Leith, Ian, Duncan, and Janet, Sorensen (eds.), Scotland and the Borders of Romanticism (Cambridge University Press, 2004)CrossRefGoogle Scholar
Demoor, Marysa, Their Fair Share: Women, Power and Criticism in the Athenaeum, from Millicent Garrett Fawcett to Katherine Mansfield, 1870–1920 (Aldershot: Ashgate, 2000)Google Scholar
Denisoff, Dennis (ed.), Nineteenth-Century Childhood and the Rise of Consumer Culture. (Burlington, VT: Ashgate, 2007)Google Scholar
Dentith, Simon, Epic and Empire in Nineteenth-Century Britain (Cambridge University Press, 2006)CrossRefGoogle Scholar
Devonshire, M. G., The English Novel in France, 1830–1870 (London: University of London Press, 1929)Google Scholar
Diamond, Michael, Victorian Sensation: Or, the Spectacular, the Shocking and the Scandalous in Nineteenth-Century Britain (London: Anthem, 2003)Google Scholar
Dickerson, Vanessa D. (ed.), Keeping the Victorian House: A Collection of Essays (New York: Garland, 1995)Google Scholar
Dirlik, Arif, The Postcolonial Aura: Third World Criticism in the Age of Global Capitalism (Boulder, Co: Westview Press, 1997)Google Scholar
Dixon, Diana, ‘Children and the Press, 1866–1914’, in Harris, Michael and Lee, Alan (eds.), The Press in English Society from the Seventeenth to Nineteenth Centuries (Rutherford, NJ: Fairleigh Dickinson University Press, 1986), pp. 133–48Google Scholar
Dixon, Diana, ‘From Instruction to Amusement: Attitudes of Authority in Children’s Periodicals before 1914’, Victorian Periodicals Review 19 (1986), pp. 63–7Google Scholar
Dixon, Joy, Divine Feminine: Theosophy and Feminism in England (Baltimore and London: Johns Hopkins University Press, 2001)Google Scholar
Dixon, Thomas, From Passions to Emotions: The Creation of a Secular Psychological Category (Cambridge University Press, 2003)CrossRefGoogle Scholar
Dooley, Allan C., Author and Printer in Victorian England (Charlottesville: University Press of Virginia, 1992)Google Scholar
Dowling, Linda, Language and Decadence in the Victorian Fin de Siècle (Princeton University Press, 1986)Google Scholar
Dowling, Linda, The Vulgarization of Art: The Victorians and Aesthetic Democracy (Charlottesville: University of Virginia Press, 1996)Google Scholar
Downes, Jeremy M., Recursive Desire: Rereading Epic Tradition (Tuscaloosa and London: University of Alabama Press, 1997)Google Scholar
Drotner, Kirsten, English Children and Their Magazines, 1751–1945 (New Haven: Yale University Press, 1988)CrossRefGoogle Scholar
Dubrow, Heather, The Challenges of Orpheus: Lyric Poetry and Early Modern England (Baltimore: Johns Hopkins University Press, 2008)Google Scholar
Duff, David and Catherine, Jones (eds.), Scotland, Ireland, and the Romantic Aesthetic (Lewisburg, PA: Bucknell University Press, 2008)Google Scholar
Duncan, Ian, ‘The Provincial or Regional Novel’, in Patrick, Brantlinger and William, B. Thesing (eds.), A Companion to the Victorian Novel (Malden, MA: Blackwell, 2005), pp. 318–35Google Scholar
Duncan, Ian, Scott’s Shadow: The Novel in Romantic Edinburgh (Princeton University Press, 2007)Google Scholar
Dyer, Gary, British Satire and the Politics of Style 1789–1832 (Cambridge University Press, 1997)CrossRefGoogle Scholar
Dyhouse, C., Girls Growing Up in Late Victorian and Edwardian England (London: Routledge and Kegan Paul, 1981)Google Scholar
Dyos, H. J., Exploring the Urban Past: Essays in Urban History, ed. David, Cannadine and David, Reeder (Cambridge University Press, 1982)Google Scholar
Dyos, H. J., and Michael, Wolff (eds.), The Victorian City: Images and Realities. 2 vols. (London: Routledge and Kegan Paul, 1973)Google Scholar
Eagleton, Terry, The Ideology of the Aesthetic (Oxford: Basil Blackwell, 1990)Google Scholar
Ebbatson, Roger, An Imaginary England: Nation, Landscape and Literature, 1840–1920 (Aldershot: Ashgate, 2004)Google Scholar
Bellaigue, Christina, Educating Women: Schooling and Identity in England and France, 1800–1867 (Oxford University Press, 2007)CrossRefGoogle Scholar
Elias, Amy J., Sublime Desire: History and Post-1960s Fiction (Baltimore: Johns Hopkins University Press, 2001)Google Scholar
Eliot, Simon and Jonathan, Rose (eds.), A Companion to the History of the Book (Oxford and New York: Blackwell Publishing, 2007)Google Scholar
Eliot, Simon, ‘The Business of Victorian Publishing’, in David, Deirdre (ed.), The Cambridge Companion to the Victorian Novel (Cambridge University Press, 2001), pp. 37–60Google Scholar
Erickson, Lee, The Economy of Literary Form: English Literature and the Industrialization of Publishing, 1800–1850 (Baltimore and London: Johns Hopkins University Press, 1996)Google Scholar
Evans, Eric J., The Forging of the Modern State: Early Industrial Britain, 1783–1870, 3rd edn (Harlow: Longman, 2001)Google Scholar
Faas, Ekbert, Retreat into the Mind: Victorian Poetry and the Rise of Psychiatry (Princeton University Press, 1988)Google Scholar
Fabian, Johannes, Time and the Other: How Anthropology Makes its Objects (New York: Columbia University Press, 1983)Google Scholar
Fanon, Frantz, The Wretched of the Earth, trans. Farrington, Constance (1961; New York: Grove Press, 1968)Google Scholar
Feather, J., A History of British Publishing, 2nd edn (London and New York: Routledge, 2006)Google Scholar
Fegan, Melissa, Literature and the Irish Famine 1845–1919 (New York: Oxford University Press, 2002)Google Scholar
Feldman, Jessica, Victorian Modernism: Pragmatism and the Varieties of Aesthetic Experience (Cambridge University Press, 2002)Google Scholar
Feldman, Jessica R., Victorian Modernism: Pragmatism and the Varieties of Aesthetic Experience (Cambridge University Press, 2002)Google Scholar
Feldman, Jessica, Gender on the Divide: The Dandy in Modernist Literature (Ithaca, NY: Cornell University Press, 1993)Google Scholar
Felluga, Dino, ‘The Critic’s New Clothes: Sartor Resartus and “Cold Carnival”’, Criticism 37 (1995), pp. 583–99Google Scholar
Felski, Rita, The Gender of Modernity (Cambridge, MA: Harvard University Press, 1995)Google Scholar
Fender, Stephen, Sea Changes: British Emigration & American Literature (Cambridge and New York: Cambridge University Press, 1992)Google Scholar
Ferry, Luc, Homo Aestheticus: The Invention of Taste in the Democratic Age, trans. Robert, Loaiza (University of Chicago Press, 1993)Google Scholar
Fielding, Penny, Scotland and the Fictions of Geography: North Britain, 1760–1830 (Cambridge University Press, 2008)CrossRefGoogle Scholar
Finkelstein, David, The House of Blackwood: Author–Publisher Relations in the Victorian Era (Philadelphia: Pennsylvania State University Press, 2002)Google Scholar
Finkelstein, David and Alistair, McCleery, An Introduction to Book History (London and New York: Routledge, 2005)Google Scholar
Finkelstein, David and McCleery, Alistair (eds.), The Book History Reader, 2nd revised edn (London and New York: Routledge, 2006)Google Scholar
Finkelstein, David, The House of Blackwood: Author–Publisher Relations in the Victorian Era (University Park: Pennsylvania State University Press, 2002)Google Scholar
Fleishman, Avrom, Figures of Autobiography: The Language of Self-writing in Victorian and Modern England (Berkeley: University of California Press, 1983)Google Scholar
Fleishman, Avrom, The English Historical Novel: Walter Scott to Virginia Woolf (Baltimore and London: Johns Hopkins University Press, 1971)Google Scholar
Fletcher, Pauline and Patrick, Scott, Culture and Education in Victorian England (London: Bucknell University Press, 1990)Google Scholar
Flint, Kate, The Woman Reader, 1837–1914 (Oxford: Clarendon Press, 1993)Google Scholar
Flint, Kate, The Woman Reader 1837–1914 (Oxford: Clarendon Press, 1993)Google Scholar
Flint, Kate, The Victorians and the Visual Imagination (Cambridge University Press, 2000)Google Scholar
Flint, Kate, The Victorians and the Visual Imagination (Cambridge University Press, 2000)Google Scholar
Flint, Kate, The Transatlantic Indian 1776–1930 (Princeton University Press, 2009)Google Scholar
Foerster, Donald M., The Fortunes of Epic Poetry: A Study in English and American Criticism 1750–1950 (Washington DC: Catholic University of America Press, 1962)Google Scholar
Forrest-Thomson, , Veronica, Poetic Artifice. A Theory of Twentieth-century Poetry (New York: StMartin’s Press, 1978)Google Scholar
Foucault, Michel, The History of Sexuality. Vol. 1. An Introduction, trans. Hurley, Richard (New York: Vintage, 1978)Google Scholar
Foucault, Michel, Madness and Civilization: a History of Insanity in the Age of Reason, trans. Howard, Richard (1967; London: Routledge, 2001)Google Scholar
France, Peter and Kenneth, Haynes (eds.), The Oxford History of Literary Translation in English, vol. iv (Oxford University Press, 2006)Google Scholar
Frankel, Nicholas, Masking the Text: Essays on Literature & Mediation in the 1890s (High Wycombe, Bucks: Rivendale Press, 2009)Google Scholar
Frankel, Nicholas, Masking the Text. Essays on Literature and Mediation in the 1890s (High Wycombe: Rivendale Press, 2009)Google Scholar
Frankel, Robert, Observing America: The Commentary of British Visitors to the United States, 1890–1950 (Madison: University of Wisconsin Press, 2007)Google Scholar
Fraser, Hilary, Stephanie, Green, and Judith, Johnston, Gender and the Victorian Periodical (Cambridge University Press, 2003)Google Scholar
Fraser, Hilary, The Victorians and Renaissance Italy (Oxford: Blackwell Publishing, 1992)Google Scholar
Freedgood, Elaine, The Ideas in Things. Fugitive Meaning in the Victorian Novel (University of Chicago Press, 2006)CrossRefGoogle Scholar
Freedgood, Elaine (ed.), Factory Production in Nineteenth-Century Britain (Oxford University Press, 2003)Google Scholar
Freedman, Jonathan, Professions of Taste: Henry James, British Aestheticism, and Commodity Culture (Stanford University Press, 1990)Google Scholar
Freud, Sigmund, ‘Humour’, in The Pelican Freud Library, Volume 14: Art and Literature (Harmondsworth: Penguin, 1985)Google Scholar
Freud, Sigmund, The Pelican Freud Library, Volume 6: Jokes and their Relation to the Unconscious (Harmondsworth: Penguin, 1991)Google Scholar
Frye, Northrop, ‘Approaching the Lyric’, in Hosek, Chariva and Parker, Patricia (eds.), Lyric Poetry: Beyond New Criticism (Ithaca and London: Cornell University Press, 1985), pp. 31–7Google Scholar
Fuchs, Miriam and Craig, Howes (eds.), Teaching Life Writing Texts (New York: Modern Language Association of America, 2008)Google Scholar
Gagnier, Regenia, The Insatiability of Human Wants: Economics and Aesthetics in Market Society (University of Chicago Press, 2000)Google Scholar
Gagnier, Regenia, Subjectivities: A History of Self-Representation in Britain, 1832–1920 (Oxford University Press, 1991)Google Scholar
Gagnier, Regenia, The Insatiability of Human Wants: Economics and Aesthetics in Market Society (University of Chicago Press, 2000)Google Scholar
Gagnier, Regenia, Idylls of the Marketplace: Oscar Wilde and the Victorian Public (Stanford University Press, 1986)Google Scholar
Gallagher, Catherine, The Industrial Reformation of English Fiction: Social Discourse and Narrative Form (Chicago and London: Chicago University Press, 1985)Google Scholar
Gallagher, Catherine, The Body Economic: Life, Death, and Sensation in Political Economy and the Victorian Novel (Princeton University Press, 2006)Google Scholar
Gallagher, Catherine, The Industrial Reformation of English Fiction, 1832–1867 (University of Chicago Press, 1985)Google Scholar
Gallagher, Catherine, The Industrial Reformation of English Fiction, 1832–1867 (University of Chicago Press, 1985)Google Scholar
Gargano, Elizabeth, Reading Victorian Schoolrooms: Childhood and Education in Nineteenth-Century Fiction (New York and London: Routledge, 2008)Google Scholar
Gatrell, Vic, City of Laughter: Sex and Satire in Eighteenth-Century London (London: Atlantic, 2006)Google Scholar
Gibson, Mary Ellis, Epic Reinvented: Ezra Pound and the Victorians (Ithaca, NY and London: Cornell University Press, 1995)Google Scholar
Gilbert, Katharine Everett and Kuhn, Helmut, A History of Aesthetics (Bloomington: Indiana University Press, 1953)Google Scholar
Giles, Paul, Atlantic Republic. The American Tradition in English Literature (New York: Oxford University Press, 2007)Google Scholar
Giles, Paul, Transatlantic Insurrections: British Culture and the Formation of American Literature, 1730–1860 (Philadelphia: University of Pennsylvania Press, 2001)CrossRefGoogle Scholar
Giles, Paul, Virtual Americas: Transnational Fictions and the Transatlantic Imaginary (Durham, NC: Duke University Press, 2002)CrossRefGoogle Scholar
Gillett, Paula, Worlds of Art: Painters in Victorian Society (New Brunswick, NJ: Rutgers University Press, 1990)Google Scholar
Gillies, Mary Ann, The Professional Literary Agent in Britain, 1880–1920 (University of Toronto Press, 2007)CrossRefGoogle Scholar
Gillooly, Eileen, Smile of Discontent: Humor, Gender, and Nineteenth-Century British Fiction (University of Chicago, 1999)Google Scholar
Gilroy, Paul, The Black Atlantic: Modernity and Double-Consciousness (Cambridge, MA: Harvard University Press, 1993)Google Scholar
Girouard, Mark, The Return to Camelot: Chivalry and the English Gentleman (New Haven and London: Yale University Press, 1981)Google Scholar
Gledhill, Christine (ed.), Home is Where the Heart Is: Studies in Melodrama and the Woman’s Film (London: British Film Institute Publishing, 1987)Google Scholar
Gooch, G. P., History and Historians in the Nineteenth Century (London: Longmans, Green & Co., 1913)Google Scholar
Goodlad, Lauren, , M. E., Victorian Literature and the Victorian State: Character and Governance in a Liberal Society (Baltimore and London: Johns Hopkins University Press, 2003)Google Scholar
Graham, Colin, Ideologies of Epic: Nation, Empire, and Victorian Epic Poetry (Manchester University Press, 1998)Google Scholar
Griest, Guinevere L., Mudie’s Circulating Library and the Victorian Novel (Bloomington and London: Indiana University Press, 1970)Google Scholar
Griffiths, Eric, The Printed Voice of Victorian Poetry (Oxford: Clarendon Press, 1989)Google Scholar
Griffiths, F. T., and Rabinowitz, S. J., Novel Epics: Gogol, Dostoevsky, and National Narrative (Evanston, IL: Northwestern University Press, 1990)Google Scholar
Gubar, Marah, Artful Dodgers: Reconceiving the Golden Age of Children’s Literature (New York: Oxford University Press, 2009)CrossRefGoogle Scholar
Guha, Ranajit and Gayatri, Chakravorty Spivak (eds.), Selected Subaltern Studies (New York and London: Oxford University Press, 1988)Google Scholar
Hadley, Elaine, Melodramatic Tactics: Theatricalized Dissent in the English Marketplace, 1800–1885 (Stanford University Press, 1995)Google Scholar
Hale, J. R. (ed.), The Evolution of British Historiography from Bacon to Namier (London: Macmillan, 1967)Google Scholar
Hall, Catherine, Keith, McClelland, and Jane, Rendall, Defining the Victorian Nation: Class, Race, Gender and the Reform Act of 1867 (Cambridge University Press, 2000)Google Scholar
Hall, Catherine, Keith, McLelland, and Jane, Rendall, Defining the Victorian Nation: Class, Race, Gender and the Reform Act of 1867 (Cambridge University Press, 2000)Google Scholar
Hall, Catherine, Civilising Subjects: Metropolis and Colony in the English Imagination 1830–1867 (University of Chicago Press, 2002)Google Scholar
Harrison, J. F. C., Learning and Living (London: Routledge and Kegan Paul, 1961)Google Scholar
Harvey, David, Spaces of Capital, Towards a Critical Geography (London and New York: Routledge, 2001)Google Scholar
Hays, Michael and Anastasia, Nicolopolou (eds.), Melodrama: The Cultural Emergence of a Genre (New York: St Martin’s Press, 1996)Google Scholar
Heilmann, Ann and Mark, Llewellyn, Neo-Victorianism: The Victorians in the Twenty-First Century, 1999–2009 (Basingstoke: Palgrave Macmillan, 2010)CrossRefGoogle Scholar
Helsinger, Elizabeth, Poetry and the Pre-Raphaelite Arts: Dante Gabriel Rossetti and William Morris (New Haven: Yale University Press, 2008)Google Scholar
Helsinger, Elizabeth, Poetry and the Pre-Raphaelite Arts: Dante Gabriel Rossetti and William Morris (New Haven: Yale University Press, 2008)Google Scholar
Helsinger, Elizabeth, Ruskin and the Art of the Beholder (Cambridge, MA: Harvard University Press, 1982)Google Scholar
Helsinger, Elizabeth K., Rural Scenes and National Representation: Britain, 1815–1850 (Princeton University Press, 1997)Google Scholar
Helsinger, Elizabeth, Rural Scenes and National Representations (Princeton University Press, 1997)Google Scholar
Henkle, Roger B., Comedy and Culture: England 1820–1900 (Princeton University Press, 1980)CrossRefGoogle Scholar
Hepburn, James, The Author’s Empty Purse and the Rise of the Literary Agent (London: Oxford University Press, 1968)Google Scholar
Heringman, Noah (ed.), Romantic Science: The Literary Forms of Natural History (Albany, NY: SUNY Press, 2003)Google Scholar
Hibberd, Dominic, Harold Monro: Poet of the New Age (Basingstoke: Palgrave, 2001)CrossRefGoogle Scholar
Hill, Rosemary, God’s Architect: Pugin and the Building of Romantic Britain (London: Allen Lane, 2007)Google Scholar
Hilton, Mary, ‘Revisioning Romanticism: Towards a Women’s History of Progressive Thought 1780–1850’, History of Education 30 (2001), pp. 471–87CrossRefGoogle Scholar
Hilton, Mary and Hirsch, Pamela (eds.), Practical Visionaries: Women, Education, and Social Progress, 1790–1930 (Harlow: Longman, 2000)Google Scholar
Hobsbawm, Eric, The Age of Capital 1848–1875 (New York: Vintage, 1996)Google Scholar
Hobsbawm, Eric, and Terence, Ranger (eds.), The Invention of Tradition (Cambridge University Press, 1983)Google Scholar
Hobsbawm, Eric, The Age of Empire: 1875–1914 (London: Cardinal; New York: Pantheon, 1987)Google Scholar
Holden, Jonathan, The Rhetoric of the Contemporary Lyric (Bloomington: Indiana University Press, 1980)Google Scholar
Hollander, John, The Work of Poetry (New York: Columbia University Press, 1997)Google Scholar
Hoppen, K. Theodore, The Mid-Victorian Generation: 1846–1886, New Oxford History of England (Oxford: Oxford University Press, 1998)Google Scholar
Houghton, Walter E. et al. (eds.), The Wellesley Index to Victorian Periodicals 1824–1900, 5 vols. (Toronto and London: University of Toronto Press and Routledge & Kegan Paul, 196588)Google Scholar
Houghton, Walter, The Victorian Frame of Mind, 1830–1870 (New Haven: Yale University Press, 1957)Google Scholar
Huggan, Graham, The Postcolonial Exotic: Marketing the Margins (London and New York: Routledge, 2001)CrossRefGoogle Scholar
Hughes, Winifred, The Maniac in the Cellar (Princeton University Press, 1980)Google Scholar
Hughes, Kathryn, The Victorian Governess (London and Rio Grande: The Hambledon Press, 1993)Google Scholar
Hulme, Peter, Colonial Encounters: Europe and the Native Caribbean 1492–1797 (London and New York: Routledge, 1989)Google Scholar
Humphrey, Nicholas, A History of the Mind (New York: Simon and Schuster, 1992)CrossRefGoogle Scholar
Hunt, Tristram, Building Jerusalem: The Rise and Fall of the Victorian City (New York: Henry Holt, 2005)Google Scholar
Hunter, Shelagh, Victorian Idyllic Fiction: Pastoral Strategies (London: Macmillan, 1984)Google Scholar
Hurley, Kelly, The Gothic Body: Sexuality, Materialism, and Degeneration at the Fin de Siècle (Cambridge University Press, 1996)CrossRefGoogle Scholar
Hurst, Isobel, Victorian Women Writers and the Classics: The Feminine of Homer (Oxford University Press, 2006)CrossRefGoogle Scholar
Hurt, John, Education in Evolution (London: Hart-Davis, 1971)Google Scholar
Hutcheon, Linda, A Poetics of Postmodernism: History, Theory, Fiction (New York: Routledge, 1988)CrossRefGoogle Scholar
Hynes, Samuel, The Edwardian Turn of Mind (Princeton University Press, 1968)Google Scholar
Jackson, Rosemary, Fantasy: The Literature of Subversion (New York: Methuen, 1981)CrossRefGoogle Scholar
Jacyna, L. S., ‘The Physiology of Mind, the Unity of Nature, and the Moral Order in Victorian Thought’, British Journal for the History of Science 14:2 (1981), pp. 109–32CrossRefGoogle Scholar
Jager, Colin, The Book of God: Secularization and Design in the Romantic Era (Philadelphia: University of Pennsylvania Press, 2006)Google Scholar
Jameson, Fredric, ‘Third World Literature in the Era of Multinational Capitalism’, Social Text 15 (1986), pp. 65–88CrossRefGoogle Scholar
Jasper, David and Wright, T. R. (eds.), The Critical Spirit and the Will to Believe: Essays in Nineteenth-Century Literature and Religion (London and Basingstoke: Macmillan, 1989)CrossRefGoogle Scholar
Jenkins, Alice, Space and the ‘March of Mind’: Literature and the Physical Sciences in Britain 1815–1850 (Oxford University Press, 2007)CrossRefGoogle Scholar
Jenkins, Geraint H. (ed.), The Welsh Language and Its Social Domains 1801–1911 (Cardiff: University of Wales Press, 2000)Google Scholar
Jenkyns, Richard, The Victorians and Ancient Greece (Cambridge, MA: Harvard University Press, 1980)Google Scholar
Jones, Steven E., ‘Nineteenth-Century Satiric Poetry’ in Ruben Quintano (ed.), A Companion to Satire (Oxford: Blackwell, 2007), pp. 340–60CrossRefGoogle Scholar
Jordan, John O. and Robert, L. Patten (eds.), Literature in the Marketplace: Nineteenth-Century British Reading and Publishing Practices (Cambridge University Press, 1995), pp. 165–94Google Scholar
Joyce, Simon, The Victorians in the Rearview Mirror (Athens: Ohio University Press, 2007)Google Scholar
Kaplan, Fred, Thomas Carlyle: A Bibliography (Cambridge University Press, 1983)Google Scholar
Kaplan, Cora, Victoriana: Histories, Fictions, Criticism (New York: Columbia University Press, 2007)CrossRefGoogle Scholar
Kearns, Michael S., Metaphors of Mind in Fiction and Psychology (Lexington: University Press of Kentucky, 1987)Google Scholar
Keating, Peter, The Haunted Study: A Social History of the English Novel, 1875–1914 (London: Secker & Warburg, 1989)Google Scholar
Keating, P. J., The Working Classes in Victorian Fiction (New York: Barnes and Noble, 1971)Google Scholar
Kemp, Sandra, Charlotte, Mitchell, and David, Trotter, Edwardian Fiction: An Oxford Companion (Oxford University Press, 1997)CrossRefGoogle Scholar
Kern, Stephen, The Culture of Time and Space, 1880–1918 (Cambridge, MA: Harvard University Press, 2003)Google Scholar
Kiberd, Declan, Irish Classics (Cambridge, MA: Harvard University Press, 2001)Google Scholar
Kiernan, V. G., The Lords of Human Kind: European Attitudes to the Outside World in the Imperial Age (London: Weidenfeld and Nicholson, 1969)Google Scholar
Kincaid, James R., Dickens and the Rhetoric of Laughter (Oxford: Clarendon Press, 1971)Google Scholar
King, Andrew, The London Journal, 1845–83: Periodicals, Production and Gender (Aldershot: Ashgate, 2004)Google Scholar
King, Andrew and John, Plunkett (eds.), Victorian Print Media: A Reader (Oxford and New York: Oxford University Press, 2005)Google Scholar
King, Amy, ‘Reorienting the Scientific Frontier: Victorian Tide Pools and Literary Realism’, Victorian Studies 47 (2005), pp. 153–63CrossRefGoogle Scholar
Kittler, Friedrich A., Discourse Networks, 1800/1900, trans. Metteer, Michael and Cullens, Chris (1985; Stanford University Press, 1992)Google Scholar
Klaver, Claudia C., A/Moral Economics: Classical Political Economy & Cultural Authority in Nineteenth-Century England (Columbus: Ohio State University Press, 2003)Google Scholar
Knight, Mark and Emma, Mason, Nineteenth-Century Religion and Literature: An Introduction (Oxford University Press, 2006)Google Scholar
Knoepflmacher, U. C., Ventures into Childland: Victorians, Fairy Tales, and Femininity (University of Chicago Press, 1998)Google Scholar
Kooistra, Lorraine Janzen, ‘Poetry in the Victorian Marketplace: The Illustrated Princess as a Christmas Gift Book’, Victorian Poetry 45:1 (2007), pp. 49–76CrossRefGoogle Scholar
Kramer, Lawrence, Music and Poetry: The Nineteenth Century and After (Berkeley: University of California Press, 1984)Google Scholar
Kriegel, Lara, Grand Designs: Labor, Empire, and the Museum in Victorian Culture (Durham, NC: Duke University Press, 2007)CrossRefGoogle Scholar
Krueger, Christine, The Reader’s Repentance: Women Preachers, Women Writers, and Nineteenth-Century Social Discourse (Chicago and London: University of Chicago Press, 1992)Google Scholar
Krueger, Christine L., Functions of Victorian Culture at the Present Time (Athens: Ohio University Press, 2002)Google Scholar
Kucich, John and Dianne, F.Sadoff, , Victorian Afterlife: Postmodern Culture Rewrites the Nineteenth-Century (Minneapolis: University of Minnesota Press, 2000)Google Scholar
Kumar, Krishan, The Making of English National Identity (Cambridge University Press, 2003)CrossRefGoogle Scholar
Landow, George P. (ed.), Approaches to Victorian Autobiography (Athens: Ohio University Press, 1979)Google Scholar
Landow, George P., The Aesthetic and Critical Theories of John Ruskin (Princeton University Press, 1971)Google Scholar
Langbaum, Robert, The Poetry of Experience. The Dramatic Monologue in Modern Literary Tradition (London: Chatto and Windus, 1957)Google Scholar
Latane, David E., Browning’s Sordello and the Aesthetics of Difficulty. ELS Monographs no. 40 (Victoria, BC: University of Victoria Press, 1987)Google Scholar
Latour, Bruno, We Have Never Been Modern, trans. Porter, Catherine (1991; Cambridge, MA: Harvard University Press, 1993)Google Scholar
Lazarus, Neil, Nationalism and Cultural Practice in the Postcolonial World (Cambridge University Press, 1999)CrossRefGoogle Scholar
Lecaros, Cecilia Wadsö, The Victorian Governess Novel (Lund University Press, 2001)Google Scholar
Lecercle, Jean-Jacques, Philosophy of Nonsense: The Intuitions of Victorian Nonsense Literature (London: Routledge, 1994)CrossRefGoogle Scholar
Lecercle, Jean-Jacques, Philosophy of Nonsense: The Intuitions of Victorian Nonsense (London: Routledge, 1994)CrossRefGoogle Scholar
Ledger, Sally and Scott, McCracken (eds.), Cultural Politics at the Fin de Siècle (Cambridge University Press, 1995)CrossRefGoogle Scholar
Lefebvre, Henri, The Production of Space, trans. Nicholson-Smith, Donald (1974; Oxford: Blackwell, 1991)Google Scholar
Leighton, Angela, On Form: Poetry, Aestheticism, and the Legacy of a Word (Oxford University Press, 2007)Google Scholar
Leighton, Angela, On Form: Poetry, Aestheticism, and the Legacy of a Word (Oxford University Press, 2007)Google Scholar
Levine, Caroline, The Serious Pleasures of Suspense: Victorian Realism and Narrative Doubt (Charlottesville: University Press of Virginia, 2003)Google Scholar
Levine, George, The Boundaries of Fiction. Carlyle, Macaulay, Newman (Princeton University Press, 1968)Google Scholar
Levine, Philippa (ed.), Gender and Empire (Oxford University Press, 2004)Google Scholar
Levine, George, Darwin and the Novelists: Patterns of Science in Victorian Fiction (Cambridge, MA: Harvard University Press, 1988)Google Scholar
Levine, George, Dying to Know: Scientific Epistemology and Narrative in Victorian England (University of Chicago Press, 2002)CrossRefGoogle Scholar
Levine, Philippa, Gender and Empire (Oxford University Press, 2004)Google Scholar
Lindner, Christoph, Fictions of Commodity Culture: From the Victorian to the Postmodern (Aldershot: Ashgate, 2003)Google Scholar
Lippman, Edward A. (ed.), Musical Aesthetics: A Historical Reader. Vol. ii, The Nineteenth Century (Stuyvesant, NY: Pendragon Press, 1988)Google Scholar
Lloyd, David, Anomalous States: Irish Writing and the Post-Colonial Moment (Dublin: Lilliput Press, 1993)Google Scholar
Logan, Thad, The Victorian Parlor (Cambridge University Press, 2001)Google Scholar
Lubbock, Jules, The Tyranny of Taste: The Politics of Architecture and Design in Britain, 1550–1960 (New Haven: Yale University Press, 1995)Google Scholar
Lucas, John, England and Englishness: Ideas of Nationhood in English Poetry (London: Hogarth Press, 1990)Google Scholar
Luckhurst, Roger, The Invention of Telepathy 1870–1901 (Oxford University Press, 2002)Google Scholar
Lukács, György, The Historical Novel, trans. , Hannah and Mitchell, Stanley (1937; London: Merlin Press, 1962)Google Scholar
Lukács, György, The Theory of the Novel: A Historical-Philosophical Essay on the Forms of Great Epic Literature, trans. Bostock, Anna (1920; London: Merlin Press, 1971)Google Scholar
MacDonald, Robert H., ‘Reproducing the Middle-Class Boy: From Purity to Patriotism in the Boys’ Magazines, 1892–1914’, Journal of Contemporary History 24 (1989), pp. 519–39CrossRefGoogle Scholar
MacDonald, Robert H., ‘Signs from the Imperial Quarter: Illustrations in Chums, 1892–1914’, Children’s Literature 16 (1988), pp. 31–55CrossRefGoogle Scholar
Machann, Clinton, The Genre of Autobiography in Victorian Literature (Ann Arbor: University of Michigan Press, 1994)CrossRefGoogle Scholar
MacKay, Carol Hanbery, Creative Negativity: Four Victorian Exemplars of the Female Quest (Stanford University Press, 2001)Google Scholar
MacKenzie, John M., ‘Imperialism and Juvenile Literature’, in Propaganda and Empire: The Manipulation of British Public Opinion, 1880–1960 (Manchester University Press, 1984), pp. 198–226Google Scholar
MacLean, Gerald, Donna, Landry, and Joseph, P. Ward (eds.), The Country and the City Revisited: England and the Politics of Culture, 1550–1850 (Cambridge University Press, 1999)Google Scholar
Macleod, Dianne Sachko, Art and the Victorian Middle Class: Money and the Making of Cultural Identity (Cambridge University Press, 1996)Google Scholar
Malchow, H. M., Gothic Images of Race in Nineteenth-Century Britain (Berkeley and Los Angeles: University of California Press, 1996)Google Scholar
Malcolm, Noel, The Origins of English Nonsense (HarperCollins: London, 1997)Google Scholar
Manlove, Colin N., The Fantasy Literature of England (Houndsmill, Basingstoke: Macmillan, 1999)CrossRefGoogle Scholar
Manning, Susan, Fragments of Union: Making Connections in Scottish and American Writing (Basingstoke and New York: Palgrave, 2002)CrossRefGoogle Scholar
Marcus, Sharon, Between Women: Friendship, Desire, and Marriage in Victorian England (Princeton University Press, 2007)CrossRefGoogle Scholar
Marcus, Steven, Engels, Manchester, and the Working Class (New York: Random House, 1974)Google Scholar
Marcus, Sharon, ‘Same Difference? Transnationalism, Comparative Literature, and Victorian Studies’, Victorian Studies 45:4 (2003), pp. 677–86Google Scholar
Marriott, Sir John, English History in English Fiction (London and Glasgow: Blackie and Son, 1940)Google Scholar
Marsh, Joss, Word Crimes: Blasphemy, Culture, and Literature in Nineteenth-Century England (Chicago University Press, 1998)Google Scholar
Marshall, Gail (ed.), The Cambridge Companion to the Fin de Siècle (Cambridge University Press, 2007)CrossRefGoogle Scholar
Martin, Robert Bernard, The Triumph of Wit: A Study of Victorian Comic Theory (Oxford: Clarendon Press, 1974)Google Scholar
Martin, Jane, Women and the Politics of Schooling in Victorian and Edwardian England (London and New York: Leicester University Press, 1999)Google Scholar
Martin, Maureen M., The Mighty Scot: Nation, Gender, and the Nineteenth-Century Mystique of Scottish Masculinity (Albany: State University of New York Press, 2009)Google Scholar
Mason, Michael York, ‘Middlemarch and Science: Problems of Life and Mind’, Review of English Studies n.s. 22:86 (1971), pp. 151–69CrossRefGoogle Scholar
Masson, David, British Novelists and their Styles: Being a Critical Sketch of the History of British Prose Fiction (Cambridge: Macmillan & Co., 1859)Google Scholar
Matus, Jill, Shock, Memory and the Unconscious in Victorian Fiction (Cambridge University Press, 2009)CrossRefGoogle Scholar
Matus, Jill, ‘Victorian Framings of the Mind: Recent Work on Mid-Nineteenth-Century Theories of the Unconscious, Memory, and Emotion’, Literature Compass 4:4 (2007), pp. 1257–76CrossRefGoogle Scholar
Maxwell, Richard (ed.), The Victorian Illustrated Book (Charlottesville: University Press of Virginia, 2002)Google Scholar
Maxwell, Richard, The Mysteries of Paris and London (Charlottesville: University of Virginia Press, 1992)Google Scholar
Mayer, David and Matthew, Scott, ‘Four Bars of Agit’: Incidental Music for Victorian and Edwardian Melodrama (London: Samuel French and the Theatre Museum, V&A, 1983)Google Scholar
McClintock, Anne, Imperial Leather: Race, Gender, and Sexuality in the Colonial Contest (New York: Routledge, 1995)Google Scholar
McClintock, Anne, Imperial Leather: Race, Gender, and Sexuality in the Colonial Contest (New York: Routledge, 1995)Google Scholar
McClintock, Anne, Imperial Leather: Race, Gender and Sexuality in the Colonial Contest (London and New York: Routledge, 1995)Google Scholar
McFadden, Margaret, Golden Cables of Sympathy: The Transatlantic Sources of Nineteenth-Century Feminism (Lexington: University Press of Kentucky, 1999)Google Scholar
McGann, Jerome, Rossetti and the Game That Must Be Lost (New Haven: Yale University Press, 2000)Google Scholar
McGavran, James Holt (ed.), Romanticism and Children’s Literature in Nineteenth-Century England (Athens: University of Georgia Press, 1991)Google Scholar
McNeil, Kenneth, Scotland, Britain, Empire: Writing the Highlands, 1760–1860 (Athens: Ohio State University Press, 2007)Google Scholar
Meisel, Martin, Realizations: Narrative, Pictorial and Theatrical Arts in Nineteenth-Century England (Princeton University Press, 1983)Google Scholar
Meisel, Martin, Realizations: Narrative, Pictorial, and Theatrical Arts in Nineteenth-Century England (Princeton University Press, 1983)Google Scholar
Merchant, Paul, The Epic (London: Methuen, 1971)Google Scholar
Meredith, George, ‘An Essay on Comedy’, in Wylie, Sypher (ed.), Comedy (Baltimore: Johns Hopkins University Press, 1980)Google Scholar
Michie, Helena and Ronald, R. Thomas (eds.), Nineteenth-Century Geographies (New Brunswick, NJ: Rutgers University Press, 2002)Google Scholar
Mighall, Robert, A Geography of Victorian Gothic Fiction: Mapping History’s Nightmares (Oxford University Press, 1999)Google Scholar
Miller, D. A., The Novel and the Police (Berkeley and Los Angeles: University of California Press, 1988)Google Scholar
Mitch, David, The Rise of Popular Literacy in Victorian England (Philadelphia: University of Pennsylvania Press, 1992)CrossRefGoogle Scholar
Mohanty, Chandra Talpade, ‘Under Western Eyes: Feminist Scholarship and Colonial Discourse’, in Chandra, Talpade Mohanty, Ann, Russo, and Lordes, Torres (eds.), Third World Women and the Politics of Feminism (Bloomington: Indiana University Press, 1991), pp. 51–81Google Scholar
Moody, Jane, Illegitimate Theatre in London, 1770–1840 (Cambridge University Press, 2000)Google Scholar
Morash, Christopher, Writing the Irish Famine (New York: Clarendon Press, 1995)CrossRefGoogle Scholar
Moretti, Franco, Modern Epic: The World-System from Goethe to Garcia Marquez, trans. Hoare, Quintin (London: Verso, 1996)Google Scholar
Moretti, Franco, Atlas of the European Novel 1800–1900 (London: Verso, 1998)Google Scholar
Moretti, Franco, Atlas of the European Novel, 1800–1900 (London: Verso, 1998)Google Scholar
Mori, Masaki, Epic Grandeur: Toward a Comparative Poetics of the Epic (Albany NY: SUNY Press, 1997)Google Scholar
Muir, Frank (ed.), The Oxford Book of Humorous Prose (Oxford University Press, 1992)Google Scholar
Mulvey, Christopher, Anglo-American Landscapes: A Study of Nineteenth-Century Anglo-American Travel Literature (Cambridge University Press, 1983)Google Scholar
Mulvey, Christopher, Transatlantic Manners: Social Patterns in Nineteenth-Century Anglo-American Travel Literature (Cambridge University Press, 1990)Google Scholar
Musgrave, P. W., From Brown to Bunter: The Life and Death of the School Story (London: Routledge, 1985)Google Scholar
Musgrave, Michael (ed.), George Grove, Music and Victorian Culture (Basingstoke: Palgrave Macmillan, 2003)Google Scholar
Mussell, James, Science, Time and Space in the Late Nineteenth-Century Periodical Press (Aldershot: Ashgate, 2007)Google Scholar
Nead, Lynda, Victorian Babylon: People, Streets, and Images of the Nineteenth-Century City (New Haven: Yale University Press, 2000)Google Scholar
Nelson, Claudia, Boys Will Be Girls: The Feminine Ethic and British Children’s Fiction, 1857–1917 (New Brunswick, NJ: Rutgers University Press, 1991)Google Scholar
Newey, Vincent and Philip, Shaw (eds.), Mortal Pages, Literary Lives: Studies in Nineteenth-century Autobiography (Aldershot: Scolar Press; Brookfield, VT: Ashgate, 1996)Google Scholar
Nicholls, Peter, Modernisms: A Literary Guide (Basingstoke: Macmillan, 1995)Google Scholar
Nicoll, Allardyce, A History of English Drama, 1660–1900, vols. iv and v (Cambridge University Press, 1967)Google Scholar
Nixon, Jude V. (ed.), Victorian Religious Discourse: New Directions in Criticism (New York and Basingstoke, Palgrave Macmillan, 2004)CrossRefGoogle Scholar
Nord, Deborah Epstein, Walking the Victorian Streets: Women, Representation, and the City (Ithaca, NY: Cornell University Press, 1995)Google Scholar
Novak, Daniel A., Realism, Photography, and Nineteenth-Century Fiction (Cambridge University Press, 2005)Google Scholar
Novak, Daniel A., Realism, Photography, and Nineteenth-Century Fiction (Cambridge University Press, 2008)Google Scholar
O’Connell, Helen, Ireland and the Fiction of Improvement (New York: Oxford University Press, 2006)CrossRefGoogle Scholar
O’Connor, Ralph, The Earth on Show: Fossils and the Poetics of Popular Science, 1802–1856 (University of Chicago Press, 2007)CrossRefGoogle Scholar
Oberhelman, Steven M., Van, Kelly, and Richard, J. Golsan (eds.), Epic and Epoch: Essays on the Interpretation and History of a Genre (Lubbock: Texas Tech University Press, 1994)Google Scholar
Olney, James, Metaphors of Self: The Meaning of Autobiography (Princeton University Press, 1972)Google Scholar
Olsen, Donald J., The Growth of Victorian London (London: B. T. Batsford, 1976)Google Scholar
Onslow, Barbara, Women of the Press in Nineteenth-Century Britain (Houndmills, Basingstoke: Macmillan, 2000)Google Scholar
Otis, Laura, Membranes: Metaphors of Invasion in Nineteenth-Century Literature, Science and Politics (Baltimore: Johns Hopkins University Press, 1999)Google Scholar
Otis, Laura (ed.), Literature and Science in the Nineteenth Century: an Anthology (Oxford University Press, 2002)Google Scholar
Palgrave, Francis Turner, The Golden Treasury: Of the Best Songs and Lyrical Poems in the English Language, 1861, ed. Christopher, Ricks (London: Penguin, 1991)Google Scholar
Palmeri, Frank, ‘Cruikshank, Thackeray, and the Victorian Eclipse of Satire’, Studies in English Literature 1500–1900 44:4 (2004), pp. 753–77CrossRefGoogle Scholar
Palmeri, Frank, ‘Narrative Satire in the Nineteenth Century’ in Ruben Quintano (ed.), A Companion to Satire (Oxford: Blackwell, 2007), pp. 361–76CrossRefGoogle Scholar
Paradis, James (ed.), Samuel Butler: Victorian Against the Grain (Toronto University Press, 2007)CrossRefGoogle Scholar
Parry, J. P., The Rise and Fall of Liberal Government in Victorian Britain (New Haven: Yale University Press, 1993)Google Scholar
Parry, Benita, Delusions and Discoveries: Studies on India in the British Imagination (London and New York: Verso, 1998)Google Scholar
Parsons, Gerald, James, R. Moore, and John, Wolffe, Religion in Victorian Britain, 5 vols. (Manchester University Press, 1988–97)Google Scholar
Patten, Robert L., Charles Dickens and His Publishers (Oxford University Press, 1978)Google Scholar
Patten, Robert, Charles Dickens and his Publishers (Oxford: Clarendon Press, 1978)Google Scholar
Pearsall, Ronald, Collapse of Stout Party: Victorian Wit and Humour (London: Weidenfeld and Nicholson, 1975)Google Scholar
Pedersen, Joyce Sanders, The Reform of Girls’ Secondary Education in Victorian England: A Study of Elites and Educational Change (London and New York: Garland, 1987)Google Scholar
Pedersen, Joyce Sanders, ‘Schoolmistresses and Headmistresses: Elites and Education in Nineteenth-Century England’, Journal of British Studies 15 (1975), pp. 135–62CrossRefGoogle Scholar
Pemble, John, The Mediterranean Passion: Victorians and Edwardians in the South (Oxford University Press, 1987)Google Scholar
Perkin, Harold, The Origins of Modern English Society 1780–1880 (London: Routledge and Kegan Paul, 1969)Google Scholar
Perkins, David, A History of Modern Poetry: from the 1890s to the High Modernist Mode (Cambridge, MA: Harvard University Press, 1976)Google Scholar
Peterson, Linda H., Traditions of Victorian Women’s Autobiography: The Poetics and Politics of Life Writing (Charlottesville: University Press of Virginia, 1999)Google Scholar
Peterson, Linda H., Victorian Autobiography: The Tradition of Self-Interpretation (New Haven: Yale University Press, 1986)Google Scholar
Peterson, M. Jeanne, ‘The Victorian Governess: Status Incongruence in Family and Society’, in Vicinus, Martha (ed.) Suffer and Be Still: Women in the Victorian Age (Bloomington: Indiana University Press, 1973)Google Scholar
Picker, John M., Victorian Soundscapes (New York: Oxford University Press, 2003)CrossRefGoogle Scholar
Pike, David L., Subterranean Cities: The World Beneath Paris and London, 1800–1945 (Ithaca, NY: Cornell University Press, 2005)Google Scholar
Plotz, John, Portable Property: Victorian Culture on the Move (Princeton University Press, 2008)CrossRefGoogle Scholar
Poovey, Mary, Uneven Development: The Ideological Work of Gender in Mid-Victorian England (Chicago and London: Chicago University Press, 1988)CrossRefGoogle Scholar
Poovey, Mary, Uneven Developments: The Ideological Work of Gender in Mid-Victorian England (London: Virago, 1989)Google Scholar
Poovey, Mary, ‘Forgotten Writers, Neglected Histories: Charles Reade and the Nineteenth-Century Transformation of the British Literary Field’, ELH 71 (2004), pp. 433–53CrossRefGoogle Scholar
Poovey, Mary, ‘Introduction’, The Financial System in Nineteenth-Century Britain (New York: Oxford University Press, 2002), pp. 1–33Google Scholar
Poovey, Mary, Uneven Developments: The Ideological Work of Gender in Mid-Victorian England (University of Chicago Press, 1988)CrossRefGoogle Scholar
Poovey, Mary, Making a Social Body: British Cultural Formations, 1830–1864 (University of Chicago Press, 1995)Google Scholar
Powell, Kerry (ed.), The Cambridge Companion to Victorian and Edwardian Theatre (Cambridge University Press, 2004)CrossRefGoogle Scholar
Pratt, Mary Louise, Imperial Eyes: Travel Writing and Transculturation (London: Routledge, 1992)CrossRefGoogle Scholar
Prettejohn, Elizabeth, Art for Art’s Sake: Aestheticism in Victorian Painting (New Haven: Yale University Press, 2007)Google Scholar
Prickett, Stephen, Victorian Fantasy (Hassocks: Harvester Wheatsheaf, 1979)Google Scholar
Prins, Yopie, Victorian Sappho (Princeton University Press, 1999)Google Scholar
Prins, Yopie, Victorian Sappho (Princeton University Press, 1999)Google Scholar
Psomiades, Kathy Alexis, Beauty’s Body: Femininity and Representation in British Aestheticism (Stanford University Press, 1997)Google Scholar
Psomiades, Kathy Alexis, Beauty’s Body: Femininity and Representation in British Aestheticism (Stanford University Press, 1997)Google Scholar
Pulham, Patricia and Rosario, Arias (eds.), Haunting and Spectrality in Neo-Victorian Fiction (Basingstoke: Palgrave Macmillan, 2009)Google Scholar
Punter, David, The Literature of Terror: A History of Gothic Fictions from 1765 to the Present Day (London and New York: Longman, 1980)Google Scholar
Pykett, Lyn, The Improper Feminine: The Women’s Sensation Novel and the New Woman Writing (London: Routledge, 1992)CrossRefGoogle Scholar
Quigly, Isabel, The Heirs of Tom Brown: The English School Story (London: Chatto & Windus, 1982)Google Scholar
Quint, David, Epic and Empire: Politics and Generic Form from Virgil to Milton (Princeton University Press, 1993)Google Scholar
Radford, Andrew, Thomas Hardy and the Survivals of Time (Aldershot: Ashgate, 2003)Google Scholar
Rahill, Frank, The World of Melodrama (University Park: Pennsylvania State University Press, 1967)Google Scholar
Rajan, Balachandra, The Form of the Unfinished: English Poetics from Spenser to Pound (Princeton University Press, 1985)CrossRefGoogle Scholar
Rappaport, Erika, Shopping for Pleasure: Women in the Making of London’s West End (Princeton University Press, 2000)Google Scholar
Raven, James, The Business of Books: Booksellers and the English Book Trade (New Haven and London: Yale University Press, 2007)Google Scholar
Reid, Julia, Robert Louis Stevenson, Science, and the Fin de Siècle (Basingstoke: Palgrave Macmillan, 2006)CrossRefGoogle Scholar
Reynolds, Matthew, The Realms of Verse: English Poetry in a Time of Nation-Building (Oxford University Press, 2001)Google Scholar
Reynolds, , Kimberley, Girls Only? Gender and Popular Children’s Fiction in Britain, 1880–1910 (New York: Harvester Wheatsheaf, 1990)Google Scholar
Richards, Jeffrey, Imperialism and Juvenile Literature (Manchester University Press, 1989)Google Scholar
Richards, Jeffrey (ed.), Happiest Days: The Public Schools in English Fiction (Manchester University Press, 1988)Google Scholar
Richards, Thomas, The Imperial Archive: Knowledge and the Fantasy of Empire (London and New York: Verso, 1993)Google Scholar
Richardson, Angelique, Love and Eugenics in the Late Nineteenth Century: Rational Reproduction and the New Woman (Oxford University Press, 2003)Google Scholar
Rignall, John, ‘Europe in the Victorian Novel’, in O’Gorman, Francis (ed)., A Concise Companion to the Victorian Novel (Oxford: Blackwell, 2005)Google Scholar
Rignall, John, George Eliot and Europe (Aldershot: Scolar, 1997)Google Scholar
Roach, John, A History of Secondary Education in England, 1800–1870 (London: Longman, 1986)Google Scholar
Robb, George, White-Collar Crime in Modern England: Financial Fraud and Business Morality 1845–1929 (Cambridge University Press, 1992)CrossRefGoogle Scholar
Roberts, Adam, Romantic and Victorian Long Poems: A Guide (Aldershot: Ashgate, 1999)Google Scholar
Rodney, Walter, How Europe Underdeveloped Africa (London: Bogle L’Ouverture Publications, 1972)Google Scholar
Rogers, William Elford, The Three Genres and the Interpretation of Lyric (Princeton University Press, 1983)CrossRefGoogle Scholar
Rose, Jonathan, The Intellectual Life of the British Working Classes (New Haven and London: Yale University Press, 2003)Google Scholar
Rose, Gillian, Feminism and Geography (Minneapolis: University of Minnesota Press, 1993)Google Scholar
Rothblatt, Sheldon, The Revolution of the Dons: Cambridge and Society in Victorian England (London: Faber, 1968)Google Scholar
Rowlinson, Matthew, ‘Lyric’, in Richard, Cronin, Alison, Chapman and Antony, H.Harrison (eds.), A Companion to Victorian Poetry (Oxford: Blackwell, 2002)Google Scholar
Ruse, Michael, The Darwinian Revolution: Science Red in Tooth and Claw, 2nd edn (Chicago and London: University of Chicago Press, 1999)Google Scholar
Rylance, Rick, Victorian Psychology and British Culture 1850–1880 (Oxford University Press, 2000)CrossRefGoogle Scholar
Sadoff, Dianne, Victorian Vogue: British Novels on Screen (Minneapolis: University of Minnesota Press, 2009)Google Scholar
Said, Edward, Culture and Imperialism (1993; London: Vintage, 1994)Google Scholar
Said, Edward, Orientalism (New York: Random House, 1978)Google Scholar
Saintsbury, George, A History of English Prosody. Vol. iii, From Blake to Mr. Swinburne (London: Macmillan and Co. Ltd., 1910)Google Scholar
Samuel, Raphael (ed.), Patriotism: the Making and Unmaking of British National Identity, Vol iii, National Fictions (London: Routledge, 1989)Google Scholar
Sanders, Valerie, The Private Lives of Victorian Women: Autobiography in Nineteenth-Century England (Hemel Hempstead and New York: Harvester Wheatsheaf, 1989)Google Scholar
Sanders, Andrew, ‘ “Utter Indifference”? The Anglo-Saxons in the Nineteenth-Century Novel’, in Donald, Scragg and Carole, Weinberg (eds.), Literary Appropriations of the Anglo-Saxons from the Thirteenth to the Twentieth Century (Cambridge University Press, 2000), pp. 157–73CrossRefGoogle Scholar
Sanders, Andrew, ‘Victorian Romance: Romance and Mystery’, in Sanders, Corinne (ed.), A Companion to Romance; From Classical to Contemporary (Oxford: Blackwell Publishing, 2004), pp. 375–88CrossRefGoogle Scholar
Schaffer, Talia, The Forgotten Female Aesthetes: Literary Culture in Late Victorian England (Charlottesville: University of Virginia Press, 1999)Google Scholar
Schaffer, Talia and Psomiades, Kathy (eds.), Women and British Aestheticism (Charlottesville: University of Virginia Press, 1984)Google Scholar
Schivelbusch, Wolfgang, The Railway Journey: The Industrialization of Time and Space in the Nineteenth Century (1977; Berkeley: University of California Press, 1986)Google Scholar
Scholes, Robert E. and Robert, Kellogg, The Nature of Narrative (New York: Oxford University Press, 1964)Google Scholar
Scott, Derek B., The Singing Bourgeois: Songs of the Victorian Drawing Room and Parlour (Milton Keynes: Open University Press, 1989)Google Scholar
Scull, Andrew, Museums of Madness: The Social Organization of Insanity in Nineteenth-Century England (London: Allen Lane, 1979)Google Scholar
Secord, James A., Victorian Sensation: The Extraordinary Publication, Reception, and Secret Authorship of Vestiges of the Natural History of Creation (University of Chicago Press, 2000)Google Scholar
Sedgwick, Eve Kosofsky, Between Men: English Literature and Male Homosocial Desire (New York: Columbia University Press, 1985)Google Scholar
Sedgwick, Eve Kosofsky, Epistemology of the Closet (Berkeley: University of California Press, 1990)Google Scholar
Seltzer, Mark, Bodies and Machines (New York and London: Routledge, 1992)Google Scholar
Seville, Catherine, The Internationalisation of Copyright Law: Books, Buccaneers and the Black Flag in the Nineteenth Century (Cambridge University Press, 2006)CrossRefGoogle Scholar
Shaffer, Elinor S., ‘Kubla Khan’ and The Fall of Jerusalem: The Mythological School in Biblical Criticism and Secular Literature 1770–1880 (Cambridge University Press, 1975)Google Scholar
Shattock, Joanne, Politics and Reviewers: The Edinburgh and the Quarterly in the Early Victorian Age (London: Leicester University Press, 1989)Google Scholar
Shattock, Joanne and Michael, Wolff (eds.), The Victorian Press: Samplings and Soundings (London: Leicester University Press, 1982)Google Scholar
Shattock, Joanne and Wolff, Michael (eds.), The Victorian Periodical Press: Samplings and Soundings (Leicester University Press, 1982)Google Scholar
Shell, Marc, The Economy of Literature (Baltimore: Johns Hopkins University Press, 1978)Google Scholar
Shepherd, Simon and Peter, Womack, English Drama: A Cultural History (Oxford: Blackwell, 1996)Google Scholar
Showalter, Elaine, Sexual Anarchy: Gender and Culture at the Fin de Siècle (New York: Viking, 1990)Google Scholar
Showalter, Elaine, Sexual Anarchy: Gender and Culture at the Fin de Siècle (New York: Viking Penguin, 1990)Google Scholar
Showalter, Elaine, The Female Malady: Women, Madness and English Culture, 1830–1980 (1985; London: Virago, 1987)Google Scholar
Shuttleworth, Sally, The Mind of the Child: Child Development in Literature, Science and Medicine, 1840–1900 (Oxford University Press, 2010)CrossRefGoogle Scholar
Shuttleworth, Sally, Charlotte Brontë and Victorian Psychology (Cambridge University Press, 1996)CrossRefGoogle Scholar
Shuttleworth, Sally, George Eliot and Nineteenth-Century Science: the Make-believe of a Beginning (Cambridge University Press, 1984)Google Scholar
Shuttleworth, Sally, Charlotte Brontë and Victorian Psychology (1996; Cambridge University Press, 2004)Google Scholar
Siegel, Jonah, Desire and Excess: The Nineteenth-Century Culture of Art (Princeton University Press, 2000)Google Scholar
Siegel, Jonah, Haunted Museum: Longing, Travel and the Art-Romance Tradition (Princeton University Press, 2005)Google Scholar
Silver, Carole G., Strange and Secret Peoples: Fairies and Victorian Consciousness (New York: Oxford University Press, 1999)Google Scholar
Sinnema, Peter W., Dynamics of the Pictured Page: Representing the Nation in the Illustrated London News (Aldershot: Ashgate, 1998)Google Scholar
Slater, Michael, Douglas Jerrold 1803–1857 (London: Duckworth, 2002)Google Scholar
Small, Helen, Love’s Madness: Medicine, The Novel and Female Insanity, 1800–1865 (Oxford: Clarendon Press, 1996)Google Scholar
Smith, James L., Melodrama (London: Methuen & Co, 1973)Google Scholar
Smith, John, ‘ “Merely a Growing Dilemma of Etiquette?”: The Deepening Gulf between the Victorian Clergyman and Victorian Schoolteacher’, History of Education 33 (2004), pp. 157–76CrossRefGoogle Scholar
Smith, Jonathan, Fact and Feeling: Baconian Science and the Nineteenth-Century Literary Imagination (Madison: University of Wisconsin Press, 1994)Google Scholar
Smith, Roger, The Fontana History of the Human Sciences (London: Fontana, 1997)Google Scholar
Smith, Roger, ‘The Physiology of the Will: Mind, Body, and Psychology in the Periodical Literature, 1855–1875’, in Geoffrey, Cantor and Sally, Shuttleworth (eds.), Science Serialized: Representations of the Sciences in Nineteenth-Century Periodicals (Cambridge, MA: MIT Press, 2004), pp. 81–110Google Scholar
Smithser, Neil, Social Paralysis and Social Change: British Working-Class Education in the Nineteenth Century (Berkeley: University of California Press, 1991)Google Scholar
Solie, Ruth A., Music In Other Words: Victorian Conversations (Berkeley: University of California Press, 2004)CrossRefGoogle Scholar
Spivak, Gayatri Chakravorty, ‘Can the Subaltern Speak?’ in Nelson, Cary and Grossberg, Lawrence (eds.), Marxism and the Interpretation of Culture (Urbana: University of Illinois Press, 1988), pp. 271–313CrossRefGoogle Scholar
Spivak, Gayatri Chakravorty, ‘Three Women’s Texts and a Critique of Imperialism’, Critical Inquiry 12:1 (1985), pp. 243–61CrossRefGoogle Scholar
St Clair, William, The Reading Nation in the Romantic Period (Cambridge University Press, 2004)Google Scholar
Stallybrass, Peter and Allon, White, The Politics and Poetics of Transgression (Ithaca, NY: Cornell University Press, 1986)Google Scholar
Starkie, Enid, From Gautier to Eliot: The Influence of France on English Literature, 1851–1939 (London: Hutchinson, 1960)Google Scholar
Stein, Richard, The Ritual of Interpretation: the Fine Arts as Literature in Ruskin, Rossetti, and Pater (Cambridge, MA: Harvard University Press, 1975)CrossRefGoogle Scholar
Stephens, W. B., Education in Britain, 1750–1914 (New York: St Martin’s Press, 1998)CrossRefGoogle Scholar
Stevenson, Richard, The Experimental Impulse in George Meredith’s Fiction (Lewisburg, PA: Bucknell University Press, 2004)Google Scholar
Stewart, Susan, Poetry and the Fate of the Senses (Chicago and London: Chicago University Press, 2002)Google Scholar
Stewart, Susan, Nonsense. Aspects of Intertextuality in Folklore and Literature (Baltimore: Johns Hopkins University Press, 1989)Google Scholar
Storey, Graham, ‘Hopkins as a Mannerist’, Studies in the Literary Imagination 21 (1988), pp. 77–90Google Scholar
Sutherland, John, Victorian Fiction: Writers, Publishers, Readers (Basingstoke: Palgrave, 2006)CrossRefGoogle Scholar
Sutherland, John, The Longman Companion to Victorian Fiction (London: Longman, 1988)Google Scholar
Sutherland, Gillian, Elementary Education in the Nineteenth Century (London: Historical Association, 1971)Google Scholar
Sutherland, J. A., Victorian Novelists and Publishers (University of Chicago Press, 1976)Google Scholar
Tamarkin, Elisa, Anglophilia: Deference, Devotion, and Antebellum America (University of Chicago Press, 2008)CrossRefGoogle Scholar
Tave, Stuart, The Amiable Humorist: A Study in the Comic Theory and Criticism of the Eighteenth and Early Nineteenth Centuries (University of Chicago Press, 1960)Google Scholar
Taylor, Jenny Bourne, In the Secret Theatre of Home: Wilkie Collins, Sensation Narrative and Nineteenth-Century Psychology (London and New York: Routledge, 1988)Google Scholar
Taylor, Jenny Bourne, and Sally, Shuttleworth (eds.), Embodied Selves: An Anthology of Psychological Texts, 1830–1890 (Oxford University Press, 1998)Google Scholar
Taylor, Jenny Bourne, In the Secret Theatre of Home: Wilkie Collins, Sensation Narrative, and Nineteenth-Century Psychology (London: Routledge, 1988)Google Scholar
Taylor, Jenny Bourne, ‘Obscure Recesses: Locating the Victorian Unconscious’, in Bullen, J. B. (ed.), Writing and Victorianism (London: Longman, 1997), pp. 137–79Google Scholar
Taylor, Jenny Bourne and Sally, Shuttleworth (eds.), Embodied Selves: An Anthology of Psychological Texts 1830–1890 (Oxford: Clarendon Press, 1998)Google Scholar
Taylor, Miles and Michael, Wolff (eds.), The Victorians Since 1901: Histories, Representations and Revisions (Manchester University Press, 2004)Google Scholar
Bellaigue, Christina, ‘Teaching as a Profession for Women’, Historical Journal 44 (2001), pp. 963–88Google Scholar
Temperley, Nicholas (ed.), Music in Britain: The Romantic Age, 1800–1914 (London: Athlone, 1981)Google Scholar
Tennenhouse, Leonard, The Importance of Feeling English: American Literature and the British Diaspora, 1750–1850 (Princeton University Press, 2007)Google Scholar
Thomas, Ronald R., Detective Fiction and the Rise of Forensic Science (Cambridge University Press, 1999)Google Scholar
Thomas, Ronald, Detective Fiction and the Rise of Forensic Science (Cambridge University Press, 1999)Google Scholar
Thomson, Patricia, George Sand and the Victorians: Her Influence and Reputation in Nineteenth-Century England (London: Macmillan, 1977)CrossRefGoogle Scholar
Thormählen, Marianne, The Brontës and Education (Cambridge University Press, 2007)CrossRefGoogle Scholar
Thurschwell, Pamela, Literature, Technology, and Magical Thinking, 1880–1920 (Cambridge University Press, 2001)CrossRefGoogle Scholar
Thurschwell, Pamela, Literature, Technology and Magical Thinking, 1880–1920 (Cambridge University Press, 2001)CrossRefGoogle Scholar
Tillyard, E. M. W., The Epic Strain in the English Novel (London: Chatto and Windus, 1958)Google Scholar
Trotter, David, The English Novel in History, 1895–1920 (London: Routledge, 1993)Google Scholar
Trumpener, Katie, Bardic Nationalism: The Romantic Novel and the British Empire (Princeton University Press, 1997)Google Scholar
Trumpener, Katie, Bardic Nationalism: The Romantic Novel and the British Empire (Princeton University Press, 1997)Google Scholar
Tucker, Herbert F., Epic: Britain’s Heroic Muse 1790–1910 (New York: Oxford University Press, 2008)CrossRefGoogle Scholar
Tucker, Herbert, Tennyson and the Doom of Romanticism (Cambridge, MA: Harvard University Press, 1988)CrossRefGoogle Scholar
Turton, Glyn, Turgenev and the Context of English Literature, 1850–1900 (London: Routledge, 1992)Google Scholar
Vann, J. Don, and Rosemary, T. VanArsdel (eds.), Victorian Periodicals and Victorian Society (University of Toronto Press, 1994)Google Scholar
Vardac, A. Nicholas, Stage to Screen: Theatrical Method from Garrick to Griffith (Cambridge, MA: Harvard University Press, 1949)Google Scholar
Varouxakis, Georgios, Victorian Political Thought on France and the French (Basingstoke: Palgrave, 2002)CrossRefGoogle Scholar
Vendler, Helen, Invisible Listeners: Lyric Intimacy in Herbert, Whitman, and Ashbery (Princeton University Press, 2005)Google Scholar
Vernon, James, Politics and the People: A Study in English Political Culture, c. 1815–1867 (Cambridge University Press, 1993)Google Scholar
Vicinus, Martha, The Industrial Muse: A Study of Nineteenth-Century British Working-Class Culture (New York: Barnes and Noble, 1974)Google Scholar
Vincent, David, Literacy and Popular Culture: England 1750–1914 (Cambridge University Press, 1989)CrossRefGoogle Scholar
Vincent, David, Literacy and Popular Culture: England 1750–1914 (Cambridge University Press, 1989)CrossRefGoogle Scholar
Viswanathan, Gauri, Masks of Conquest: Literary Study and British Rule in India (New York: Columbia University Press; London: Faber and Faber, 1989)Google Scholar
Vrettos, Athena, ‘Dickens and the Psychology of Repetition’, Victorian Studies 42:3 (1999/2000), pp. 399–426CrossRefGoogle Scholar
Wagner-Lawlor, Jennifer A. (ed.), The Victorian Comic Spirit: New Perspectives (Aldershot: Ashgate, 2000)Google Scholar
Walkowitz, Judith, City of Dreadful Delight: Narratives of Sexual Danger in Late-Victorian London (University of Chicago Press, 1992)CrossRefGoogle Scholar
Walkowitz, Judith, Prostitution and Victorian Society: Women, Class, and the State (Cambridge University Press, 1980)CrossRefGoogle Scholar
Walkowitz, Judith, City of Dreadful Delight: Narratives of Sexual Danger in Late-Victorian London (University of Chicago Press, 1992)CrossRefGoogle Scholar
Wallace, Anne D., Walking, Literature, and English Culture: the Origins and Uses of Peripatetic in the Nineteenth Century (Oxford: Clarendon Press, 1993)Google Scholar
Wardle, David, English Popular Education 1780–1975 (Cambridge University Press, 1976)Google Scholar
Watson, J. R., The English Hymn: A Critical and Historical Study (Oxford: Clarendon Press, 1997)Google Scholar
Weber, William, Music and the Middle Class: The Social Structure of Concert Life in London, Paris, and Vienna between 1830 and 1848 (New York: Holmes & Meier, 1975)Google Scholar
Weisbuch, Robert, Atlantic Double-Cross (Chicago and London: University of Chicago Press, 1986)Google Scholar
Weliver, Phyllis, The Musical Crowd in English Fiction, 1840–1910: Class, Culture and Nation (Basingstoke: Palgrave Macmillan, 2006)CrossRefGoogle Scholar
Weliver, Phyllis (ed.), The Figure of Music in Nineteenth-Century British Poetry (Aldershot: Ashgate, 2005)Google Scholar
Wheeler, Michael (ed.), Ruskin and Environment: The Storm Cloud of the Nineteenth Century (Manchester University Press, 1995)Google Scholar
Williams, Carolyn, Transfigured World: Walter Pater’s Aesthetic Historicism (Ithaca, NY: Cornell University Press, 1989)Google Scholar
Williams, Raymond, The Country and the City (London: Chatto and Windus, 1973)Google Scholar
Williams, Raymond, The Country and the City (London: Chatto & Windus, 1973)Google Scholar
Williams, Rosalind, Notes on the Underground: An Essay on Technology, Society, and the Imagination (Cambridge, MA and London: MIT Press, 1990)Google Scholar
Williams, Raymond, The Country and the City (London: Chatto and Windus, 1973)Google Scholar
Wilson, A. N., After the Victorians: The Decline of Britain in the World (London: Hutchinson, 2005)Google Scholar
Winn, James Anderson, Unsuspected Eloquence: A History of the Relations between Poetry and Music (New Haven: Yale University Press, 1981)Google Scholar
Winter, Alison, Mesmerized: Powers of Mind in Victorian Britain (Chicago and London: University of Chicago Press, 1998)Google Scholar
Winter, Alison, Mesmerized: Powers of Mind in Victorian Britain (University of Chicago Press, 1998)Google Scholar
Wolff, Michael, , John S.North, and Dorothy Deering, The Waterloo Directory of Victorian Periodicals 1824–1900 (Waterloo: Wilfred Laurier Press, 1976)Google Scholar
Woodmansee, Martha and Osteen, Mark (eds.), The New Economic Criticism: Studies at the Intersection of Literature and Economics (London: Routledge, 1999)Google Scholar
Woodmansee, Martha, The Author, Art, and the Market (New York: Columbia University Press, 1994)Google Scholar
Young, Paul, Globalization and the Great Exhibition: The Victorian New World Order (London: Palgrave, 2008)Google Scholar
Young, G. M., Portrait of an Age: Victorian England. 2nd edn, 2 vols. (London: Oxford University Press, 1960)Google Scholar
Young, , , Robert, M., Mind, Brain and Adaptation in the Nineteenth Century: Cerebral Localization and its Biological Context from Gall to Ferrier (Oxford: Clarendon Press, 1970)Google Scholar
Young, Robert, Darwin’s Metaphor: Nature’s Place in Victorian Culture (Cambridge University Press, 1985)Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Select bibliography
  • Edited by Kate Flint, University of Southern California
  • Book: The Cambridge History of Victorian Literature
  • Online publication: 28 March 2012
  • Chapter DOI: https://doi.org/10.1017/CHOL9780521846257.036
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Select bibliography
  • Edited by Kate Flint, University of Southern California
  • Book: The Cambridge History of Victorian Literature
  • Online publication: 28 March 2012
  • Chapter DOI: https://doi.org/10.1017/CHOL9780521846257.036
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Select bibliography
  • Edited by Kate Flint, University of Southern California
  • Book: The Cambridge History of Victorian Literature
  • Online publication: 28 March 2012
  • Chapter DOI: https://doi.org/10.1017/CHOL9780521846257.036
Available formats
×